Art by Medium: Monotype

This artwork "Untitled #1" 1992 is a original monotype on paper by Swiss artist Barbara Diethelm, born 1962. It is hand signed and dated in pencil by the artist. Printed and published by Aurobora Press, San Francisco. The artwork (image) size is 7 x 6.75 inches, framed is 18.5 x 17.5 inches. It is framed in a wooden maple frame. It is in very good condition, frame have very minor scratches. About the artist. Barbara Diethelm was born and raised in Zürich. After attending college in Zürich she moves to the United States in 1982. 1983 – 1988 Studies Graphic Design and Fine Art (with Mel Casas, Mark Pritchett und Tom Willome) at S.A.C. in San Antonio, Texas. Studies Humanities and Management at St. Mary’s University, San Antonio. 1988 – 1990 studies Painting (with Sam Tchakalian...

Andrea Belag Beauty for Sale, 1990 Monotype on cotton rag paper 42 1/2 × 30 inches Unframed Pencil signed, dated and titled on the front; bears publisher name and copyright on the ba...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surreal mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates r...

Otto Neumann (1895-1975) was an expressionist painter and printmaker born in Heidelberg, Germany. He was one of the most versatile and original artists of the twentieth century. Neum...

Deadpan Pink - Monoprint EV on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). Heavily textured in hues...

Untitled 21-16 by Casey Haugh "I produce these monotypes layer by layer and often color by color. Each one is made with four or five separate layers of ink, starting with a solid co...

Monica DeSalvo’s "Fallen Dream" is a 12 x 18 minimalist abstract mixed media collage on mat board with bright blue, chartreuse green, black, gray, white, yellow, red, and a hint of p...

This unique monotype cyanotype, rendered in rich blue tones, invites the viewer into a dreamlike rhythm of interwoven shapes. Created using the cyanotype process, this one-of-a-kind ...

Fred Alfred Theophil Fathwinter Untitled Abstract Composition Monotype (mounted) Year: 1968 Signed, dated and titled by hand Size: 10.8×3.7in on 16.9×12.0in COA provided Ref.: 924802-1186 Fathwinter, artist name for Franz Alfred Theophil Winter (May 23, 1906 in Mainz, † June 27, 1974 in Düsseldorf), was an artist of the Informel. From 1924 to 1927 he studied at the State School for Arts and Crafts in Mainz and in 1929/30 in evening classes at the Städelschule in Frankfurt am Main. During the National Socialist period he was banned from exhibiting. His evacuation to Murnau in 1942 led to a closer acquaintance with Gabriele Münter...

Liu Jian, Chinese (1961 - ) - XXII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monop...

Liu Jian, Chinese (1961 - ) - XXXIII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 in. x 19 in. (63.5 cm x 48.26 cm), Description: An Abstract Expressionis...

Monica DeSalvo’s “System Liability" is a 16 x 20 abstract collage, deconstructed and reassembled as five separate parallel panels. The collage was built on an acrylic monotype create...

A large, unique print on canvas by American Artist, Mitch Lyons (1938-2018), signed lower right. The canvas is unstretched and will be shipped rolled in a tube.

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

"Fibrosa" made by Hudson Valley artist, Alaina Enslen, in 2025 Encaustic, dyed fabrics, and paper mounted on panel 20 x 16 x 2 inches unframed, sides reveal raw panel and wrapped fab...

Martha Holden, American (1951 -) - Abstract Composition, Year: 1983, Medium: Monotype, stencil, graphite and ink on handmade paper, signed and dated in pen lower right, Size: 38 x...

This is an exclusive handprinted limited edition cyanotype. "Serene Cove Waters" is a handmade cyanotype print portraying fresh ripples movements in a Greek Islands cove...

This original abstract monotype print by Denver artist Wilma Fiori presents a striking modernist composition of olive, blue, and black rectangles set against a soft cream ground. The...

Untitled (SF129s) dating to c.1974-1976 is a mixed media, silkscreen monotype on handmade paper, 30 x 22.5 inches sheet size and estate-stamped verso (copy of Francis estate certific...

A full rich range of blues and greens are streaked with pearlescent accents that play across this dynamic abstract original work "The Otherness of Life III" by master print maker Lin...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Michael Heizer III-8 (two pages), 1983 Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray acrylic p...

