Art by Medium: Panel

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

This work is an excellent example of Christensen’s “scrape” paintings. Here Christensen builds up thick layers of paint, which he attacks with a squeeg...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

"Pink Punk" is a large, acrylic painting / wall sculpture on a flat, shaped wooden panel. It is attached to the wall on two wooden cleats and projects 1.5" from the wall, creating a ...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

Artist: Valverde, Francisco Title: Ephezza Date: 2026 Medium: Pigmented resin on panel Unframed Dimensions: 48" x 48" Signature: Signed Edition: Unique

acrylic on birch panel

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Layers of Life is a powerful mixed media painting by Brooklyn-based artist Ned Martin, combining photorealistic rendering with abstract overlays to explore the tension between realit...

Salvatore Grippi was my art professor at Ithaca college from 1970- 1971 Who was doing paintings like this in 1950? Jackson Pollack, Willem De Kooning and Salvatore Grippi, and a few...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on panel. It features a cool blue and metallic silver palette and is part of Mudre's Venezia series, ...

Contemporary abstract painting by Katherine Filice featuring ink, stucco, and wax on wood panel, framed and completed in 2026. Created as part of Filice's "Common Ground" series, thi...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

"Renewal" (2024) by Josh Sorrell depicts a abstract expressionist portrait of a woman in shining blue light. This painting measures 14 x 11 x 2 inches and is unframed but ready to ha...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Painted entirely en plein air under moonlight, with no artificial light to guide her, Shizico Yi embraced the night with unfiltered presence. Relying solely on instinct, memory, and ...

GEOMETRIC COLLAGE IN SANDSTONE Size: 31.5 x 25.5 cm (including frame) Mixed media on wooden panel A very unique original artwork by contemporary British artist Dave Boyd, which has ...

In this painting, I've unleashed a vibrant symphony of emotions, blending acrylic, oil, and ink to create a cascading spectacle of color and form. Inspired by the raw beauty of natur...

This vibrant abstract painting features bold red and orange tones layered with expressive, gestural brushwork. Accents of soft white, blue, and green punctuate the composition, creat...

Brian O'Neill's "Sky Drama 1" is a captivating original artwork created in 2024. This piece measures 12 x 12 x 1.50 inches (30.48 x 30.48 x 3.81 cm) and features a sophisticated comb...

Sunset Song Series was created entirely en plein air, painted directly under the dimming light of late-summer and autumn sunsets and moonlight, with no artificial light to guide her...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

This original geometric abstract wall sculpture by Rebecca Klundt is a 16-inch square mixed media artwork, constructed from reclaimed wood and finished with acrylic paint. Featurin...

Golden Hour (Brightly Colored Square Abstract Expressionist Painting in Light Pink, Grey, and Yellow) by Ragellah Rourke made in 2024 oil on panel 60 x 60 inches, unframed The sides ...

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Excellent example of Loper Sr.'s work from this period. Exhibited at the Delaware art Museum show titled "Edward L. Loper from the Prism's Edge". Signed lower right. 43.75" x 30.75" ...

The painting was painted Plein Air, in Artist's own garden of the memorial roses she planted. This is Rosa Albertine, the first Old English variety Artist Shizico Yi planted in her garden in 2016, before her late dog died. Old English Roses...

Dan McCaw's (US based) "Unadorned" is an original, handmade oil painting that depicts an abstracted figure of gray and white standing within a black interior where two orange and gre...

This creation is a symphony of organic forms, where minimalism meets nature's complexity. Crafted with acrylic, every stroke and shape is charged with emotion, capturing the beauty o...

Stephen Gammell St. Paul, Minnesota Signed and dated recto. Stephen Gammell’s studio practice is rooted in an intuitive and deeply personal approach to mark-making. In Stories Unc...

This abstract painting by artist Ned Martin features a blue heron in profile, looking to the right side of the canvas. The background is composed of blue, silver, and black squares t...

This modern geometric painting by Burton Kramer was inspired by music. During his storied decades-long career, Burton Kramer has achieved international recognition as one of Canada’...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Abstract encaustic painting with brown branches with dark red berries against a light beige background "Winter Berry Diptych" made by Hudson Valley based artist, Allyson Levy, in 201...

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, fushia, patter...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Mirko Baricchi (born 1970) is an accomplished Italian painter who currently lives and works between Vicenza and La Spezia, regions located in Veneto and Liguria, Italy, respectively....

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Abstract geometric three-dimensional wood wall sculpture in bright hues of red, peach, pink, maroon, white and beige Piquant, hand-carved wooden wall sculpture by Hudson Valley artis...

Black only you III (Abstract Painting) Acrylic on aluminium core panel - Unframed. Hallard works with the themes of space and geometry, manipulating images and arrangements of obje...

Abstract and landscape, White Fox.

Abstract, interior / exterior figurative. colorful, abstract brushwork, loose perspective similar to Anselm Kiefer Oil on panel.

