Art by Medium: Marble

Aquarius Contemporary Bronze Sculpture Nude Male Figure Boy Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high s...

An exceptional drummer sculpture by Willitts Designs International and Shen Lung. The sculpture is cold painted and made of hand cast resin. The drumm...

Nude woman figure knelling on the pillow. Signed illegibly with initials, dated '64 edition 1/3. Bronze on marble base.

ITALIAN RENAISSANCE CAPITAL WITH MYTHOLOGICAL FIGURES, 15th Century marble H 18 x Diam 33.5 cm H 7 x Diam 13 1/4 in

Edges of a Summit II Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

A beautifully hand carved, full size Carrara marble figure of a boy. The robe is elegantly draped with clasps.

American sculptor Hana Geber (1910 - 1990) She was born in Prague of Czechoslovakian heritage and eventually settled in New York. Her sculptures deal with Jewish themes...

In my tree is a unique Statuario Carrara marble sculpture by contemporary artist Francesca Bernardini. The sculpture is maintained on the white marble base with a rod but it is movab...

In this intriguing piece titled "The Effectiveness of Red No. 2," the artist delves into the expressive nuances of abstraction. The 120x120cm canvas skillfully combines acrylic, mar...

Matt Devine 1763 Study #1 Steel w/ Powdercoat on Marble Base (Indoors Only) 24" x 10" x 8" Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Born and r...

Maurice Lambert Head of Dame Edith Sitwell 1901-1964 Patinated bronze on marble base Dimensions: 7 x 16 inches (18 x 41 cm) Provenance Private collection Originally commissioned by Edith's brother Osbert Sitwell circa 1926/27. Our version is of the same period and must have been commissioned at the same time. A version of this piece made in 1984 in aluminium is held in the permanent collection of the National Portrait Gallery (NPG 5801). Maurice Lambert Maurice Lambert, born in Paris, was son of the Russian-born Australian painter George Washington Lambert...

Yellow Siena marble and brass sculpture, oxidised white marble base. 12 × 40 × 40 cm (4,7 × 15,7 × 15,7 in). Initiated in 2000, the Nests, Cocoons, Chrysalis series marks the artist’...

Transmutation 2020 White Carrara Marble 19 x 22 x 42 in COA by the artist The self-taught artist Roberto Perez Crespo, born in 1969 in Cuba and based in Miami, has been continuously working on sculptures for nearly three decades, following his artistic call after abandoning a completed technical education in auto mechanical service. Pérez Crespo's practice moves between modernity and contemporaneity, pursuing his creative impulse from an emotional starting point. His religious approach partly directs these dynamic positions to classic Judeo-Christian sculptural themes such as maternity, the female body, and romantic love. Over the years, his interests have shifted from academic figurative representation toward a stylized abstraction of the human body. Formally he has explored the creation of less defined anthropomorphic forms while displaying a deft ability to work in various marble types. Perez Crespo's talent working in marble is evidenced by his ability to sculpt the stone into endlessly fluid shapes and contours. He is able, instinctively and organically, to materialize and bring to life an anthropological world that blossoms out of his manual skills. Perez Crespo's sculptures can be approached sensuously as tactile provocations that draw viewers into an intense, supple universe. Perez Crespo creates an imaginary ethos with metaphysical forms while taking significant steps toward an organic abstraction. He uses this type of abstraction that still retains a solid figurative reference while outsourcing modernist elements from artists such as Henry Moore, Maria Martins...

This monumental pair of sculptures in "Bardiglio" marble represent Greek Athletes figure , on a cylindrical base . Exaltation of the male strength and beauty, inspired by the trend i...

Rare, Late Roman Empire (3rd to 5th centuries, C.E.), solid marble bust of a young man. Beautiful patina. Mounted on a later, Carrara marble base.

PAIR OF ROMANESQUE MARBLE COLUMNS Italy, 13th/14th Century marble 86 x 16 x 13 cm 33 3/4 x 6 1/4 x 5 in

Artist: Jack Graves III (American, 1988-) Title: "Apollo Sculpture" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2022 Mediu...

Divyendu Anand - Leaves - The Mystical Link - H 32 x W 20 x D 18 inches Edition 3/8 Liquid Metal Coating over Composite of Stone Glass and Polyester Res...

The memory of my joy as a child when I arrived on the beach knowing that I would be able to ride on the dunes. I invented mini-landscapes and I really liked to watch the mica grains ...