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyanotype, photogram or sun print. ...

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whos...

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyanotype, photogram or sun print. ...

Beautiful 1994 monotype painting by American artist, David Chamberlain (b.1950). Summer Blues. Oil on Arches paper, image measures 9.75 x 11.75 inches; sheet measures 22 x 30 inches. The subtle variations of the oil application are quite lovely. Titled and signed by the artist in pencil, lower margin and on reverse. Excellent, clean condition with no damage or restoration. Unframed: sheet is loose with no backing. SHIPS ROLLED IN TUBE David Chamberlain (American, b Canton, Ohio 1949) has been a full-time artist since 1977, and has created more than 2000 original works in both two and three dimensions. Over 100 of his works appear in the collections of recognized arts institutions and museums, worldwide. A serious and passionate musician (a cappella jazz singer with three recording albums and over 700 concerts in this avocation), Chamberlain's artistic approach and imagery is inspired by studies of musical patterns and relationships. Other influences include topology, poetry, design and flying. His sculptures are noted for their playful explorations of lyrical, melodic edges and harmonious spaces. The surfaces are all one continuous form; the insides become the outsides and vice-versa; the edges are all one line. Mediums include mahogany, bronze, titanium, gold, and ceramic/porcelain. His paintings reflect an enthusiasm for composition and improvisation. Chamberlain has developed a way to create original oil paintings using methods adapted from monotype processes incorporating a light table and mirrors, an etching press, and a variety of hands-on tools (including fingers, rollers, static electricity and blowing)... but no brushes. This method, sometimes called the Chamberlain Method, makes possible the intense collaborations he is known for, where he and another artist work on the same painting at the same time. Called Duett Painting, this mutual and simultaneous way for two artists to paint together attempts to involve the backgrounds of each, directly and profoundly. There are no rules, and there is no place to hide whoever the artists are appears in the composition. As each artist's marks influence the other's, the painting takes on a momentum of its own, compelling the artists toward a new direction neither would have pursued on their own. Chamberlain has worked with over 100 artists, musicians, dancers, poets and creative people from the USA, Asia, Europe, South America and Africa. About half of his paintings are collaborative duetts; half are conventional solo works using these techniques. His studio is based near Boulder, Colorado. He is married, with two children, a dog and three cats. EDUCATION MLA University of Colorado 2002 Landscape Architecture MFA University of Pennsylvania 1977 Sculpture & Printmaking BA Princeton University 1971 Architecture & Design SELECTED EXHIBITIONS Consulate of Japan, San Francisco, CA 1999, 1998 Major Shows Muse a Muse' Gallery, Tokyo, Japan 1997, 1999 Retrospective: "Solos, Duets & Concertos" Muskegon Mus. of Art, MI 1996 "Duets" Delaware Museum of Art, Wilmington, DE 1995 MacLaren/Markowitz Gallery, Boulder, CO 1991 Retrospective: McKissick Museum of Art, Columbia, SC 1990 Retrospective: The Art Complex Museum, Duxbury, MA 1988 Pucker Gallery, Boston, MA 1981, 1984, 1988 Gibson Gallery, SUNY at Potsdam, NY 1987 Arlene McDaniel Galleries, Simsbury, CT 1986 Lyme Academy of Fine Arts, Old Lyme, CT 1985, 1986 Gallerie Obussier, Nantucket, MA 1985 New Acquisitions Gallery, Syracuse, NY 1983 Everson Museum of Art, Syracuse, NY 1983 COMMISSIONS: Operhall Suite; [Series of 6 original works] Muskegon Museum of Art 1994 Symphony Suite; Gibbes Museum & Charleston Symphony Orchestra 1994 Gospel Suite in F; New England Conservatory of Music, Boston, MA 1994 Eroica; Morgridge Auditorium, University of Wisconsin, Madison, WI 1992 Balletté; Southworth Library, Canton College, Canton, NY 1991 A Une Passante; M. C. Wallace Library, Wheaton College, Norton, MA 1991 Festivale; K. B. K. Foundation, Boston, MA 1990 A Une Passante; SUNY Potsdam, Potsdam, NY 1989 Balletté; Ensign-Bickford Corp., Simsbury, CT 1987 Torus; Stratus Computer, Inc., Marlboro, MA 1986 Rondella; BNWC, Brandeis University, Waltham, MA 1985 Viole, Ayre; Asset Management, Inc., Essex, CT 1983 Cantata; Horne Library, Babson College, Wellesley, MA 1981 