Art by Medium: Oak

This torch is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. The included burner already contains individual lava stones, so this burner can easily be filled with liquid bioethanol and ignited decoratively. With the included lid, you can easily extinguish the flame, It also protects the burner and its contents from the weather. Pure bioethanol is also called bioalcohol and burns residue-free and therefore clean and soot-free, which is why it is often used in open fireplaces...

This torch is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. The included burner already contains individual lava stones, so th...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. Customization possible and designed in 2010. Al...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

This torch is the eye-catcher in your garden. Customization possible and designed in 2010. Also available to order in stainless steel. The included burner already contains individua...

This torch is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. The included burner already contains individual lava stones, so th...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. Unique, handcrafted garden decoration. In ord...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Part of the “Wooden Postcards” series by husband and wife team Hugo Garcia-Urrutia & MK Semos, "Rays of City Light" is shot using cross-processed medium format film and a Holga camera. The imagery is a vibrant New York City street scene, showing an iconic yellow taxi cab and abstract orange patterns and "rays of light" emulating from the buildings. The frames are manually juxtaposed inside the camera to create “rays” emulating from the urban chaos of taxi cabs and skyscrapers. Urrutia crafts the substrate from white oak flooring, with the natural wood grain becoming an essential element of the composition. The choice of white oak, with its natural grain visible through the film overlay, reinforces a sense of history and urban grit, allowing the wood itself to become an active part of the composition. HUGO GARCIA URRUTIA Hugo Garcia Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson, and University of Dallas and the McKinney Avenue Contemporary (MAC) in Dallas curated by Charissa N. Terranova. Together with the AA-DLAB 2012 team, Urrutia presented the Fallen Star at the Architectural Association Back Member’s Room. MK SEMOS MK Semos is a Greek-American artist whose work is deeply rooted in her passion for storytelling. Raised in Dallas, Texas, her artistic journey began at the Booker T. Washington School for the Performing and Visual Arts and later at the University of Texas at Austin, where she earned degrees in photojournalism and photo illustration. It was in New York City during the vibrant 1990s that her artistic vision crystallized. Captivated by the city's energy, Semos photographed its dynamic urban landscapes and eclectic people, using her SL 66 Rolleiflex camera to capture movement and emotion. Even after three decades, she finds endless inspiration in the city’s pulse, describing it as an "endless source of inspiration." Semos’ work spans travel, portraiture, and environmental photography, with her mastery of the Holga camera earning her recognition in publications like New York Magazine, Business Traveler, and Timeout NY. Alongside her husband, Hugo Garcia Urrutia, she co-founded DeCorazon Gallery, showcasing global artists and exhibiting her own works in prestigious art fairs around the world. Semos also serves on the board of the Association of Women Art Dealers...

Soaring Sky High, part of the “Wooden Postcards” series, lifts the viewer above Union Square’s rooftops, capturing New York’s iconic water towers against a vast blue sky. Shot with a...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Gaspar Peeter Verbruggen 1664-1730 Still Life of Roses in a Glass Vase Oil on oak panel Image size: 8 ¾ x 7 ½ inches (22.25 x 19 cm) Contemporary Dutch ebonised style frame This int...

The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...

Working to drawings and sketches, Fox brings the flow of his pencil lines to life, with the form and void of each sculpture giving them a natural rhythm. In his wooden works, Fox sh...

Artist: Carolee Thea Title: Oh, Georgia (Homage to O'Keeffe) Year: 1986 Medium: Unique Wall Sculpture: Oak, Varnished Plywood and Bone Construction, signed and dated verso Size: ...

Brian Griffin Joe Jackson - Look Sharp, 1979 Vintage Gelatin Silver Print, Framed; museum mount board, antireflective art glass, oak frame Image size; 11 4/5 × 15 7/10 in 30 × 40 cm...

