Art by Medium: Lithograph

Artist: Marc Chagall (1887–1985) Title: Motherhood with Centaur (Maternite au Centaure) Year: 1957 Medium: Lithograph on velin paper Paper Size: 9.06 x 7.875 inches (23.01 x 20 cm) Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered as issued Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Chagall, Marc, and Julien Cain. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 207. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 34 Notes: Excerpted from the album (translated from French), This album was printed by Drager Freres in Montrouge on behalf of Maeght Editeur, 13, Rue de Teheran, Paris VIII. The original color lithographs were drawn by Mourlot Freres. The photographs of the works printed are of Y. Hervochon, M. Routhier, Draeger. Copyright 1957. Additional notes: This exquisite lithograph by Marc Chagall (1887–1985), titled Maternite au Centaure (Motherhood with Centaur), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1957. This lyrical composition merges myth and tenderness, portraying the timeless bond of motherhood through Chagall’s poetic imagination. In Maternite au Centaure, a serene maternal figure is juxtaposed with a centaur—an emblem of instinct and vitality—creating a balance between the human and the mythical. The work resonates with Chagall’s fascination with universal themes of creation, nurturing, and love, rendered in his distinctive language of fluid form and radiant color. Through this synthesis of fantasy and emotion, Chagall transforms mythological symbolism into a meditation on the sacred essence of motherhood. The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, represents one of the great achievements in the collaboration between artist and master printer during the postwar period. Each lithograph in the volume reveals Chagall’s expressive range, from intimate reflection to mythic grandeur, united by his radiant use of color and emotional depth. The project brought together the visionary direction of Aimé Maeght and the technical brilliance of the Mourlot studio, producing works that stand as touchstones of 20th-century printmaking. This publication reflects the spirit of the modern livre d’artiste—where painter, poet, and craftsman worked in harmony to create art that transcends the boundaries of the page. Executed as a lithograph on velin paper, this work measures 9.06 x 7.875 inches (23.01 x 20 cm). Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, celebrated for its close collaboration with Chagall and its mastery of fine color lithography. The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, represents a landmark collaboration between Marc Chagall and two of the foremost names in 20th-century art publishing and lithography. The album presents a selection of color lithographs that highlight the artist’s poetic vision and technical mastery of the medium. Each work exemplifies Chagall’s distinctive approach to composition—where figures, animals, and symbols of love and faith intertwine in a dreamlike harmony of form and color. The lithographs were printed with exceptional fidelity and brilliance, capturing the immediacy and emotional depth of Chagall’s hand. This publication stands as one of the most significant artistic documents of the postwar period, bridging modernist experimentation and spiritual lyricism through the timeless language of color and imagination. MARC CHAGALL (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Maternite...

Artist: Marc Chagall (1887–1985) Title: The Accordionist (L’Accordeoniste) Year: 1957 Medium: Lithograph on velin paper Paper Size: 9.06 x 15.75 inches (23.01 x 40 cm), with centerfo...

Marc Chagall (1887-1985) - Le piège à loups (The Wolf Trap) Lithograph from 1961. The edition of 49/60 on Arches paper with wide margins. Dimensions of work: 52.7 x 32 cm. Hand s...

Artist: Marc Chagall (1887–1985) Title: The Christ at the Clock (Le Christ a l’Horloge) Year: 1957 Medium: Lithograph on velin paper Paper Size: 9.06 x 7.875 inches (23.01 x 20 cm) C...

"La Pentre Et Son Double (The Painter and His Double)" color lithograph. Hand numbered 25/50 and signed Marc Chagall recto. Depicts a man painting at an easel in front of the Eiffel Tower with a girl and horse...

Woman Juggler, circa 1960, by Marc Chagall. Lithograph on Arches wove paper, from an edition of 2,000 copies created for Chagall Lithographs, Volume I. Catalogue reference: Mourlot 2...

Artist: Marc Chagall Title: Les Saltimbanques Medium: Lithograph in colors on Arches paper Date: 1969 Edition: E.A. Frame Size: 37 3/4" x 30 1/4" Sheet Size: 30" x 21" Image Size: 22...

Artist: Chagall, Marc Title: The Angel Date: 1960 Medium: Lithograph Unframed Dimensions: 12.5" x 9.5" Signature: Unsigned Edition: Book Edition Literature: Mourlot 288 Publi...