COLLECTIONS Museums Art Complex Museum, Duxbury, MA Ashmolean Museum, Oxford University, England Asian Art Museum, San Francisco, CA British Museum, London, England Columbia Museum of Art, Columbia, SC Currier Gallery & Museum, Manchester, NH Danforth Museum, Framingham, MA Davis Museum of Art, Wellesley, MA DeCordova Museum, Linclon, MA Delaware Museum of Art, Wilmington, DE Denver Art Museum, Denver, CO Detroit Institute of Arts, Detroit, MI Everson Museum of Art, Syracuse, NY Farnsworth Museum of Art, Rockland, ME Fine Arts Center at Cheekwood, Nashville,TN Fitzwilliam Museum, Cambridge University, England Gibbes Museum of Art, Charleston, SC Gibson Gallery & Museum, SUNY Potsdam, NY Greenville County Art Msueum, Greenville, SC Hara Museum of Contemporary Art, Tokyo, Japan Johnson Museum of Art, Ithaca, NY McKissick Museum of Art, Columbia, SC Minneapolis Institute of Art, Minneapolis, MN Munson-Williams-Proctor Institute of Art, Utica, NY Museum of Fine Arts, Boston, MA Museum of Fine Arts, Springfield, MA Muskegon Museum of Art, Muskegon, MI National Museum of American Art, Washington, DC Nelson Museum of Art, Kansas City, MO New Britain Museum of American Art, New Britain, CT Portland Museum of Art, Portland, ME Portland Art Museum, Portland, OR Princeton University Art Museum, Princeton, NJ Rose Art Museum, Waltham, MA San Diego Museum, San Diego, CA Smith College Museum of Art, Northampton, MA Taylor Museum/CSFAC, Colorado Springs, CO University of Michigan Museum of Art, Ann Arbor, MI Victoria & Albert Museum, London, England Wadsworth Athenaeum, Hartford, CT Williams College Museum of Art, Williamstown, MA Yale University Art Gallery, New Haven, CT Institutions American Embassy, Tokyo, Japan [selected] Arjo Wiggins/Arches S.A., Annonay, France Bank of America, Boston, MA Boso Yusi Company, Tokyo, Japan Boston Ballet, Boston, MA Canadian Foreign Ministry, Ottawa, Canada Chase Manhattan Bank, Vietnam Embassy of Japan, Abu Dhabi, United Arab Emirates FIA Institute, Tokyo, Japan Fidelity Ventures & Associates, Boston, MA Frederik Meijer Sculpture Gardens, Grand Rapids, MI Gauteng Legislature, Gauteng, South Africa German Embassy to Vietnam, Hanoi, Vietnam Helix Technology Corporation, Longmont, CO Ito-En Company, Tokyo, Japan JAFCO America Ventures, Boston, Palo Alto, Tokyo Japanese Consulates: Boston, MA; Atlanta, GA; San Francisco, CA Japanese Foreign Ministry, Tokyo, Japan Japan External Trade Organization, New York, Tokyo Kepner-Tregoe Company, Princeton, NJ Kobe Steel, Ltd Tokyo, Kobe Mochida Medicines, Inc., Tokyo Monsanto, European Division, Brussels, Belgium New England Conservatory of Music, Boston, MA Nueva Set-Kei, Inc. Tokyo, Japan Opinion Research Company, Princeton, NJ PAR Associates, Inc., Boston, MA Price, Waterhouse & Company, Greenwich, CT Princeton Club of Japan, Tokyo, Japan Saint Joseph's Heart Hospital, Lexington, KY Spencer, Fane & Browne; Shugert & Thomson, Kansas City, MO Temple Society of Concord, Syracuse, NY T. Rowe Price, Inc., Colorado Springs, CO University of Wisconsin School of Business, Madison, WI Vietnam Embassy to Canada, Ottawa, Canada Yankelovich, Skelly & White, Stamford, CT COLLABORATIONS Johannesburg, South Africa (& Artist Proof Studio) 1997 Duetts with: Kagiso Pat Mautloa, Durant Sihlali, Mmakgabo Sebidi, Dumisane Mabaso, Nhlanhla Xaba, Pepe Abela, Vincent Baloyi, Ntepe Osiah Masekwameng, Gordon Gabashane, Sokhaya Nkosi Vietnam (& Indochina Arts Project) 1995 Fine Arts Associations, Saigon, Hue and Hanoi; Ecole des Beaux Arts, Hanoi Duetts with: Do Minh Tam, Hoc Hai, Huy Oanh, Le Anh Van, Le Thong, Le Van Suu, Manh Tuan, Mai Khanh, Nghia Duyen, Thuc Ban, Tran Khan Chuong, Tran Luong Studio Duetts 1995-2001 With: Yuji Kishimoto (Architect -- Japan/USA), Emi Tajima (Japanese master caligrapher), Nguyen Quynh Nhu (Vietnam), Eduardo Chavez & Arturo Miranda (Mexico), Kyi May Kaung (Burmese Poet), Patrick Moraz (Swiss/American composer/performer), Jingalu (Aboriginal Australian artist), Rungsak Dokbua (Thailand), and Americans Don Grusin (Composer/performer), Dave Grusin (Composer/performer), Harry Skoler (Composer/performer), Sarah Schneider (Dancer/choreographer), Sally Ranney (artist/humanist), Cleo Parker Robinson (Dancer/choreographer) China (PRC) 2001-2004 Proposal for an Artistic Collaboration with China, 2001-2004 (38 pages). Involving ten Chinese Artists, streaming on the internet, development of 160 museum-quality Duett paintings for world-wide exhibition; budget 1.6 million USD. HIGHER EDUCATION Visiting Artist [Associate Professor