This splendid sculpture represents Young Girl with a Goat (Amalthea and Jupiter's Goat), after the original by Pierre Julien commissioned by Louis XVI in 1785 and completed in 1787 for the cot of Queen Marie-Antoinette in Rambouillet. The work of the sculptor Pierre Julien decorated the interior of a grotto in a pavilion decorated with bas-reliefs by the same sculptor (acquired by the State by dation in 2003). The work was the main element of a rock basin, which was destroyed during the renovation of the gardens of the small castle. The same sculpture was seized during the Revolution and exhibited in the Louvre from 1829. The terracotta sketch, which belonged to the collector Ernst May, must have adorned his château de la Couharde (Yvelines) before entering the Louvre's collections in 1920. The bronze set with a beautiful gilded patina presented here is a work after the original by Pierre Julien (1731-1804) and dates from the 19th century (around 1850). The superbly preserved sculpture, which has belonged to the same family since its acquisition, is presented on its original base in grey serpentine marble. The quality of this work is doubly certified: - on the one hand it is stamped with a round stamp at the top "A. This stamp is a sign of high quality. Achille Collas (1794 - 1859) was the French engineer, engraver and illustrator, inventor among other things of the patented mathematical reduction process of the 19th century to reproduce sculpted objects in reduction, which was very successful. He was awarded a prize at the 1855 exhibition: his "Procédé mécanique", the name under which he prints all his productions, is easily recognisable by the finesse of its execution and by the famous stamp which appears on the base (terrace) of this sculpture. - On the other hand, an important signature is found on the terrace of the sculpture "F. Barbedienne Fondeur", founder. In 1844, Achille Collas, in order to protect his invention, formed the Société Collas et Barbedienne (Paris) with the art founder Ferdinand Barbedienne (1810-1892), which began to produce and sell famous but smaller sculptures in plaster, wood, bronze or ivory. The first object to be marketed was the Venus de Milo after the original in the Louvre Museum. Other sculptures such as the sculpture of George Washington, of which a bronze bust was made by the Barbedienne & Process Collas foundry, are currently in the Metropolitan Museum of Art. HEIGHT OF THE SCULPTURE without base 69CM + BASE = 84CM WIDTH OF THE SCULPTURE without base 28 CM + BASE = 30,5 CM LENGTH OF THE SCULPTURE without base 46 CM + BASE 51 CM The Collas and Barbedienne company was highlighted at the Great Exhibition in London in 1851, the objects of the Barbedienne foundry received a medal and sales soared. At the 1889 Universal Exhibition in Paris, the Barbedienne company again presented a large number of its compositions, including the large neo-Renaissance clock of 1878. This clock, which was part of the Leblanc-Barbedienne estate, was donated by his heirs to the city of Paris, and is kept in the city hall. Pierre Julien (20 June 1731 - 17 December 1804) was a French neo-classical sculptor who worked in the full range of rococo and neoclassical styles. He had an early apprenticeship in Le Puy-en-Velay, near his native village of Saint-Paulien, and then at the École de Dessin in Lyon, before entering the Paris workshop of Guillaume Coustou le Jeune. In 1765, he won the Prix de Rome for sculpture with a bas-relief panel depicting a subject from Antiquity and entered the Royal School for Protected Pupils, which offered a special curriculum under the direction of the painter Louis-Michel van Loo. He was a boarder at the Académie de France in Rome from 1768 to 1773, where he was influenced by the wave of neoclassicism affecting his fellow students. As boarders were required to do, he sent back to France a slightly reduced marble copy of the so-called Cleopatra, the Sleeping Ariadne from the Vatican, which survives in Versailles. Back in France and with his former master, he worked on the sculpture of the mausoleum of Louis, the Grand Dauphin, in the cathedral of Sens. After a failed attempt in 1776, with