Artist: Marc Chagall (1887–1985) Title: The Green Eiffel Tower (La Tour Eiffel Verte) Year: 1957 Medium: Lithograph on velin paper Paper Size: 7.875 x 9.06 inches (20 x 23.01 cm) Con...

Artist: Marc Chagall (1887–1985) Title: The Green River (Le fleuve vert) Year: 1976 Medium: Lithograph on velin paper Paper Size: 10.875 x 22.25 inches (27.62 x 56.52 cm), with cente...

Marc Chagall (1887-1985) Carte de Voeux pour Aime Maeght 1960 Lithograph in Arches paper Signed in stone Image: 22.2 x 29.5 cm Frame: 46.5 x 54.5cm Marc Chagall (1887 – 1985) Russi...

Marc Chagall (1887–1985) L'Odyssée, Planche XIX Lithograph in colours, 1974, A unique trial proof printed, notably without the central fold, with variant colouration differing from ...

Artist: Marc Chagall (Russian/French) (1887-1985) Title: Lovers with Bouquet, Front Cover of Chagall Lithographe vol 1 Date: 1960 Medium: Color Lithograph Sheet size: 12 7/8 x 10 ¾ i...

Lithograph in colors on Arches paper. Hand signed lower right by Marc Chagall. Hand numbered 53/75 lower left. Paper size: 40.06 x 28.12 inches. Image size: 35.12 x 25.12 inches....

Framed 25.75 x 22.75 in No. 282 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume I" by Fernand Mourlot and Marc Cha...

Marc Chagall (1887-1985) - New Year's Card Lithograph from 1960. Dimensions of sheet: 26.5 x 34 cm Dimensions in frame: 53.2 x 43.2 cm Printer: F. Mourlot, Paris. Reference: Cha...

MARC CHAGALL -- The Festival, from L'Odyssée, 1975 Lithograph in colours Unsigned Edition H.C. XVII / XX published by Mourlot, Paris Literature Mourlot 924; see Cramer books 96 ...

Marc Chagall Original Lithograph 1969 From the revue XXe Siecle, edition of 12,000 Unsigned, as issued Dimensions: 32 x 24 Condition : Excellent Reference: Mourlot 572 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Marc Chagall "Le Joie" 1980 Signed lower right margin, ed. EA lower left margin. Colored lithograph Sheet size 45.7 x 29.6 inch - 116 x 75.3 cm Artist Proof “Le Joie” (French for Jo...

Marc Chagall The Death of Dorcon, from Chagall's Daphnis and Chloé suite, 1961 Sheet size: 42 x 64 cm Unsigned From the book edition of 250 (there is also a signed and numbered edit...

Marc Chagall (1887-1985) - Enlèvement de Chloé (Chloe is carried off by the Methymneans), from "“Daphnis & Chloe" Lithograph from 1961. The edition of 55/60 on Arches paper wit...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

Framed 25.75 x 21.75 in No. 286 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume I" by Fernand Mourlot and Marc Cha...

Marc Chagall (1887-1985) - Le jardin de pomone (The Garden of Pomona) Lithograph from 1968. The edition of 5/50 on Arches paper. Dimensions of work: 64.1 x 46.4 cm. Hand signed. ...

Artist: Marc Chagall (1887–1985) Title: Sarah and Abimelech (Sara et Abimelech) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x ...

Artist: MARC CHAGALL Title: Moses & the Burning Bush (FROM STORY OF THE EXODUS) Medium: Lithograph on arches paper Image Size: 18.50x13.50 inches paper size: 20 x 15 inches Relea...

Marc Chagall (1887-1985) - La Ruse de Dorcon, from Daphnis et Chloé Lithograph from 1961. The edition of 59/60 with wide margins. Dimensions of work: 53.7 x 37.8 cm. Hand signed....

Marc Chagall (1887-1985) - Daphnes and Chloé, Planche XLI Lithograph from 1961. Dimensions of work: 43 x 66 cm. Enhanced with gouache. Examined and identified by a French gallery ...

