Art by Medium: Photographic Paper

ABOUT THIS PIECE: The Endless Summer film poster has long been an inspiration to the artist, evoking the question, what if summer never had to end? In these images Jessica share's th...

From a series of large scale abstract photographs of muted color monochromatic ocean water surface and cloudscapes SEASCAPE IV by Frank Schott an homage t...

Large format photograph of intricate garment details of ancient Roman marble sculptures, from a series capturing ancient craftsmanship and fashion of antiquity 40 x 27 inches / 68cm...

ABOUT THIS PIECE: Beauty, elegance and fierce attitude defines Elena’s eye-catching work. She is known for her high impact colorful portraits. Her style is permeated with the passion f...

Oxana (Stage of Consciousness) - 2007, 38x47cm, Edition of 2/30, digital C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory # 3048.18. Not mounted. St...

Field - Limited edition pigment print - Limited Editions of 15 Rural France, Burgundy, 2006 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta ...

Redwoods by Erik Pawassar 42 x 117 inches (107 x 298cm) signed edition of 7 48 x 135 inches (122 x 343cm) six panels of 48 x 22.5 inches signed edition of 7 31 x 88 inches (79 x 224cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request _________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

Plane blue - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4634. Not mounted. ...

ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspiring and influencing each other since their Master's thesis back in academia. Collectively, they p...

Sunset lights an advertisement for antiques…. seemingly abandoned on a highway in California – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-wait...

Two independently successful fine art photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl r...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistica...

From the 2018 Singapore Series, Postcards from afar. This artwork is a limited edition of 25, gloss photographic print. Accompanied by a signed and numbered certificate of authentic...

The Lagisza Power Station print is one of those most iconic industrial photographs from the Silesia series. ‘These houses are dwarfed by the huge power station cooling towers. It’s ...

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions with different emotions. Igor's...

A Scene of the Film Au revoir les Enfants is a vintage black and white photograph realized in the 1987. Good conditions.

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Briggs Edward Solomon's artwork is known for its balance and juxtaposi...

This piece is a pigment print from the original negative, shot by Milton Greene in 1955. This photograph of Marilyn Monroe is from a photoshoot which became known as "The Pekingese Dog Sitting" because Marilyn was accompanied by her hair stylist's dog during other photographs from the same series. Marilyn was shot in a gorgeous Bill Blass gown which became an integral part of the series. This black gown juxtaposed with the stark red background make these photographs hard to forget. These photographs were seen for the first time in 2013 after being locked away and unpublished for over 50 years until Andrew Weiss Gallery...

ABOUT THIS PIECE: "My photographs are a personal collection of moments that reveal my most genuine and beautiful depictions in the world around us. Preserving precious moments in ti...

Villa del Balbianello, June 1983 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Villa del Balbianello, June 1983' is a Limited...

Vintage black and white photo portrait of a young beautiful elegant woman, taken by Studio Bonte - Gand, 1903. On the back of the photo is hand written "Magdeleine - October 1903". V...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS PIECE: French photographer Ludwig Favre recently visited New York City. His picture...

ICES Satsuma Orange, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coa...

Poolscape #57 is a dazzling Chromogenic Print by Contemporary photographer Karine Laval Limited Edition of 15 In her series Poolscapes, Karine Laval preempts the series she would l...

Piazza Roma, Cortina d'Ampezzo, 1962 by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Piazza Roma, Cortina d...

ABOUT THIS PIECE: Disco is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interesting cropping. A...

'Summer Rain' Limited Edition Original Archival Photographic triptych 1 of 25. Unframed, hand signed and numbered _________________ The first drops of summer rain break the tension ...

Stillness 4, 2021 - Misty Natural Landscape of Trees in Ancient English Woodland by Ellie Davies Stillness 4 is a Digital C-Type Print on Fuji Maxima Matte paper, available in this ...

Taking Turns (Till Death Do Us Part) - 2006 40x48cm,. Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label. Artist ...

Deep Inside III #3 is a Giclée Print on Cotton Paper (Hahnemuhle Rag Paper 308g) print available in this size in a limited edition of 10 + 2 Artist Proofs. Born in Porqueres, a sma...

'NOMAD VIII (Film Rebate)', New York. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photographs capture the art deco architecture illuminated by changing colours, and is part of Richard's street photography portfolio...

