Art by Medium: Panel

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

"Fins whistling below the surface" depicts a surreal underwater view of the fins of a surfboard slashing through cold water waves. Telling a story of Uni's own experiences riding the...

Patina - Minimalist Composition in Wax and Acrylic on Wood Panel Bold abstract composition by Charles David Francis (American, 1951-2018). Laye...

Abstract still-life, Pink Chair is a whimsical painting in oil paint on antique baker's board.

"This Must Be The Place" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometr...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Alejandro Rubio Striped Landscape #2, 2025 Acrylic on panel 36 x 36 inches This is a one-of-a-kind acrylic painting on panel.

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb created this abstract painting with bold brush stokes creat...

Rinat Goren (Israeli, American, born 1964) "Windows of Opportunity" 2021 Encaustic paint on cradled wood panel The artist signed the bottom right corner of the painting. “Windows of Opportunity” unfolds as a quiet grid of softly rendered rectangles and window-like forms, layered in warm tones of apricot, saffron, pale peach, and muted white. Subtle line work and translucent wax layers give the surface a luminous, atmospheric depth. Goren’s encaustic technique allows each shape to feel both deliberate and ephemeral, evoking architectural plans, urban facades, and moments of pause within a structured environment. The repeated square and rectangular motifs suggest windows, thresholds, and openings, visual metaphors for possibility, transition, and choice. Fine incised lines and faint architectural markings add rhythm while preserving a sense of openness and calm. The painting balances abstraction with suggestion, offering viewers space for contemplation rather than narrative certainty. “Windows of Opportunity” is emblematic of Goren’s practice, which explores systems, repetition, and human-scaled geometry through a restrained, tactile language. About the Artist: Rinat Goren is an Israeli-American artist based in California whose contemporary encaustic works explore the relationship between thought, structure, and emotion. Born in Israel and residing most of her life in the U.S., Goren has long been drawn to both observation and creation, translating the complexity of the human mind into layered visual compositions. Her encaustic paintings—formed by applying molten beeswax mixed with pigment—evoke a tactile, sensory experience that reflects her fascination with systems, decision-making, and the creative act itself. She works with geometry, color, and abstraction to celebrate our innate capacity to reflect, choose, and act with intention. Goren’s process is rooted in one of the world’s oldest painting...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Adhering collage elements to panels on which he can also paint, Cutlip gives just the right heft to his compositions, a balancing act that many who work in this vein never perfect,” ...

This abstract painting by Roger Mudre features a cool blue and silver palette, with light circular shapes layered over one another and a horizontal texture. It transforms and shimmer...

This is a float framed original painting on panel. Rocky Hawkins was born in 1950 in Seattle, Washington and grew up in small towns near the Cascades Mountains. His interest in the m...

Abstract painting made with light green encaustic and brown hemp leaves and branches resembling a tree Happanese, made by Allyson Levy in 2020 48 x 34 inches hemp leaves, branches, a...

This vibrant abstract painting features bold red and orange tones layered with expressive, gestural brushwork. Accents of soft white, blue, and green punctuate the composition, creat...

"Mini Token" (2018) by Catherine Hart Acrylic, gouache, and graphite on wood panel; pink and purple palette with text Framing available COA included

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

This painting was inspired by the atmospheric light over the Cuillin mountains of Skye, walking through the valleys and mountainous landscapes. The light made the landscape look ethe...

Artist: Elba Alvarez, Venezuelan (1944 - ) Title: Prima I Year: circa 1975 Medium: Triptych of Screenprints on Panel, Signed, Titled, and Numbered in pencil Edition: 10/25 Image Size...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on panel. It features a cool blue and metallic silver palette and is part of Mudre's Venezia series, ...

Alejandro Rubio Back to Bauhaus, 2024 Oil on panel 20 x 16 inches This is a one-of-a-kind oil painting on panel.

Ron Hicks' (US based) "Study at Jan and John's" (2025) is an original, handmade oil painting that depicts a lightly abstracted portrait of a woman against a pale white background. T...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"Foreign Attraction" Abstract Oil Painting 31" x 24" inch by Ahmed Dafrawy Dafrawy’s fine arts academic background started in 2014 when he received the certificate of drawing cours...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

Sherry Giryotas' abstract paintings in this series are reminiscent of Paul Klee’s paintings with orange hues and geometrical shapes which almost take o...

Andrew Douglas Forbes is a fantastic Abstract and classical painter. He works in his home often painting the interior of his wonderful cottage. His work has been collected throug...

Sandra Cohen's “Squirrel” is a 12 x 12 x 1 inch abstract painting on canvas, mounted on cradled wood. Varied brushed and pooling bright yellow, gold, and cream form the background. A...

Katheryn Holt (American, born 1951) "Rivers End" 2022 Oil Paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. In this captivating artwork, the artist ex...

