Art by Medium: Photographic Paper

Scotti's Yacht, Monte Carlo, 1981 - Luxury Sailboats in Monte Carlo in Monaco by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'S...

The photo is signed and stamped on the front by Marcin Ryczek and will be send unframed A Man Feeding Swans in the Snow (2013) - edition 25 in format 30...

Bert stern Marilyn in Vogue The last sitting (1962) superb and large photo of Marilyn Monroe in Christian Dior's mythical black dress for Vogue magazine photographic paper format 9...

Inga Lindgren and Poodles - Fashion Photograph New York Spring Street Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Ed...

Emilio Lussu is a vintage black and white photograph realized in the 1960s. Good conditions.

Photo portrait of a woman by Arnulf Rabl (German-American, 1942-2016). In this soft portrait, the woman has her head turned slightly down, with closed eyes. There is light striking t...

Jane Bond I (Heavenly Falls) - 2016 20x20cm, Edition of 10, Archival C-Print based on the Polaroid Certificate and signature label, Artist inventory number: 19502. Not mounted. ...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Vintage Photo. The British Actor Stewart Granger and his wife.

Listing includes free shipping for unframed prints in the continental US and a 14-day return policy. Please inquire for framing options. We offer framing from our New York and Los Angeles gallery...

No Parking, urban architecture photograph from Richard Heeps' series, A Short History of London. The stark Brutalist architecture has sense of beauty as the hypnotic symmetry draws y...

Gaia 117 - Black and White Diptych of Clouds and Waves Catalonia Spanish Sea by Jaume Llorens Bach Gaia 117 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Paper ...

Listing includes free shipping to the continental US and a 14-day return policy. Joan Didion by Julian Wasser 16 x 20 inch gelatin silver print Edition 1...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

Computer, from Richard Heeps Bletchley Park series. Richard photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to document Alan Turing’s historic past at Bletchley. He was privileged to gain access not open to the public. This World War II German Enigma Machine...

ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspiring and influencing each other since their Master's thesis back in academia. Collectively, they p...

D. and Felix (Stranger than Paradise) - 1997 Edition of 2/30. Image size 16 x 21.6 inch, External dimensions: 17.7 x 23.3 inch. Archival C-Print, based on the Polaroid. Mounted...

Villa del Balbianello, June 1983 - Afternoon Gathering on Terrace with Vines by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Vi...

This Game We Play #14 is a 30" x 40" C-Type Matte print from a Limited Edition of 5 by Franck Bohbot. A cool fall day in New York. Auburn leaves scatter the basketball court, whic...

Large format observation of a California Redwoods grove, capturing the colors and lush flora of the iconic biosphere in mesmerizing details Redwoods (2010) by Erik Pawassar is offer...

Classic mid-century architecture in this artwork from the Salton Sea California. Rich blues, palm trees with pops of orange create the perfect palette with the Agfa Ultra film rebate...

Large scale original photograph of vintage television set with iconic western movie in American Wild West landscape with "frameless" plexiglass facemounting Cowboy TV by Frank Schot...

Streets of Kowloon Gold, part of Richard Heeps series photographing on the streets of Hong Kong in Kowloon in 2016 this stunning abstract piece is so striking in a room. The whole 20...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Hotel du Cap Pool, Eden Roc - Cap d'Antibes French Riviera Hotel Views Coastline by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Photographer Ludwig Favre was born in Senlis, France in 1976. Favre ...

'Dice', photograph from Richard Heeps 'Man's Ruin' series, the vivid detail of the dice lucky number 8 ball in a fun multi-colour picture. This artwork is a limited edition of 25, g...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