Artist: Marc Chagall (1887–1985) Title: Landscape at Isbas (Paysage aux Isbas) Year: 1957 Medium: Lithograph on velin paper Paper Size: 9.06 x 7.875 inches (23.01 x 20 cm) Condition: Well preserved, consistent with age and medium Inscription: Signed in the plate and unnumbered as issued Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Chagall, Marc, and Julien Cain. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 207. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 34 Notes: Excerpted from the album (translated from French), This album was printed by Drager Freres in Montrouge on behalf of Maeght Editeur, 13, Rue de Teheran, Paris VIII. The original color lithographs were drawn by Mourlot Freres. The photographs of the works printed are of Y. Hervochon, M. Routhier, Draeger. Copyright 1957. Additional notes: This exquisite lithograph by Marc Chagall (1887–1985), titled Paysage aux Isbas (Landscape at Isbas), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1957. This poetic and visionary composition unites Chagall’s deeply personal approach to landscape with the dreamlike imagery and emotional resonance that distinguish his mature work. In Paysage aux Isbas (Landscape at Isbas), the landscape becomes more than a description of place, transformed instead into a realm of memory, imagination, and poetic association. The composition reflects Chagall’s lifelong ability to dissolve the boundaries between observed reality and the inner world, allowing landscape, recollection, and fantasy to coexist within a single lyrical vision. The work captures the artist’s extraordinary ability to invest familiar surroundings with a sense of mystery and timelessness, transforming the natural world into an evocative meditation on place, memory, and belonging. The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, represents one of the great achievements in the collaboration between artist and master printer during the postwar period. Each lithograph in the volume reveals Chagall’s expressive range, from intimate reflection to mythic grandeur, united by his radiant use of color and emotional depth. The project brought together the visionary direction of Aimé Maeght and the technical brilliance of the Mourlot studio, producing works that stand as touchstones of 20th-century printmaking. This publication reflects the spirit of the modern livre d’artiste—where painter, poet, and craftsman worked in harmony to create art that transcends the boundaries of the page. Executed as a lithograph on velin paper, this work measures 9.06 x 7.875 inches (23.01 x 20 cm). Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, celebrated for its close collaboration with Chagall and its mastery of fine color lithography. The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, represents a landmark collaboration between Marc Chagall and two of the foremost names in 20th-century art publishing and lithography. The album presents a selection of color lithographs that highlight the artist’s poetic vision and technical mastery of the medium. Each work exemplifies Chagall’s distinctive approach to composition—where figures, animals, and symbols of love and faith intertwine in a dreamlike harmony of form and color. The lithographs were printed with exceptional fidelity and brilliance, capturing the immediacy and emotional depth of Chagall’s hand. This publication stands as one of the most significant artistic documents of the postwar period, bridging modernist experimentation and spiritual lyricism through the timeless language of color and imagination. MARC CHAGALL (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paysage...

Artist: Marc Chagall (1887–1985) Title: The Lover's Heaven (Le paradis de l'amoureux) Year: September 1963 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x ...

Artist: Marc Chagall (1887–1985) Title: The Lovers in Gray (Les Amoureux au Gris) Year: 1957 Medium: Lithograph on velin paper Paper Size: 9.06 x 7.875 inches (23.01 x 20 cm) Conditi...

Artist: Marc Chagall (1887–1985) Title: Nocturne at Vence (Nocturne at Vence) Year: September 1963 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x 24.45 cm...

Framed 23 x 19.50 in This lithograph came from "The Lithographs of Chagall: Volume I" by Fernand Mourlot and Marc Chagall. Andre Sauret, 1960. First Edition. Hardcover. Printed in F...

Color lithograph on Arches paper, edited in 1967. by Charles Sorlier after Marc Chagall Limited edition, numbered 66/150 in lower left corner. Hand signed in pencil by artist in lowe...

Marc Chagall (1887-1985) The Bible, Rachel's Treasure Original lithography (Daeger Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the back, see photo ...

Medium: original color lithograph. Catalogue reference: M 646. Printed in Paris in 1972 at the Mourlot atelier. Size: 12 1/2 x 9 3/8 inches (320 x 238 mm). Not signed.

Artist: Marc Chagall (1887–1985) Title: David with the Harp (David a la harpe) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 2...

Marc Chagall (1887-1985) - New Year's Card Lithograph from 1957. Dimensions of sheet: 14 x 11 cm Dimensions in frame: 53.2 x 43.2 cm Printer: F. Mourlot, Paris. The work is in E...

Mixed Media work on Paper, hand colored by the artist on a lithographic touch plate. Signed and annotated “bon à tirer” impression on Arches paper, heavily annotated by Chagall. Pap...