One-year appointment] 1990/1991 Art Department, University of South Carolina Adjunct Professor 1991-1994 Art Department, Rivier College, Nashua, NH Fellow/Panelist The Aspen Institute Aspen, CO 2000 Conference on World Affairs [Univ of Colo, Boulder] 1990-1998 Visiting Artist Haverford School, Bryn Mawr, PA 1999 Clemson University, Clemson, SC 1997, 1998 African Institute of Art, FUNDA Soweto, South Africa 1997 Princeton University 1996 Williams College 1995 Bradford College 1994, 1998 College of Charleston 1994 University of Pennsylvania 1993 University of South Carolina 1990, 1994 SUNY Albany 1992, 1993 Pine Manor College 1987, 1989 Bentley College 1988 Simon's Rock/Bard College 1988 Brandeis University 1986 Lyme Academy of Fine Arts 1985, 1986 Emerson College 1985 Harvard University 1984, 1985 Mount Holyoke College 1984 Syracuse University 1983 Colorado College 1977 Director; Artist in Residence 1974-1977 Arts College House, University of Pennsylvania Taught Drawing (figure & still-life) and Photography Initiated Interdisciplinary Program: Dance, Music, Poetry, Theatre, Film, Architecture, Art SCHOOLS & PROGRAMS Instructor, Photography & Visual Arts 1974-1976 Adirondack Lakes Center for the Arts Chair, Performing Arts Department 1971-1974 Purnell School Instructor, Visual Arts Department 1970-1974 Purnell School [Taught (& developed syllabi for) 21 Studio arts courses] Juror, College Entrance Examination Board Area: Fine Arts 1972 AWARDS Selection Who's Who: in American Art; in the East; in the World Grants Krasner-Pollack Foundation Emergency Grant, 1999 Indochina Arts Project (Ford Foundation) 1994 Individual Artist Grant, South Carolina Arts Commission 1991 K. B. K. Foundation, 1991, 1994 High Meadow Foundation, 1990 Ford Venture Fund Grant [Univ. of Pennsylvania] 1975-1977 Haas Memorial Fund Fellowship, 1976 GRANTS IN KIND Kodak, Rochester, NY Papeteries Canson & Montgolfier, Annonay, France; Royal Talens BV Oil Paints, Apeldoorn, Holland Takach Etching Press Corp., Albuquerque, NM South African Airlines; American Airlines Korean Airline; Trans World Airlines PUBLICATIONS Film segmant Video Jukebox DeCordova Museum of Art, Linclon, MA 1999 Film David Chamberlain: Artistry in Motion {30 minutes} SC-ETV/PBS 1992 Book Melodic Forms: The Sculpture of David Chamberlain {75 pages, color} 1990 David Godine, Publisher Boston, MA Videotape Search for Perfection; {16 minutes} FIS/Pucker Safrai 1982 Award: Red Ribbon Category: The Arts American Film Festival, New York INTERVIEWS All Things Considered, National Public Radio Weekend Edition, Monitor Radio & Public Radio International CNN Headline News, Atlanta, GA International News Scene, Reuters Press International, New York/Hong Kong Terra Infirma, Corp. for Public Broadcasting BBC World, London Art Scene, S. Carolina Public Radio Jazz Times, Blue Lakes Public Radio, Grand Rapids, MI Conversations with Jean Feraca, Wisc. Public Radio, Madison, WI WBZ-TV Boston, MA WCNY-TV Syracuse, NY WNPE-TV Watertown, NY WSBK-TV Boston, MA WERS-Radio Boston, MA RELATED EXPERIENCE Designs Arts College House (Program) ; University of Pennsylvania, Philadelphia, PA 1975 Performing Arts Center (Architectural); Purnell School, Pottersville, NJ 1973 Fine Arts Center (Architectural); Purnell School, Pottersville, NJ 1971 Diplome Centre Audio Visuel Langues Modernes, Vichy, France 1973 School for International Training, Experiment in International Living, Putney, VT 1973 Graduate Credits Teaching Studio Art Institute, Colorado College, 1972 Consultant Sculpture Walk Project Univ. of South Carolina, Architectural Facilities Planning 1990/91 "How to create, fund and impliment a self-sufficient world-class sculpture collection" Speaker "[Man] In The Arena" , Haverford School, Haverford, PA 2000 "Architecture & Painting" Clemson University Dept of Art & Architecture, AIA Lecture 1997 Reflections on Creativity" Am. Inst. of Architects Convention, Highlands, NC 1994 "Neurons, Notes & Sketches", Conference on Art & Mathematics Albany, NY 1993 "Music into Sculpture", Conference on Art & Mathematics Albany, NY 1992 "On the Creative Process", Empire State Plaza Art Collection Albany, NY 1993 "Creativity and Fullfillment", Conference on Health & Spirituality Boston, MA 1991 Vocalist & Cahoots (jazz a cappella quartet) 1974-present Album Recordings: "Released" (1993) ; Arranger "Haven't We Met" (1991); All Good Children (octet) 1972-74 Album: "All Good Children" (1980); Canto Ergo Sum (sextet) 1971-72; The Footnotes (double sextet) 1967-1971 Album: "Another Summer...