GOLDEN GATE by Frank Schott an epic scale photograph of iconic Golden Gate Bridge and San Francisco skyline in Northern California's atmospheric morning light 58 x 110 inches ( 147 ...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Xie Kitchin as Dane is an original vintage photograph realized in 1873 by Lewis Carroll (Daresbury, January 27, 1832 - Guildford, January 14, 1898). Original albumen print on postcard; dimensions: 14 x 10 cm. N° 2132 "The Dane manuscript" was written by the author in pencil on the back. Provenance: Jeffrey Stern Bookseller York UK. Certificate of Athenticity: provided by the Original Gallery. Framed in a coeval frame. Mint conditions. Lewis Carroll (Daresbury, January 27, 1832 - Guildford, January 14, 1898) in 1873. This work depicts the figure of Xie (Alexandra) Kitchin as "Dane", a standing children with an elegant dress and headgear. Charles Lutwidge Dodgson (27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English writer of children's fiction, notably Alice's Adventures in Wonderland and its sequel Through the Looking-Glass. He was noted for his facility with word play, logic, and fantasy. The poems "Jabberwocky" and The Hunting of the Snark are classified in the genre of literary nonsense. He was also a mathematician, photographer, inventor, and Anglican deacon. Carroll came from a family of high-church Anglicans, and developed a long relationship with Christ Church, Oxford, where he lived for most of his life as a scholar and teacher. Alice Liddell, daughter of the Dean of Christ Church, Henry Liddell, is widely identified as the original for Alice in Wonderland, though Carroll always denied this. Scholars are divided about whether his relationship with children included an erotic component. In 1982, a memorial stone...

This early 20th-century mixed media by K & K Hof Atelier Pietzner of Vienna depicts a respectable family within a neoclassical garden setting. With the advent of photography, afflue...

This red panorama photograph brings a fantastic pop of colour to a room and the details in it take you on the journey with the photographer. Whilst in Darjeeling Richard became fasci...

Born and raised on the Central Coast of California, Dylan was brought up raising horses, surfing and skating throughout his youth. The pursuit to tell stories came naturally when he began pointing his camera towards what and who he loved most. Now known for his work in the Outdoor and Editorial realms Dylan travels the globe shooting with Top Athletes and brands. Dylan now resides in Ventura...

Unknown Girl 01 - Street Portraits (Stranger than Paradise) - 1999 Edition of 10, 40x40cm. Archival Print, based on the Polaroid. Signature label and Certificate. Artist Invento...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...

Catch Up by the Pool, 1970 - Poolside Conversation, Kaufmann House Palm Springs by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Natasha Martin is an LA-based photographer who loves color and infusing dre...

As Seen at Art on Paper Art Fair 2024 at The Mannix Project East Hampton NY hard to photograph image PRIDE (comes framed in white frame) Art size is 24x18 framed 26x20 LBGTQ theme G...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Zarina - Limited edition archival pigment print, 1987 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which is then printed...

Palm Springs Palm Trees V (Californication) - 2019 50x50cm, Edition of 10, digital C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory Number 22169. ...

ABOUT THIS PIECE: Beauty, elegance and fierce attitude defines Elena’s eye-catching work. She is known for her high impact colorful portraits. Her style is permeated with the passion f...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes ...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

Palm Beach Idyll, 1955 - Relaxing by Palm Trees in Palm Beach by Atlantic Ocean by Slim Aarons 16 x 16" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. Photographer Ludwig Favre's affinity for shooting California is deeply tied to nostalgi...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

'Telephone' from Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography has a dreamy mid-century modern nostalgic vibe. Primarily known as a color photo...

Abstract photography, signed by the author.

Vintage Photograph of one of the biggest conductor of all the times after Kleiber and Bernstein, Herbert Von Karajan. cm 17.5 x 11.5. Overleaf: "As...

Francesca Woodman is an original artwork realized by the Italian artist and photographer Angelo Cricchi in 2008. Original Digital Photograph. Hand...

Original color photograph, from the original transparency, by Bert Stern taken six weeks before Marilyn Monroe’s death in 1962 and printed at a la...

ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....

DIALOGUE 16 is a limited-edition photograph by contemporary artist Matthieu Venot. This photograph is sold unframed as a print only. It is available in 3 dimensions: *37.5 cm × 3...

The way we were (Till Death do us Part) - 2005 48x58cm, Edition of 10, Archival C-Print print, based on the Polaroid Certificate and Signature label artist Inventory No. 9088. No...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: As a kid the ice cream truck was a nei...

Mesmerizing large scale photographs from the artist's Seascape series, a body of works capturing the tactile surfaces and monochrome nature of oceanic waterscapes SEASCAPE XVIII Di...

Bookscase with Golf books including Jack Nicklaus, Arnold Palmer, Tiger Woods and more