his Ganymede, he was accepted by the Royal Academy of Painting and Sculpture in 1778, with a Dying Gladiator. He was appointed one of the first members of the Institut de France in 1795, and knight of the Legion of Honour in 1804. He was commissioned by the Count of Angiviller, director of the King's Buildings, on behalf of Louis XVI, to paint the figures for a series of life-size portraits of the great men of France: he produced a Jean de La Fontaine and a Nicolas Poussin, whom he chose to depict in a nightgown, similar to the draperies of a Roman toga. While fulfilling commissions in Paris, for the church of Sainte-Geneviève (now the Panthéon, Paris), or for the Pavillon de Flore in the Louvre, he sculpted in 1785 a virtuoso marble set representing the nymph Amalthée and Jupiter's nurse goat for the Queen's Dairy at the Château de Rambouillet; for his model, he adapted the pose of the famous Venus of the Capitoline. The bas-reliefs of the Dairy, considered his masterpieces, were sold at auction in 1819, but were recovered by the State in 2005, thanks to a gift from the son of the great dealer-collector Daniel Wildenstein. 19th century French school, after Pierre Julien (1731-1804)Amalthea and Jupiter's Goat Bronze with a light brown patina and gilding, reduction made after the marble by Pierre-Julien 1785 executed for Marie-Antoinette at the Laiterie du parc du château de Rambouillet in the Louvre Museum. Among his major works: - Dying Gladiator, marble, 1779, Musée du Louvre. - Ganymede pouring nectar to Jupiter changed into an eagle, [4] marble group, 1776-1778, Paris, Musée du Louvre. - Jean de La Fontaine, marble, 1783-85. Musée du Louvre - Nicolas Poussin, marble, 1789 - 1804. Musée du Louvre - Sketch of a model in terracotta by Nicolas Poussin, ca. 1787 - 1788. Musée du Louvre - Amalthea and Jupiter's goat, marble group, 1787 for the Rambouillet Dairy. The Queen's Dairy at Rambouillet - The girl with the goat, terracotta statuette, 1786. Louvre Museum - Sainte Geneviève restoring her mother's sight, terracotta bas-relief, 1776. Musée du Louvre The works of the famous sculptor Pierre Julien have been referenced in several books and catalogues, including The exhibition catalogue. Gilles Grandjean and Guilhem Scherf. "Pierre Julien 1731-1804". Le Puy-en-Velay, France: Musée Crozatier, 2004. The Lure of Classical Sculpture 1500-1900 (Yale University Press, 1981), cat. no. 24, pp 184-87). Michael Preston Worley, 2003. Pierre Julien: Sculptor to Queen Marie Antoinette. The first modern monograph. Europe in the age of enlightenment and revolution, a catalogue from the libraries of the Metropolitan Museum of Art (fully available online in PDF format), which contains information on Julien. Excerpts from the Grove Dictionary of Art online Pierre Julien in American Public Collections, on the French Sculpture Census website STATUE BARE (BODY) NANNY GOAT (ANIMAL) AMALTHAEA SITTING WOMAN ABOUT US: AYN GALLERY is located in the heart of old Paris on the Ile Saint-Louis surrounded by the Seine, in the most prestigious district of Paris. Just a few steps away from Notre Dame, like a village, this place preserved from urbanists offers a setting as it existed centuries ago with its numerous private mansions which earned the island the nickname "island of palaces" and its illustrious occupants: Charles Baudelaire, Marie Curie, Georges Pompidou or Camille Claudel Our gallery is located just opposite one of the oldest churches in Paris. As the eponymous name of the place indicates, Yasmine Azzi, the owner and artistic director of the place, has a keen eye. Born from the desire to bring together, in a unique space, vintage pieces of 20th century design, contemporary creations, original works of art and interior design know-how, AYN GALLERY was created in 2017. Our gallery presents an eclectic and daring mix, driven by a total freedom of styles and periods. We offer a collection that combines aesthetics and authenticity, in a word what we like and what our customers like. We offer an inspiring selection of furniture from the last century with rare antiques, but also precious objects and lighting with a special emphasis on vintage Italian...