Monica DeSalvo’s “And With Waves” is a 18 x 24 abstract mixed media collage on Yupo paper with bright and dark blue, brown, black, white, rust, and orange. Elements include fragments...

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyano...

Liu Jian, Chinese (1961 - ) - VI, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monopri...

Liu Jian, Chinese (1961 - ) - V, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monoprin...

Liu Jian, Chinese (1961 - ) - XXXVI, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mono...

"In France, On A Bike" is a monotype with gouache on kozo paper featuring hues of yellow, purple, blue and pink. This work is framed in a gold frame measuring 1...

Tom Alan Lieber, (American, born 1949), GTW #11 -7, 1986, Oil and mixed media on paper, 30.25 x 44 inches, Hand signed and dated lower right Provenance: Garner Tullis Workshop, ...

This is an exclusive handprinted limited edition cyanotype. "Abstract Ripples Under Moonlight" is a handmade cyanotype print portraying the subtle movements and abstract ripples of t...

Tom Alan Lieber, (American, born 1949), GTW #11 -7, 1986, Oil and mixed media on paper, 30.25 x 44 inches, Hand signed and dated lower right Provenance: Garner Tullis Workshop, ...

Unique monotype with oil pastel, signed and numbered 1/1. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspired by the landscape, ...

JAMES NARES Artaud's Arms (Exhibited at Brooklyn Museum), 1988 Color Monotype on Gampi Torinoko Paper 36 × 27 inches Signed James Nares and dated '88 l...

