Art by Medium: Marble

Big Little 112, 2018 12" X 12" acrylic, pigmented plaster, marble dust and wax on panel colorful abstract painting, layered abstract painting, mixed media painting, mixed media abst...

Big Little 118, 2018 12" X 12" acrylic, pigmented plaster, marble dust and wax on panel colorful abstract painting, layered abstract painting, mixed media painting, mixed media abst...

This sculpture integrates a natural fiber palette of Gotland sheep, baby camel, Yak, cashmere and Merino with Portuguese Pink Marble, Lucite, and Walnut.

oil and wax on marble Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light in the s...

Levan Mindiashvili, in his second major exhibition at ODETTA, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity ...

This is a gorgeous hand-carved black marble pair of gloves. The marble is polished and has an amazing tactile feeling. This piece celebrates our ...

The piece combines a Picasso marble chunk and a weathered steel angle with exotic fibers knotted, twisted and entangled into a small ‘Cling' sculpture. Th...

"Inner View Layered VII" by Caroline Ramersdorfer Ramersdorfer carves slabs of marble to reveal complex inteiror spaces creating a variety of "views" and perceptions. Lit from bot...

Mother with child. Soft pink-white marble, black onyx pedestal, artist signed. It will be shipped in two separate boxes. Robert Russin, born in 1914, in New York City died in 2007, w...

This is a gorgeous hand-carved black marble head gear. The marble is polished and has an amazing tactile feeling. This piece celebrates our connection to e...

Artist: David Jaworsky, American Title: Attitudes Year: 1991 Medium: Blown Glass and Bronze with a Marble Base Size: 31 x 20 x 24 in. (78.74 x 50.8 x 60.96 cm) Base: 16 x 2 x 16 ...

Marble and hand-painted steel Edition of 35 15.3 x 30.5 x 15.3 cms (6 x 12 x 5 7/8 ins)

This is a gorgeous hand-carved black marble object. The marble is polished and has an amazing tactile feeling. This piece is celebrates our conne...

Marble, granite and limestone sculpture

This sculpture merges Belgian Black Marble, Douglas Fir and concrete with natural fibers of Yak, Alpaca, Gotland sheep, silk, bamboo and Merino.

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

Provenance Acquired by the gallery directly from the artist Description Masked suggests a sense of mystery and eccentricity, and begs the question: Who is the man behind the mask? ...

Artist: Constantin Antonovici, Romanian (1911 - 2002) Title: Sleeping Owl Year: 1947 Medium: Bronze with Patina on Marble Base, signature and number inscribed Edition: 1/9 Size: 29 i...

Provenance Acquired by the gallery directly from the artist Description Resting upon a golden cushion, this two-faced subject has the look of a mask that one would be able to wear. ...

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

Provenance Acquired by the gallery directly from the artist Exhibitions Exhibited at the Los Angeles Art Show 2014, January 15-19, 2014

My sculpture is inspired by the connection of the human form to nature. I use natural materials, stone, wood and metal to bring to life organic forms moving through space. The delica...

Nude / Figure / Love Marble

Marble

Signed lower right. Provenance: Khromin Estate. Victor Khromin, born in Gatchina City, near St. Petersburg, Russia explored his artistic abilities from the earliest years of his life. The Russian-Finish family into which Victor was born discovered and accepted his talent as something that flowed organically through their family tree. Victor's grandfather was an accomplished artist and a student of Repin at the Academy of Art in St. Petersburg, Russia. The scenery of childhood in a small Finnish village on the outskirts of St. Petersburg continues to inspire Victor throughout his life.Victor went on to study art professionally at the Serov School of Fine Art in Leningrad. While still a student, he actively participated in non-conformist exhibitions, which were illegal during the Soviet Regime. In 1976, Victor became a member of the USSR Union of Professional Artists. This was the only Soviet organization, which could recognize an individual as a career artist. Despite membership, he continued to exhibit his works as part of the Underground Art Movement, which contradicted the code of conduct outlined by the USSR Union of Professional Artists and rejected the only officially accepted style of Socialist Realist. Victor's works stopped being presented for exhibition within official circles of the Soviet Art League. Victor became a target for government harassment and monitoring. The 1985 solo exhibition at the Kudamm Gallery, in Berlin, served as a breaking point in the semi-tolerant relationship that had previously existed between Victor and the USSR Union of Professional Artists. According to the Union, an artist was not allowed to exhibit outside of the USSR without the permission of and censorship by that organization. That same year, Victor lost the position, which he had obtained through the Union. He relocated to a small village called Sinicheno, where over the course of 5 years, he created a series of lyrical pieces. The works were displayed at a solo exhibition at Dianart Gallery in Zurich in 1988, and at Arcole Auction, Paris in 1988-1990.The Perestroika finally opened doors for Victor to exhibit within Russia at "From Unofficial Art to Perestroika," in Leningrad in 1989 and The Stanislavski Actor's House in Leningrad in 1990. In 1990, Victor received an invitation to come to New York City for a Solo exhibition at Nahamkin Gallery. During this trip, Victor applied for legal residency within the United States and was granted this status for his Extraordinary Abilities in Art. In 1996, Victor's paintings become part of the Norton and Nancy Dodge Collection of Nonconformist Art at Rutgers University. From this point on, Victor and his family move to rural upstate New York. Here he continues the development of unique techniques for creating 3D casts for oil paintings and paper. Victor's recent works are hand-made paper reliefs, with acrylic used as a color addition to the texture. He also developed a relining technic, which allow him to transfer his reliefs to canvas, and then work with oil paint over the underlying relief. He has also been represented by Jane Voorhees Zimmerli Art Museum of The Norton & Nancy Dodge Collection of Nonconformist Art from the Soviet Union (1956-1986) at Rutgers University, New Brunswick, NJ; Dianart Gallery, Zurich, Switzerland; Kudam Gallery in Berlin, Germany; Codriorg Pallas Museum , Tallinn, Estonia; Urmala Exhibition Hall, Urmala, Latvia; Regional exhibition in Russia, and solo exhibitions in St. Petersburg, Russia, etc. The specific style category...

