Art by Medium: Photogravure

"FernLake" Cargo Ship at Sea Chromolithograph on Canvas Original Maiden Voyage of the FernLake Chromolithograph from the painting by Norwegian artist Carl B. Hestman (Norwegian, 19...

Rémy Duval, 'Street Scene, L'ile Saint Louis, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives pape...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 4 3/4 inches (...

Dons des Féminines is an original Rare Book illustrated by Valentine Penrose (1898 – 1978) and by Pablo Picasso (Malaga, 1881 – Moujins, 1973) in 195...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

Tartarin (Original title "Die Abenteuer des herrn Tartarin aus Tarascon") is an original modern rare book written by Alphonse Daudet (Nimes, 1840 – 1897) and illustrated by George Gr...

Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...

Rémy Duval, 'Parisian Balcony', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives paper; the sheet with deck...

Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

'Farnese Hermes' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the imag...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

La Dame Ovale is an original modern rare book written by Mary Leonora Carrington (Chorley, Lancashire 1917 – Mexico City, 2011) and illustrated by Max Ernst (1891 - 1976) in 1934. Original edition. Published by GLM, Paris. 535 numbered copies. Format: small 8°. Seven full page collages. Unnumbered pages. Good conditions. Max Ernst in 1934. Originally a Dada activist in Germany, Max Ernst (1891 - 1976) became one of the early adherents of the Surrealist circle. As a child living in a small community near Cologne, Ernst had considered his existence incredible and full of wonders. In autobiographical transcripts, written mostly in the third person, he said of his birth: “Max Ernst had his first contact with the world of sense on the 2nd April 1891 at 9:45 a.m., when he emerged from the egg which his mother had laid in an eagle’s nest and which the bird had incubated for seven years”. Ernst’s service in the German army during World War I swept away his early success as an Expressionist. In his own words: “Max Ernst died on 1st August 1914. He returned to life on 11th November 1918, a young man who wanted to become a magician and find the central myth of his age. From time to time he consulted the eagle which had guarded the egg of his prenatal existence. The bird’s advice can be detected in his work”. Mary Leonora Carrington (Chorley, Lancashire 1917 – Mexico City, 2011). Carrington was a British-born Mexican artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City and was one of the last surviving participants in the Surrealist movement of the 1930s. Carrington was also a founding member of the women's liberation movement in Mexico during the 1970s. In 1936 Leonora saw the work of the German surrealist...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Salvador Dali (Spanish, 1904-1989), "Rosa e Morte Floriscens" [Rose and Death Blooming], Etching and Heliogravure in Colors on Arches Paper, 1972, from the "Florals (Surrealist Flowe...

Artist: Paul Strand – American (1890-1976) Title: Cristo, Tlacochahuaya, Oaxaca Year: 1933, printed 1967, Da Capo Press, New York Medium: Photogravure hand-printed from the original plates on BFK Rives paper Publisher: Da Capo Press, 1967, New York Sight size: 10 ¼ x 7 7/8 in. (260 x 200 mm) Sheet size: 15 3/4 x 12 3/8 in. (402 x 313 mm) Framed size: 17 x 14 inches Edition:1000 Condition: Excellent This hand-pulled photogravure is from Paul Strand’s Mexican Portfolio, first published in 1933. This photogravure is from the 2nd edition, published in 1967. It is in excellent condition. It is enclosed in a simple metal frame and Plexiglas only for protection. A seminal work by a legendary figure in 20th century American photography, the photographs taken by the author on his travels through Mexico in 1932-33 show architecture, landscape, the indigenous people, and religious folk sculpture. Strand's work first made its appearance as "Photographs of Mexico" in a limited edition of 250 copies in 1940, with the printing of the steel-faced gravure plates by master platemaker Otto Wackernagel being supervised by Strand himself and executed by Charles Furth and the Photogravure and Color Company. The second edition used the original Wackernagel plates, printed by Albert Delong at the Andersen Lamb Company of Brooklyn. Strand was even more pleased with this version, stating "Delong has made these plates sing." The images are a celebration of the subjects' pride, dignity and endurance. Paul Strand (1890–1976) is considered one of the most significant photographers of the 20th century. His breakthrough work in the 1910s heralded photography’s importance as a modern art form. Early in his career he broke from the soft, impressionistic Pictorialist style to produce among the first abstract images made with a camera. His questioning attitude led him to radically change his work multiple times in his career, always with the highest ambitions for the quality of his photographic prints. In 1932, Carlos Chavez, the director of the fine arts department at the Secretariat of Public Education in Mexico, invited Strand to Mexico. At this time, the Mexican government was concerned with demonstrating a national culture that was reflective of a burgeoning, modern, twentieth-century Mexico. In light of this, Chavez invited Strand to document the new social and physical environment. Over the next two years, Strand travelled around Mexico photographing...