This is a unique mixed media piece: it is a hand-painted botanical abstract colorful shape upon a background that is a cyanotype print of a cloudy texture, giving it a modern, abstract geometric feel that will look great in contemporary and classic homes and businesses. Details: + Title: Turquoise Leaf...

Beautiful artwork, a colored monotype, representing an abstract composition, realized by Gastone Novelli. Image dimensions: Cm 23.5 x 18 Signed "G. Novelli" on the lower right. Ve...

This original vintage monotype print by Denver artist Wilma Fiori presents a powerful abstract composition rendered in brilliant shades of scarlet and red, evoking intensity, movemen...

Monotype Unique Signed, numbered, dated and titled on the back Artwork in excellent condition. Some minor imperfections visible only on the reverse

This original fine art monotype print by Denver artist Wilma Fiori features a striking abstract composition rendered in deep black, red, and scarlet tones. The bold palette and layer...

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

This monotype from Nina Tichava is a stellar example of a part of her practice that focuses on botanical shapes and the interaction between colors. Each print is set in a custom buil...

Monotype Unique Signed, numbered, dated and titled on the back Artwork in excellent condition. Some minor imperfections visible only on the reverse

Artist: Lawrence Fodor – American (1951- ) Title: Passing Shaman 17 Year: 1989 Medium: Monotype Image size: 18 x 12 inches Sheet size: 30 x 22 inches Framed size: 32.5 x 24.5 inches Signature: Signed, dated lower right by the artist Condition: Excellent Frame: Floating. Framed in modern wood frame. Frame in good condition. This haunting monotype is by the well-known artist Lawrence Fodor (1951-). It is in excellent condition, archivally mounted and floating in a modern wood frame. The maple frame is in good condition with a few very light scratches. Lawrence Fodor began the pursuit of painting when he was 10. He studied at Orange Coast College and received a BFA from Otis Art Institute in Los Angeles, California where he also did graduate work towards his MFA in printmaking and painting. He has studied, traveled and lived in Europe, Asia, Central and South America. His work is exhibited and collected extensively in private and public collections including the Lannan Foundation in Santa Fe, New Mexico and recently by the Modern Art Museum of Forth Worth, Texas, among others. In addition to a studio art career as a painter and printmaker he has done curating and fine art consulting, residential design and construction, graphic design, gallery management, set design and production for live theater. He has worked and had studios in Los Angeles, Long Beach and Santa Barbara, California, Kathmandu, Nepal, Tucson, Arizona and Santa Fe, New Mexico. He currently lives and works in Los Angeles, California and Santa Fe, New Mexico. Maintaining studios in both locations, his work includes painting using oil, alkyd resin and cold wax on canvas, panels, and wood boxes, monotypes, watercolors, other works on paper and photography. Source: Artist's website C UR R I C U L U M V I T A E BORN 1951, Los Angeles, CA. EDUCATION 1974 – 1976 Graduate Work toward MFA, Otis Art Institute • Los Angeles, CA 1973 Bachelor of Fine Arts, Drawing/Printmaking Major • Otis Art Institute • Los Angeles, CA 1971 Associate of Arts Degree, Fine Arts Major • Orange Coast College • Costa Mesa, CA TRAVEL 2015 – 2016 Independent study & research in Baja del Sur, Mexico 2013 Independent study & research in Key West & surrounding Keys & Islands including Dry Tortugas National Park 2009 – 2010 Independent study & research in Costa Rica, Argentina & Patagonia 1985 – 2008 Independent study & research in England, France, Germany, Italy, Spain, Mexico & Costa Rica 1974 – 1975 Independent study in Katmandu, Nepal 1974 Independent study & research in England, France, Germany, Holland, Italy & Switzerland S E L ECTED EXHIBITIONS 2019 “…a tireless hand.” • Friesen Gallery • Sun Valley, ID 2017 Eclipse: obscured memories • Friesen Gallery • Sun Valley, ID Amended Mythologies • Solo Exhibition • SCAPE • Corona del Mar, CA Purple Haze • Group Exhibition • Charlotte Jackson Fine Art • Santa Fe, NM 2016 EMERGENCE • Group Exhibition • Charlotte Jackson Fine Art • Santa Fe, NM 2014 Without Gravity • Solo Exhibition • Chiaroscuro @ Gebert Contemporary • Santa Fe, NM 2013 Friends and Family • Three-Person Exhibition with Florence Pierce & Mala Breuer • Charlotte Jackson Fine Art • Santa Fe, NM Again: Repetition, Obsession and Meditation • Group Exhibition with Agnes Martin, Sol Lewitt, Olafur Eliasson, Uta Barth, Chuck Close, Susan York & others • Lannan Foundation • Santa Fe, NM 2012 Infinite Sequence 2 • Two-Person Exhibition with Chris Richter • Friesen Gallery • Sun Valley, ID Holding Light 4: 315 paintings • Site-specific installation • ALCOVE 12.6: New Mexico Museum of Art • Santa Fe, NM Holding Light 02: 81 paintings • Installation • Laguna Art Museum • Laguna Beach CA Infinite Sequence • Two-Person Exhibition