This is a wonderful original hand carved unique marble sculpture by one of America's most treasured artists, Chaim Gross. For more than sixty years Chaim Gross's art has expressed op...

Refined white marble statue from the first half of the 20th century. This is a very high quality copy of a work by the great Italian sculptor Giacomo Ginotti (1845-1897). Known as Th...

Insilit Bronze Marble Stone Nude Contemporary Sculpture Boy Jumping In Stock - Sizes of sculpture, without Stone pedestal : 40 x 32 x 22 cm Wim van der Kant (1949, Kampen) is a sel...

Antonio Tantardini (Italian, 1829-1879) An extraordinary Italian 19th century life size carved Carrara white marble sculpture of "A Young Child and a baby in a wicker crib" - A Risorgimento Allegory. Signed and dated: A.nio Tantanrdini F.ce / 1863. The older child's medallion inscribed with an interlocked XV and Garibaldi, the crib monogrammed: AR. Circa: Florence, 1863. This sculpture includes a recent custom-made veined black marble pedestal stand. (The 2 items description mean the sculpture and pedestal, which are sold as sold a set.) In a country famed for its skilled carvers and working in an age when virtuoso carving technique was highly prized, Antonio Tantardini was one of the very best exponents of master carvers in nineteenth century Italy. Vicario describes Tantardini's skill as 'un abilità tecnica stupefacente'. The present amazing quality marble group epitomizes Tantardini's exceptional talents as a carver. Lesser sculptors might have shied away from attempting to carve a life-size wicker crib in marble, but Tantardini has clearly relished the Challenge. The result is a stunning achievement of verismo Italian sculpture. This marble group, however, is more than a paradigm of Italian marble carving, it is also a prime example of the use of Risorgimento allegory in Italian sculpture of the 1860s. Famous sculptural Risorgimento allegories include Raffaelle Monti...

Finely carved mythological subject in white Carrara marble of Apollo bust .

Luna is a unique ink, paint and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 20 × 20 × 17 cm (7.9 × 7.9 × 6.7 in). The sculpture is signed an...

Adolph T. DIODA (1915-1991) Birth place: Aliquippa, PA Lived in West Aliquippa, PA; Detroit, MI; Phila. & Jenkintown, PA Profession: Sculptor, educator Studied: Carnegie Inst Technol; Cleveland School of Art; Barnes Fnd., Art Student League New York, NY; also with John B Flannagan, New York. Exhibited: WMAA, 1939-40; Carnegie Inst., 1941; AIC, 1940, 1951; Sculpture Int., Philadelphia Mus. of Art, 1940-49; AA Pittsburgh, 1941-45; Carved in Stone, Bucholtz Gallery, New York, 1945; PAFA, 1946-47 & 1968 (prize, 1947); Philadelphia A. All., 1951; Carlen Gal., Philadelphia, 1951; 2-man exh. with William Kienbusch...

Introducing 'Zen Pebbles,' an 80x80cm abstract acrylic masterpiece. Blending marble and collage, this artwork embodies the meticulous harmony found in Zen gardens. The deliberate cho...

A very heavy, massive bronze sculpture by an important Chicago sculptor. Signed and marked "Firenze" with "Fuse Marinelli". METROPOLIS. Seven abstract shapes on black marble base. 1...

This figurative sculpture in veined white Carrara marble stone is by Lutfi Romhein. A graduate from the Academy of Fine Arts of Carrare, in Italy, Lutf...

Bronze Marble Wood Sculpture Four separate pieces, unsigned artist Sarah Schwartz was born 1953 Chicago, Illinois. Education: 1971-72 York University/Ontario College of Art, Toronto...

A. LACARRIÈRE PÈRE, FILS & CIE French, (Mid 19th century) Bronze Figural Torchères - Médaille d'or - Exposition de 1867 Monumental Patinated Bronze Figural Torchères on Pedestal; ...

A very fine Italian 19th century Carrara marble sculpture depicting a young beauty going for a Swim standing on the steps of a dock, raised on its original carved green marble pedest...

Fine Quality Patinated Bronze Figural Sculpture of King Menthuophi and Queen Nitocris. Signed on base, "E. Picault" Maker: Emile Louis Picault (1833-1915) Origin: French Date: 19th...

Modern Scorpion Fish, Early 20th Century Bronze on marble base 23 x 22 x 10 inches

Hand-carved, white marble, relief medallion of famous Danish sculptor, Betel Thorvaldsen (1770-1844) who has an entire museum dedicated to his work in Copenhagen.

Artist: Ellen Brenner-Sorensen, American Year: circa 1970 Title: Abstract Medium: White Marble Sculpture Size: 24 x 18 x 18 in. (60.96 x 45.72 x 45.72 cm)

Beautifully hand carved Carrara marble bust of a Roman Emperor on a variegated marble base, elaborately robed with a laurel wreath adorning his head.

Windswept Face Of A Man Marble Sculpture Signed, on wooden base. Leon Saulter (1908 - 1986) was active/lived in California born in Poland. Moved to US in 1921. Leon Saulter is known for sculptures, paintings also writer. Born in Poland on March 31, 1908. By the 1930s, Saulter was active on the Federal Art Project while a resident of Los Angeles. Exhibitions: Painters & Sculptors of LA, 1936-40; Artists Union (LA), 1939; Stendahl Gallery (LA), 1941; LACMA, 1940, 1943, 1946 Santa Barbara Museum; Bonita Union High School (Spirit of Youth Learning Industry); David Starr Jordan School, Long Beach (Head). Museums: University of Wyoming Art...