An imagine portrait of Arthur Rimbaud, 19th century modernist author of "Illuminations" and "A Season in Hell." Oil paint, Weathered-Oak wood stain, and mixed media on panel.

turned wood, wooden vessel, oak

Oil on oak panel, inscribed top left ‘AETATIS SUAE 32’ Image size: 27 x 35 inches (68.5 x 89 cm) Contemporary style handmade frame This is a portrait of a medical figure from the ea...

This late variant of "Portrait of a Young Girl" is a small oil-on-oak panel painting by the Early Netherlandish painter Petrus Christus. Completed ...

This sophisticated sculpture was realized from lymed French oak circa 1950. The perimeter of the piece consists of a mosaic of rectilinear blocks, while the interior rectangular pane...

Positivity & uplifting imagery is the theme of Urrutia's unique work "Back in the New York Groove". A striking black & white photograph of the Brooklyn Bridge sits in the center, and...

Jazz Singer V is carved white oak from David Hostetler's Ohio property. It was inspired by his wife Susan, who would sing in Club Davd- his jazz club a...

HUGO GARCIA URRUTIA Hugo Garcia Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and ac...

This unique art piece is made of the original 35mm film of the movie, framed in an oak wood frame and lit with lit with RGB color changing LED light that can be controlled and light changed with smartphone app CONTROLLER for iOS and Android system. “I started by working with the idea of the large film...

Katie Eleanor, "Cleansing a Shrike (Blackbird’s Birdbath)", 2018 Handcoloured portrait of a bird-like spirit, immobilised in marble, cleansing in a sprin...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Artwork made with spray acrylic on solid mahogany, cherry & oak Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-c...

Artist Commentary: This soft, pepto-bismol pink sculpture intertwined around a found traditional lamp and wrapped around the table it is sitting on reminded me of people who are look...

Katie Eleanor, "Sweet Violet", 2019 Handcoloured portrait of blooming flower, immobilised in marble, featuring frozen eyes and the silky colours of Sprin...

It's really majestic piece. It's grand in size and its got a very beautiful and impressive contrast in shades. This piece is something very special... two Luminograms in one work of...

This extraordinary garden torch on oxidized oak stele is a real eye-catcher for your house or garden. Customization possible and designed in 2010. Also available to order in stainles...

“It was shot on a grey misty day on Dungeness Beach in Sussex. Charlie Wood lit the sky rocket and stood to attention, and I fired the flashgun that was stuffed into his trousers to ...

MUSEUM PAIR FLYING ANGELS Brabant/Brussels Around 1500 Oak wood, full round carved Height 40/38 cm These two figures are a pair of flying angels mad...

Bronze freely rotating on an oak base Stamped with monogram signature and uniquely numbered 580B Recessed lines are leafed in 24 carat gold and differ on each face. Weight: 5.8 kg P...

By sculpting both material and space around it, I want my sculptures to appear to move, to assert themselves; to change and grow, to move within, affect and break free from the solid...

Ofrenda I by Camilo Andres Rodriguez Marquez Burnt Wood Sculpture Dimensions: H. 75 x 74 x 30 cm Camilo Andres Rodriguez Marquez is a Colombian...

Hand-carved, oak statue of a putto holding a flowing tapestry and a shield mounted on a custom, Lucite base.

Ana Rosa de Ycaza’s’s Copper Etching III is a black and white engraving copper minimalist abstract mixed media with a french oak frame measuring 14 x 14 priced at $1000. Ana Rosa de Ycaza an artist born in 1915 was affiliated with Atelier 17 a studio that attracted the likes of Mark Rothko, Joan Míro, William de Kooning...

Portrait Of the Artists Mother, MAXWELL ASHBY ARMFIELD (1882-1972) Portrait of the artist's mother, Margaret Armfield née Maxwell, depicted full length in a mock entourage with t...

Amazing abstract composition by Argentinian contemporary artist Nicolas Leiva titled Yemaya. Impasto oil on canvas mounted in a solid oak floater frame. This work was acquired from t...