Marble

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

This bronze patina sculpture is set on a warm toned marble base. The sculptor, Ruth Gutman, has created an expressionist rendering of a woman praying. ...

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

Bronze on marble base with gold brown patina, 1967. No 28 of 35 pieces. Numbered and signed on the edge. Dimensions: 8.98 x 8.98 in ( 22,8 x 22,8 cm ), Height: ca. 15.16 in ( 38,5 cm )

A white marble sculpture by Domenico Casasanta from 1972. A pristine, minimalist object of modernist, architectural features. Artist: Domenico Casasanta, Italian (1935 - ) Titl...

Art Deco cold-painted bronze on stepped black marble base, circa 1920. By Johann Philipp Ferdinand Preiss ( Germany 1882-1943 ). Model number: 1084, signed: F Preiss...

After Fernando Botero Bronze Horse Sculpture on Marble Base Stamped F. BOTERO 1992, Numbered.

After Fernando Botero Bronze Small Bierd Sculpture on Marble Base Stamped F. BOTERO 1992, Numbered.

After Fernando Botero Bronze Horse Sculpture on Marble Base Stamped F. BOTERO 1992, Numbered.

An Italian marble sculpture head, carved in white aged statuary marble probably in central Italy in the first half of the 20th Century, depicting the Roman Emperor Nero Claudius Caes...

The piece is based on Australian super-model Emma Champdaloup who really has those planar features, soaring cheekbones and intense gaze. I saw in the piece an archetypal female powe...

A very delicately painted portrait miniature on marble of a distinguished looking gentleman. Superb detail and colour - a very striking piece and a rare example of a work by this fir...

A very delicately painted small scale portrait on marble of a handsome young gentleman. Superb detail and colour - a very striking piece and a rare example of a work by this first ra...

Cast bronze with patina finish on marble base

"Inner View Open_ Nexus III" by Caroline Ramersdorfer Three layered, marble slabs on a steel pedestal (each slab is 1.5" thick") Ramersdorfer carves slabs of marble to reveal comple...

Sezione Aurea-C3 is a unique monumental sculpture by contemporary artist Mattia Bosco. This sculpture is made of Cave Michelangelo statuary marble and 23.8-carat gold leaf, dimension...

Étienne-Henry Dumaige 1830 - 1888 Cleopatra before Caesar, after Jean-Léon Gérôme signed H. DUMAIGE bronze on a rouge de France marble base height of bronze 58.4cm. base 33 by 22.2 b...

ITALIAN MEDIEVAL CAPITAL Italy, 12th/13th Century marble 19 x 23 x 23 cm 7 1/2 x 9 x 9 in total height 31 cm (12 1/4 in)

A few years ago, I began developing high relief wall mounted sculptures, a departure from my longstanding practice of figures and heads sculpted in clay. I was seeking some of the s...

A few years ago I began developing high relief wall mounted sculptures, a departure from my longstanding practice of figures and heads sculpted in clay. I was seeking some of the sp...

The title, Cscape, is a contraction of “cultural landscape” which is how I think of these works. This piece was one of the first exhibitable examples of a sculptural process I develo...

Hydrocal blend, ground Carrara marble (wall-hung)

Sezione Aurea-C2 is a unique monumental sculpture by contemporary artist Mattia Bosco. This sculpture is made of Cave Michelangelo statuary marble and 23.8-carat gold leaf, dimensions are 232 × 86 × 69 cm (91.3 × 33.9 × 27.2 in). The sculpture comes with a certificate of authenticity. This piece belongs to a set of three sculptures created especially for the White Carrara festival in 2023. The artist uses gold leaf to emphasise particular shapes and lines in the stone. This body of work, titled "Sezione aurea" (Latin for "Golden section"), was inspired by the discovery of mica-containing rocks. The artist chose to use gold leaf to crystallise this presence of gold because this mineral gives the stone its sparkle. Gold is compared to light in its solid state by Mattia Bosco, who sees stone as the solid manifestation of time. The Carrara, Tuscany, quarries provide the marble used in the Michelangelo statue...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...