GEOMETRIC COLLAGE IN BLUES Size: 43 x 43 cm (including frame) Mixed media on wooden panel A very unique original artwork by contemporary British artist Dave Boyd, which has been con...

Lee Cox (American, born 1941) "Tidepool" 2024 Acrylic Paint, Wood Panel The artist signed the bottom right of the painting. "Tidepool" feels like a moment paused just below the surf...

"Various questions have led me to where my work is today. Primarily, what is the nature of a specific thing if it can be represented in various ways, even in opposing ways? Essential...

acrylic on birch panel

This 11" x 14" oil on canvas painting is by Boston-based artist, Anthony Dyke. The painting is an example of geometric abstraction, composed through an arrangement of rectilinear forms, each rendered in bold, saturated color. Dominating the left side is a deep green vertical rectangle and adjacent to it is a narrow red vertical stripe, generating a visual dialogue between the broader green plane and the surrounding forms. A field of light blue occupies the top portion above. mid-composition, a horizontal mint green band stretches across the surface, and on top rests a tilted rectangular form shifting from white to warm red in a subtle gradient. To the far right, a tall blue vertical bar intersects with a fine yellow line. The base of the painting features a complex layering of darker hues: a black horizontal stripe, accompanied by stacked rectangles in red, purple, and yellow. Anthony Dyke was born in Norwich, Vermont and attended the School of the Museum of Fine Arts at Tufts University earning a BFA and MFA in painting. As an artist and arts educator, he relocated from New York City to his downtown Oklahoma City studio, working there for two decades before returning to Boston in 2020. Coming from Vermont where the seasons are distinctly different from one another, his shift from a pastoral setting to an urban environment set up a dichotomy in the work, both visual and emotional. Tony has an extensive education in painting, photography, graphic design and figure sculpture. These mediums intersect in his work through many years of creating artworks and currently speak to his interest in abstract painting. During his senior year in the BFA Program at the School of the Museum of Fine Arts in Boston, my large painting “Natole” was chosen by Frank Stella (the juror) into the highly competitive and prestigious Dana Pond...

Brian O'Neill's "Patina" is a captivating original artwork created in 2024. This piece measures 24 x 24 x 1.50 inches (60.96 x 60.96 x 3.81 cm) and features a sophisticated blend of ...

Andrew Douglas Forbes is a fantastic Abstract and classical painter. He works in his home often painting the interior of his wonderful cottage. His work has been collected throug...

Peter Knapp’s “Metropolitan Moves - Unleashed” is a 24 x 36 x 1 inch mixed media abstract painting on panel in blue, aqua, purple, and gold acrylic, ink, and color pencil. This celeb...

Ron Hicks' (US based) "Study at Jan and John's" (2025) is an original, handmade oil painting that depicts a lightly abstracted portrait of a woman against a pale white background. T...

Striking in colour and form, this contemporary composition is by Yvonne Lammerich. The Canadian artist has garnered an international reputation for her inspired exploration of abstra...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Rinat Goren (Israeli, American, born 1964) "Windows of Opportunity" 2021 Encaustic paint on cradled wood panel The artist signed the bottom right corner of the painting. “Windows of Opportunity” unfolds as a quiet grid of softly rendered rectangles and window-like forms, layered in warm tones of apricot, saffron, pale peach, and muted white. Subtle line work and translucent wax layers give the surface a luminous, atmospheric depth. Goren’s encaustic technique allows each shape to feel both deliberate and ephemeral, evoking architectural plans, urban facades, and moments of pause within a structured environment. The repeated square and rectangular motifs suggest windows, thresholds, and openings, visual metaphors for possibility, transition, and choice. Fine incised lines and faint architectural markings add rhythm while preserving a sense of openness and calm. The painting balances abstraction with suggestion, offering viewers space for contemplation rather than narrative certainty. “Windows of Opportunity” is emblematic of Goren’s practice, which explores systems, repetition, and human-scaled geometry through a restrained, tactile language. About the Artist: Rinat Goren is an Israeli-American artist based in California whose contemporary encaustic works explore the relationship between thought, structure, and emotion. Born in Israel and residing most of her life in the U.S., Goren has long been drawn to both observation and creation, translating the complexity of the human mind into layered visual compositions. Her encaustic paintings—formed by applying molten beeswax mixed with pigment—evoke a tactile, sensory experience that reflects her fascination with systems, decision-making, and the creative act itself. She works with geometry, color, and abstraction to celebrate our innate capacity to reflect, choose, and act with intention. Goren’s process is rooted in one of the world’s oldest painting...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

This artist's butterfly work is in the current Veranda Magazine with Jan Showers. "Afternoon in Provence" oil on panel original panel painting by Steve McElroy. Framed and signed ...

Manchester Abstract Expressionist Art by Contemporary British Artist, Angela Wakefield - a rare early work. Entitled 'Jilly's, Manchester', this painting is from an intense body of s...