with Chris Richter • SCAPE • Corona del Mar, CA 2010 Ligatures and Kōan Boxes • Solo Exhibition • Friesen Gallery • Seattle, WA Considered • Group Exhibition • Friesen Gallery • Sun Valley, ID Speak for the Trees • Group Exhibition • Friesen Gallery • Sun Valley, ID & Seattle, WA 2009 Kōan Boxes • Solo Exhibition • Lannan Foundation • Santa Fe, NM Ligatures & Kōan Boxes • Solo Exhibition • Friesen Gallery • Sun Valley, ID Ligatures & Kōan Boxes • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2008 Ligatures • Solo Exhibition • SCAPE • Corona del Mar, CA Gold • Group Exhibition • Linda Durham Contemporary Art Stochastic II • Solo Exhibition • R Duane Reed Gallery • St. Louis, MO 2007 Stochastic • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2006 Summer Moon • Solo Exhibition • SCAPE • Corona del Mar, CA 2005 Moment of Inertia • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM Winter Group Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2004 Sustained Resonance • Two-Person Exhibition • SCAPE • Corona del Mar, CA Beneath the Surface • Solo Exhibition • Friesen Gallery • Sun Valley, ID Beneath the Surface • Two-Person Exhibition • Friesen Gallery • Seattle, WA Greek Contributions to Mankind • An Exhibition of Contemporary American Art • Group Exhibition, catalog • United States Embassy • Athens, Greece • Curator: Virginia Shore 2003 A Given Moment – Part 2 • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM Group exhibition • Jeannie Denholm • The Shed • Newport Beach, CA Outside Within • Group Exhibition • Friesen Gallery • Seattle, WA 2002 The Art Collection • Embassy of the United States of America • Dar Es Salaam, Tanzania 2002 A Given Moment • Solo Exhibition • Friesen Gallery • Sun Valley, ID Group Exhibition • Peyton Wright Gallery • Santa Fe, NM 2001 Stream from the Clearing • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM Group Exhibition • Friesen Gallery • Seattle, WA 2000 Group exhibition • Peyton Wright Gallery • Santa Fe, NM Group exhibition • Friesen Gallery • Seattle, WA 1999 Vestiges II • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1998 Into the Clearing • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM The Romantic Landscape • Group Exhibition • Turner Carroll Gallery • Santa Fe, NM Vestiges • Solo Exhibition • Friesen Gallery • Seattle, WA 1997 The Dialogue Within • Solo Exhibition • Friesen Gallery • Sun Valley, ID Setting Prayers on Fire • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1996 Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM Two-Person Exhibition with Lucy Brown • Diane Nelson Fine Art • Laguna Beach, CA • Curator: Jeannie Denholm 1995 Setting Prayers on Fire • Solo Exhibition • Zenith • Denver, CO • Curator: Kyle Belding 1994 Two-Person Exhibition with Peter Joseph • Peyton Wright Gallery • Santa Fe, NM Solo Exhibition • Jan Maiden Contemporary Art • Columbus, OH 1993 Two-Person Exhibition with Holly Roberts • Jeannie Denholm Fine Art • Newport Beach, CA Solo Exhibition • Canyon Contemporary Art • Columbus, OH 1992 Perigrinari • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1991 Ex Arcanum Locus • Solo Exhibition • Friesen Gallery • Seattle, WA A Sense of Place • Group Exhibition• Peyton Wright Gallery • Santa Fe, NM 1990 In Lucem Proferre • Solo Exhibition • Friesen Gallery • Sun Valley, ID Monotypes from Black Mesa Workshop • Group Exhibition • Lone Pine Gallery • Irvine, CA Ritual Images/Ritual Objects • Two-Person Exhibition with Ann Mallory • Lone Pine Gallery • Irvine, CA 1989 Solo Exhibition • Friesen Gallery • Sun Valley, ID 1983 Solo Exhibition • Pamela Auchincloss Gallery • Santa Barbara, CA 1981 Solo Exhibition • Pamela Auchincloss Gallery • Santa Barbara, CA PUBL ICATIONS 2017 The Beauty in Painting A Time After Time. Sun Valley Property News, article by Courtney Lauck. 30 July 2017. “Chaco Issue,” Pasatiempo, Santa Fe New Mexican. Multiple photographs illustrating various articles about Chaco Culture National Historical Park. 21 April 2017. 2015 Chaco Canyon: Wandering the Past in the Present. Photographs & essay by the artist of Chaco Culture National Historic Park. Publisher: Andrews Art Books, Santa Fe, NM. 2015 Apparatus: in a Painter’s Studio. Photographs of vignettes in the studio of Lawrence Fodor by the artist, essay by Aline Branduaer. Publisher: Andrews Art Books, Santa Fe, NM. 2012 Holding Light, a catalogue documenting the work for an installation of paintings at the Laguna Art Museum, essay by Cyndi Conn. Publisher: Andrews Art Books, Santa Fe, NM 2009 Speak for the Trees, Composed by Andria Friesen, publisher Marquand Books, Inc., Seattle, WA. Illus.: In Lucem Proferre VIII, 1989-90, oil on canvas. Sarah S. King, Lawrence Fodor – Linda Durham Contemporary Art, Art in America, National Reviews, October 2009. Illus.: Ligature 12 Green/Blue-Green/Violet, oil/wax/alkyd on canvas. Kōan Boxes, catalogue to accompany Lannan Foundation Exhibition, essay Timothy Rodgers Ph. D., Chief Curator, New Mexico Museum of Art. Publisher: Lannan Foundation, Design Twin Palms Press, 2009. 2007 Hollis Walker “Larry Fodor...