Oil on oak panel Image size: 11 1/2 inches circular diameter (29 cm) Hand carved gilt frame

Large and unique print titled Can Not Be Pictured – OH NO OH NO! (The Sequoias). Digital collage from digital photography [2011]. Diptych, toner print on 90 g pink paper, mounted o...

Oil on oak panel Image size: 18 x 17 inches (45.5 x 43.5 cm) Period style frame This painting is a half-length portrait of a lady in the guise of a shepherdess. She is holding a ho...

Oak then lacquered with marble top Carved/Stamped with the name "Latz" in the wood under the marble Height: 55 inches (86.25 cm) Width: 55 inches (140 cm) Provenance Château de Mareil Le Guyon This commode is available to view at our gallery on Cecil Court. Jean-Pierre Latz Jean-Pierre Latz was one of the handful of truly outstanding cabinetmakers working in Paris in the mid 18th-century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed rococo style, employing boldly sculptural gilt-bronze mounts complementing marquetry motifs of flowers and leafy sprays, in figured tropical veneers like tulipwood, amarante, purpleheart and rosewood, often featuring the distinctive end-grain cuts. He also produced lacquered pieces, most famously the slant-front desk in the collection of Stavros Niarchos...

Carved Oak, 20th Century European School Nude Statue Height: 21 3/4 inches

Francis Hayman RA 1708–1776 Self-Portrait Oil on oak panel Image size: 8 x 6¼ inches Contemporary gilt frame This newly discovered work is the earliest known self portrait by Francis Hayman, dated to the mid to late 1720’s. The small scale of the portrait gives it a strong sense of intimacy. Whereas clients would often dress themselves in their best clothes for a sitting, Hayman has portrayed himself in informal attire, with his shirt unbuttoned and a wig cap. Born in 1708 to a respectable Devonshire family, his training began at the tender age of ten under the tutelage of the historical painter Robert Brown, who was probably an uncle. By the 1730’s he is known to have been engaged in painting scenery for the popular theatres on Goodman’s Fields and Drury Lane. He established a studio on St Martin’s Lane, and demonstrated his versatility as one of the most important painters of his time in portraits, illustration and history painting. Indeed, he was one of the first English painters deemed to have the skill and proficiency to rival that of the foreign masters, such as Holbein and Kneller, who were brought in by the court to make up for the perceived shortcomings of the native artists. Led by William Hogarth, Hayman and other artists began to create a new movement in the English art world. Thomas Gainsborough was one of his pupils, whom he is said to have introduced to the more lascivious and debauched underbelly of London life. After mostly making his living as an illustrator, in the 1740’s Hayman was commissioned by the proprietor of the Vauxhall Pleasure Gardens, Jonathan Tyers, to produce a series of four large celebratory canvases depicting British victories from the Seven Years War. His association with Tyers continued, and over the next ten years he produced a number of large decorative paintings...

"Louis 15th Console" Louis XV console in an eventful shape with 4 legs. It is in cream rechampi oak with carved decoration of split shells, scrolls, garlands of flowers. It rests on ...

Unique and large print titled CAN NOT BE PICTURED – OH NO OH NO! (The Sequoias) Digital collage from digital photography [2011]. Diptych, toner print on 90 g pink paper, mounted on...

Oil on oak panel Image size: 17 1/4 x 22 1/4 inches (44 x 56.5 cm) Period oak frame This is a portrait of a Tudor gentleman in an open next shirt with one hand raised to his chest. ...

English School Cardinal Thomas Wolsey 16th Century Oil on oak panel Image size: 22 1/4 x 18 inches (56.5 x 46 cm) Contemporary style frame Provenance Tudor Exhibition, New Gallery, ...

Oil on oak panel Image size: 24 1/2 x 41 1/4 inches (62.25 x 104.75 cm) 19th Century Handmade frame POA Jan Brueghel the Younger Jan Brueg...

MADONNA Il DE FRANCE/PARIS Around 1270 Oak wood carved Height 79cm

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...