Like his mentor the great American Impressionist William Merritt Chase, Charles Webster Hawthorne was equally admired in his own day as both a talented painter and a highly influential instructor. Hawthorne first studied with Chase at his Shinnecock Summer School of Art, which was specifically dedicated to open-air landscape painting. Not only did Hawthorne quickly absorb all the principles of Chase’s instruction, but he also became determined to found his own school based on the same model. In 1899 Hawthorne discovered the small fishing village of Provincetown on the furthermost tip of Cape Cod, and after purchasing a large house on Miller Hill, he opened the Cape Cod School of Art, which proved to be an immediate success. While Hawthorne’s own approach as a teacher owed much to Chase, he developed a distinctly unique painting style and teaching method that defies easy categorization. He was greatly impressed with the work of Franz Hals, which he was exposed to during his trip to Holland in the summer of 1898. Hawthorne was particularly struck by Hals’ Regentesses of the Old Men’s Almhouse, and from this work he absorbed a deep appreciation for the power of human expression and an economy of technique. Hawthorne applied these lessons to his own realistic portraits of Provincetown fishermen and their families; these works have a somber, almost melancholy quality to them, and they reveal a sense of the vulnerability of the human condition. Stylistically, Hawthorne maintained a life-long commitment to the importance of color. “Beauty in art,” he said, “is the delicious notes of color one against the other.” Of equal importance to him was capturing the effects of light. He told his students: “Everything in painting is a matter of silhouettes. Hold light against shadow, not light against light.” He developed a particular technique of layering glazes and texturing the surface of his paintings, which heightens the relationship between the colors and creates a light effect that seems to emanate from within the painting. These stylistic techniques in combination with his straightforward compositions of one or more figures shown at close range create the hallmarks of Hawthorne’s best paintings. Hawthorne and his wife Ethel’s 1905-1907 trip to Italy did not result in a drastic impact on his artistic style. Nonetheless, it proved to be a transformative and enlightening voyage. The extensive trip was financed by collectors who paid in advance for a painting to be produced abroad. On the trip, Hawthorne explored the work of old masters and was struck particularly by the paintings of Titian, which to Hawthorne, demonstrated the master’s true adoration for the act of painting itself through his handling of paint and color. Where Titian’s paintings...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

"Every Time I Feel the Spirit" is a collage / painting created from acrylic and collage on leather mounted on MDF panel with predominant blue. The work itse...

"The 4th of July" (2023) by Lorenzo Chavez is a colorful abstract painting made with oil on panel. About the artist: Born, 1959 Lorenzo Chavez is a renowned fine artist specializin...

Stephen Gammell St. Paul, Minnesota Signed and dated recto. Stephen Gammell’s studio practice is rooted in an intuitive and deeply personal approach to mark-making. In Stories Unc...

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

Katheryn Holt (American, born 1951) "Storm Surge III" 2022 Oil paint and mixed media on cradled wood panel. The artist signed the back of the painting. With Frame: 33" x 43" x 2" ...

Collage No. 26 by Kim Fonder is an abstract original artwork that embodies a rich blend of layered paper and organic textures. Crafted on burlap over panel, this large-scale piece at...

About the Artist: Andrew Hildenbrand is a New York based painter who received his BFA in painting from the Pratt Institute in 2023. Thinking of hi...

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Gold leaf floater framed included. 21" x 17" Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting and runni...

Diptych. The dimensions of each element are 84 x 60 cm (33.1 x 23.6 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaust...

This abstract diptych painting by Roger Mudre features a charcoal grey palette, with light circles loosely overlapping one another across each panel. ...

Contemporary gestural purple, blue, and cream abstract painting by American artist Michael Kessler. The work consists of many very thin layers of paint that are built up to reveal th...

Katheryn Holt (American, born 1951) "Windswept I" 2025 Oil paint and mixed media on cradled wood panel The artist signed the back of the painting. “Windswept I” is a serene abstract...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Artist: Donald Gerola, American XXth Title: Abstract Rose Year: circa 1990 Medium: Sand Fresco on Panel, signed verso Size: 36 x 47.5 in. (91.44 x 120.65 cm)

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

Sandra Cohen’s “the separation of isotopes” is a 12 x 12 x 1 inch abstract acrylic painting on cradled wood, in bright tones of pink, blue, orange, yellow, white and black. A simplif...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives &...

This abstract painting by artist Ned Martin features a blue heron in profile, looking to the right side of the canvas. The background is composed of blue, silver, and black squares t...

Katheryn Holt (American, born 1951) "Aqua" 2022 Oil paint and mixed media on cradled wood panel The artist signed the back of the painting. With Frame: 33" x 49" x 2" “Aqua” by Hol...

Mid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

acrylic on birch panel