This monotype from Nina Tichava is a stellar example of a part of her practice that focuses on botanical shapes and the interaction between colors. Each print is set in a custom buil...

It Doesn't Have to be Perfect by a.muse suggests that striving for perfection is not always the goal. Transcending the limitations of perfection, personal expression resides in the ...

In the artist's abstract art on paper series, Be the Dance, 2023 by a.muse is a colorful one-of-a-kind work - an invitation for self-expression and to let go, get lost in the dance o...

"Dark Cloudy Shapes" is a blue tones stunning handmade monotype that features an intricate interplay of mid-century modern shapes, all rendered in shades of blue. These shapes are ex...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985. After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985. In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. Select Group Exhibitions (partial list) 1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool. 1966 Recent Aspects of British Art. Australia and New Zealand (traveled). 1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...

This is an exclusive handprinted limited edition cyanotype. "Nighttime Firework Flaring" is a beautiful cyanotype of the New Years Eve Fireworks Lights. Details: + Title: Nighttime ...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

DAVID HUMPHREY Lies III (Framed with David McKee Gallery Label), 1986 Monotype on wove paper Unique signed and dated in graphite on the recto Frame included Measurements: 29 1/2 x 21...

Monica DeSalvo’s “We’ll Know It When We See It” is a 12 x 18 abstract collage on pale gray paper with a linen finish. Collage elements include a deconstructed monotype on yellow pape...

Criss-Cross, 2019 by a.muse is on the subject of missed connections and chance meetings. A one-of-a-kind chine-colle monotype hand-pulled on the etching press by the artist, Criss ...

2 Unique monotype on one sheet done as a diptych, signed and numbered 1/1. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspired b...

Monotype Unique Signed, numbered, dated and titled on the back Artwork in excellent condition. Some minor imperfections visible only on the reverse

The "Passage" Monotype Painting by Karen Kvenvold Bailey Karen Kvenvold Bailey is a Felton California artist, a Montotype painting, with hand painting to image. The scene is dominat...