'Equestrian Torso from the Mausoleum' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top rig...

'Oriental Head Dress (Persia)' Photogravure after Donald Macbeth (1865-1943). Donald Macbeth was a commercial photographer who seems to have held a quasi-official position at the B...

'Head of a Gaul' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the imag...

'Germania' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the image. 2...

Original Photogravure - Plate 639 Comes with a gorgeous Burl Wood frame, images upon request.

Original Photogravure - Plate 625 Comes with a gorgeous Burl Wood frame, images upon request.

Original Photogravure - Plate 631 Comes with a gorgeous Burl Wood frame, images upon request.

Original Photogravure - Plate 660 Comes with a gorgeous Burl Wood frame, images upon request.

Artist: Man Ray (American born, 1890 - 1976) Title: FLOWER AND PEACH Date Of Negative: 1934 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 ...

Original Photogravure - Plate 648 Comes with a gorgeous Burl Wood frame, images upon request.

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Sketch for a theatrical Costume is a modern artwork realized after Sergei Eisenstein in the mid-20th Century. Mixed colored phototype print. Includes frame: 44 x 33 cm Fair condit...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Sketch for a theatrical Costume is a modern artwork realized after Sergei Eisenstein in the mid-20th Century. Mixed colored phototype print. Includes frame: 45 x 34 cm Fair condit...

Mary Cassatt, After, American (1844 - 1926) - Sarah Wearing Her Bonnet, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size:...

Man with a Hatchet is an artwork on white cardboard realized after Italian Artist Mario Sironi (1885-1961) in 1957. Phototype print. Signed on the low corner. Good conditions.  P...

Annette Lemieux (American, 1957-) Date: 1994 Medium: photogravure, aquatint (photo etching) and stencil Hand signed and dated lower right. Editioned lower left. Dimensions: Sheet: 22...

Artist: Man Ray (American born, 1890 - 1976) Title: ABSTRACT RAYOGRAPHY Date Of Negative: 1923 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 19...

Artist: Man Ray (American born, 1890 - 1976) Title: MRS ROWELL Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st Ed...

This artwork from the suite "La Tauromaquia, Plate #23" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...

With a varied career as both an artist and art director, Cy has collaborated with many of America’s best photographers. His works are close, intimate portraits of almost infinite dep...

Medium: collotype (after the drawing). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a scarce portfolio. Image size: 10 3/4 x 7...

Métiers des Hommes is an Original Rare book written by Pierre Courthion (1902-1988) and illustrated by Kurt Seligmann (Basel, 1900 - Middletown, 1961) in 1936. Original Edition. Pu...

This artwork titled "Brave Moor Gazul" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...

Salvador Dali (Spanish, 1904-1989), "Iris Germanica cum Ocellis Italicis" [German Iris with Italian Eyes], Etching and Heliogravure in Colors on Arches Paper, 1972, from the "Florals...

Phototype on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition; never framed or matted. Notes: From the volume, La Fleur de Barbe, 1960. Published by Jean Dubu...

Edition of 98 copies. Copy on Verge d'Arches paper, including soft editorial cover. Edition reserved to the Société Stendhalienne. The rare volume was ...

Symbol and Myth is an artwork on white cardboard realized after Italian Artist Mario Sironi (1885-1961) in 1961. Phototype print. Signed on the low corner. Good conditions.  Prin...

Juan Carlos Alom (Cuba, 1964) 'Sólo tú cabes en la palma de mi mano' (only you fit in the palm of my hand), 2004 Photoengraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 99 ID:...

Color photogravure, 1972. Signed by the artist in pencil and with artist's stamp, lower margin. Numbered 106/125 in pencil, lower left margin. Published by Brooke Alexander, Inc.,...

Edgar Degas, After, French (1834 - 1917) - Au Louvre: La Peinture (Mary Cassatt), Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, I...

Artist: Man Ray (American born, 1890 - 1976) Title: VISAGES OF WOMAN, UNDATED Date Of Negative: 1920 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Pri...

Artist: Man Ray (American born, 1890 - 1976) Title: HENRI MATISSE Date Of Negative: 1922 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Out West is a beautiful rare book illustrated by 24 panels with photolithographs realized by various authors. Printed probably in Germany, around 1900. Black and gold embossed title...

Tete de Femme is a print realized by A. Van Loey in the 19th century. Héliogravure on paper. Signed on the plate. Good conditions.

Die Elixiere des Teufels is an original modern rare book written by Hoffman E.T.A. (24 January 1776 – 25 June 1822) and illustrated by Hugo Steiner-Prag (Prague, 1880 - New York, 194...

Vegetable and bugs is a  phototype print on paper realized in the late 20th Century by a Unknown Chinese Master. Monogrammed on plate on the left margin The artist want to define a ...