Motorboats in Antibes, 1969 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Motorboats in Antibes' is a Limited Edition Estate ...

'Monte Amiata I' and 'Utopian Foyer IV', Milan, 2020. Italian Brutalist architecture photography by Richard Heeps. Two framed artworks each measuring 20" x 16". Each artwork is a li...

Heidler and Heeps Vinyl Collection 'Press Conference Carmine Red'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully ...

Bonanza Café, iconic photograph from Richard Heeps Dream in Colour series, it was the cover artwork on his book Man's Ruin. The photo takes you back to small town Americana with the ...

Nick Vedros Prickly Couch Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 11x12in Edition: 15 Signed, dated and numbered by hand...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

'Malone Street', the American open road leading to snow capped mountains in Keeler, California. This artwork is part of Richard Heeps' 'Dream in Colour' series. This artwork is a li...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – oft...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 in Los Angeles, California. This photograph is from a ...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD14558 (She Disappeared into Complete Silence) 60" x 45" / 152cm x 114cm edition of 8 + 2AP 40" x 30" / 102cm x 76cm edition of 8 + 2AP limited edition photograph is printed under artist supervision and accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Works, Museum of Contemporary Art, Malaga, Spain 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII, Los Angeles Mona Kuhn: Between Modernism and Surrealism, Houk Gallery, New York, NY 2023 Mona Kuhn: Kings Road, Galerie XII, Paris, France Mona Kuhn: Kings Road, Kunsthaus-Göttingen, Germany Mona Kuhn: Kings Road, Jackson Fine Art...

Artist: David LaChapelle Title: Facial, Beverly Hills, CA Medium: Photograph, Chromogenic Print, Flush-Mounted to Aluminium and Diasec-Mounted Size: 17" x 23.4" Edition: 8/10 Inscrip...

ABOUT THIS ARTIST: Through his hundreds of vibrant photographic collages, his sculptural nudes in his recent series For A Good Time and his frequent editorial work for magazines such...

ABOUT THIS PIECE: Bright Medley is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interesting crop...

Traces of Time (The Girl Behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13370. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Taken in Woodstock, NY in 1968. One of the most iconic photographs of Bob Dylan. Signed by photographer on bottom right. Titled on bottom left. Available in various sizes.

Palm Springs Palm Trees X (Californication) - 2019 78x76cm, Edition of 10, plus 2 Artist Proofs. digital C-Print, based on the Polaroid. Certificate and Signature label. Artist ...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

As Seen at Art on Paper Art Fair 2024 at The Mannix Project East Hampton NY hard to photograph image PRIDE (comes framed in white frame) Art size is 24x18 framed 26x20 LBGTQ theme G...

GEORGE BARRIS 3F FROM "THE LAST PHOTOS" ORIGINAL PHOTO FROM ORIGINAL NEGATIVE 20 X 16 INCHES HAND SIGNED BY ARTIST PRINTED IN 1987 This piece is an original photograph of Marilyn M...

In October 1968 as seen from the Apollo 7 spacecraft during its 91st revolution of the earth from an altitude of 99 nautical miles, photographed is Hurricane Gladys in the Gulf of Mexico...

Pink Flower Carpet (Zuma Beach) - 1999 43x59cm, Edition 4/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signed on back and Certificate. Artist Inventory #22...

Heidler & Heeps Vinyl Collection 'LTD. ED. Vinyl Ochre Pink'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

Paul Lukas "Watch On The Rhine" - 1943 Photograph by Clarence Sinclair Bull A 1943 black and white portrait photograph of actor Paul Lukas (Hungarian, 1894-1971) by Clarence Sincla...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the b...

'Morning Rose' (The Girl behind the White Picket Fence) - 2013 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid, Certificate and Signature label, artist Inventory ...

Bonanza Café, iconic photograph from Richard Heeps Dream in Colour series, it was the cover artwork on his book Man's Ruin. The photo takes you back to small town Americana with the ...

Drugs is a Color Photographic Print on Hahnemuhle Paper in an Edition of 20 in this size of 20" x 24". States of America is the photographic legacy of one of the UK’s leading photog...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Ben 2 ‘ who was captured on film in 1989...

Harlem, 1954 by Leonard Freed, is a 14” x 11” photograph from the photographer's Black in White America book (p. 91). The gelatin silver print from the estate is stamped verso (bac...