Scultore attivo probabilmente in Francia alla fine del XIX secolo. La scultura raffigura un soggetto particolarmente famoso di Jean-Baptiste Carpeaux (1827-1875), intitolato "Le Rieu...

Bronze,Glass & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emoti...

MARIA DOMPE, (Italian, b. 1958), Lady Sculpture, marble and fabric, 1995, height: 14 in. One of a pair, (Lady and Gentleman) being sold separately. Maria Dompe was born in Fermo on ...

Matrix White Carrara Marble on marble base, singed and titled in plate. Created 1972 Solo exhibition in 1976 Le Galeria De Arte Moderno Dominican Republic. It will be shipped in tw...

A white marble sculpture by Domenico Casasanta from 1972. A pristine, minimalist object of modernist, architectural features. Artist: Domenico Casasanta, Italian (1935 - ) Titl...

Capturing a climactic moment from Shakespeare’s famed tragedy, this exquisite marble sculpture was created by acclaimed Italian sculptor Fausto Biggi in t...

Noemi Palacios expresses herself through form and matter, a medium through which she has found a deep understanding of her inner self. Her evocative pieces are inspired by the univer...

Auguste Moreau (French, 1834-1917) Swan Baby, 19th Century Bronze with reddish gold patination mounted on verdigris marble base Signed on base 6 x 9.5 x 5 inches Auguste Moreau was...

Studio of Raffaello Romanelli Early 20th Century Italian Clio Inscribed "Executé sous la Direction du Prof. Romanelli" (on base) Marble Clio, the muse of history from Greek mytho...

Born in Pasadena and raised in Orange County, Elizabeth Turk earned her M.F.A. at the Rinehart School of Sculpture, Maryland Institute College of Art in Baltimore. In Turk’s work, the shape of the line is created by extreme loss. That is, the reductive process of carving creates a positive, fragile form in which the absence of the original material is a focus. Turk encourages us to consider how nature has shaped these organic materials long before the artist’s manipulation of them into new forms. When viewed as components in a complex natural system, their singular beauty and inherent mystery is revealed. Turk compels us to view works of art not only as objects to be coveted and collected, but also as expressions of the natural world and our evolving relation to it. A recipient of numerous awards, including a MacArthur Foundation Fellowship (2010), a Barnett and Annalee Newman Foundation Fellowship (2010), and a Smithsonian Artist Research Fellowship (2011), Turk is internationally recognized for transforming her signature medium of marble into strikingly intricate objects that defy convention and challenge our preconceptions of what marble can do. Through the use of electric grinders, dental tools...

Bronze & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, whe...

Black torso is a sculpture by French contemporary artist Yann Guillon. This artwork is signed and sold with a wooden base. Dimensions of the sculpture: 25 x 21 x 9 cm (9.8 × 8.2 × 3....

This unique and marvelous art piece is textured with 10 year seasoned slaked lime and Italian marble powder, Cadmium and pyranthronorange, Lapis lazuli from Chile, indigo and Prussia...

This muscular male torso probably comes from a larger relief, which would have decorated the front part of a sarcophagus. It likely represents the figure of a satyr, standing, with t...

Transformation by British sculptor Ian Thomson. Thomson's travels have provided inspiration for his work. He holds degrees in Architecture and Philosophy &...

Exquisite Pair of Neoclassical bronze Bacchus and Bacchante figures cast in a dark patinated bronze. The pair rest on on white marble bases set with relief cast gilt plaques. 18th C...

Katherine Bust Atelier, Marble Dust uses cast carrara marble and draws on Richard MacDonald's unique sensitivity to the experience of the dancer. Based on a classical study for the m...

Bronze & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, whe...

Emmanuel Villanis was well known primarily for his bronzes of beautiful young women. With Phryne, the sculptor is working in marble. Since stone is not in the least forgiving, it's...

Charles Samuel – Thyl Ulenspiegel and Nele (after the Monument to Charles De Coster, 1894) Bronze, marble base, 66 x 61 x 27 cm Cast by Petermann, Brussels A moment of intimacy and d...

ROMAN RED JASPER APPLIQUE OF TRAGIC ACTOR Rome, 1st Century A.D. 5.5 x 4.2 cm the mask 2 1/4 x 1 3/4 in Provenance Penicuik House, Midlothian, acquired by either Sir John Clerk, 2nd...