Medium: original lithograph. Reference: Mourlot 282. Printed in Paris in 1960 at the Mourlot atelier for the frontispiece of the "Chagall Lithographe I" catalogue. Sheet size: 12 1/2...

Marc Chagall (1887-1985) - Souvenance d'un printemps (Recollections of a Spring) Lithograph from 1983. Artist’s proof (épreuve d’artiste), aside from the edition of 50. Dimensions...

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 243...

Marc Chagall Hommage à Elsa Triolet, 1972 Lithograph in colors on Arches paper Hand signed and numbered 7/20 from the very rare edition of 20 Mourlot 642 Paper: 25.5 x 19.5 Framed: ...

Inspiration or L'inspiré - The artist and his wife, self-portrait. This is a self-portrait of the great artist, depicting him as lost in thought before one of his paintings, which is apparently related to his home country Russia, as suggested by the small figure in the lower right of the work. Chagall’s wife Valentina (“Vava”), who was also from Russia, is looking over his shoulder, full of longing. The small surreal elements that are characteristic of Chagall’s paintings are also present here: the silhouettes of the houses that seems to stick out of the painting and a figure with a flute or trombone standing on its head. Chagall Lithographe, Volume II of the catalogue raisonné of Chagall's lithographic work, see Mourlot 398, 1957-1962, Paris 1963, imprinted by Imprimerie Mourlot for the publisher André Sauret. A lithographic plate from the catalog that was published in 10,000 copies. Condition : Excellent Set inside a cream mount bearing brass cartellino Visible sheet size length 23cm, Height 31.50cm In a carved and gilded frame Frame size Length 44cm, Height 55.5cm The reverse with a paper label in Japanese Provenance : Private Collection, purchased with Lovers in Grey

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

Framed 23 x 20 in

Framed 23 x 19.75 in No. 393 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume II" by Fernand Mourlot and Marc Chaga...

Artist: Marc Chagall (1887–1985) Title: Angel of Paradise (Ange du Paradis) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.6...

Date: 1957 Lithograph Edition of 6000 Size: 9 x 15.25 in. (22.86 x 38.74 cm) Frame Size: 15.5 x 22 inches Printer: Mourlot Paris Publisher: Maeght, Paris 1957 Reference: Cramer 34: M...

Marc Chagall (1887-1985) - Le Cheval Vert Lithograph from 1973. This impression is notated as “Epreuve d’exposition” apart from the edition of 50 on Arches wove paper. Inscribed t...

Artist: Marc Chagall (1887–1985) Title: The Village (Le Village) Year: 1957 Medium: Lithograph on velin paper Paper Size: 9.06 x 7.875 inches (23.01 x 20 cm) Condition: Well preserve...

This original lithograph in colours is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is hand numbered in pencil at the lower left margin, 58 from ...

Marc Chagall (1887-1985) Les Lilas, 1980 Original lithograph Signed in pencil Numbered out of 50 copies (4/50) On Arches vellum, 116 x 75 cm (c. 46 x 30 in) INFORMATION: Published by Galerie Maeght REFERENCE: Mourlot Catalogue Raisonné...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Artist: Marc Chagall (1887–1985) Title: Chagall Lithographer (Chagall Lithographe) Year: September 1963 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x 24....

Marc Chagall (1887-1985) - Le bouquet du peintre (The Painter’s Bouquet) Lithograph from 1967. The edition of 74/75 on Arches paper. Dimensions of work: 75.9 x 57.7 cm. Hand sign...

Marc Chagall (1887-1985) - New Year's Card Lithograph from 1970. Dimensions of sheet: 14 x 11 cm Dimensions in frame: 53.2 x 43.2 cm Printer: F. Mourlot, Paris. Reference: Chaga...

Framed 25.75 x 31.88 in No. 992 in the Catalogue Raisonne of Chagall's lithographs Framed with museum-quality archival materials, including museum glass which filters out 99% of ha...

Marc Chagall (1887-1985) Paris, Lovers of the Champs de Mars, 1965 Original lithograph after a watercolor (Mourlot Workshop) Printed signature in the plate On vellum 30 x 24 cm (c...

Marc Chagall "Le Nu" Lithograph in colors on Arches paper 21.25 x 14 in. (image size) 25.5 x 18.38 in (sheet size) ​​​​​​​Edition of 50 + Épreuve d'artiste Signed in pencil lower rig...