Art by Medium: Pigment

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, a bunch of radishes with their deep pink skins are are gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

photo-eye Gallery is very excited to share new work from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Loo...

' Yellow Leaf ' Oversize Archival Pigment Print - Signed Limited Edition Fine Art photograph of a single leaf floating on water with palm trees reflected on the surface. by Stuart Möller. Beautiful mint condition Limited Edition Archival Pigment Print on Hahnemühle Photo art paper. Measuring a Large Oversize 40 x 30 inches / 101 x 76 cm Edge Prints...

Slim Aarons Estate Print - Leisure In Antibes 1969 A woman sunbathing in a motorboat as it tows a waterskier, in the sea off the Hotel du Cap-Eden-Roc in Antibes on the French Rivi...

No title (No 36) Ballet Photography 36x36 in Ed of 28 by Yevgeniy Repiashenko Photography Edition of 28 (36" x 36" inch) by Yevgeniy Repiashenko Year photo was taken: 2017 This pi...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, ...

Outdoor Subway Platform Long Island City. The work is signed, dated, and numbered 2/15 in the lower right recto corner, with other sizes available. It is unframed and printed later. ...

Toy Story 2 : Toy Story 2 is a 1999 American computer-animated comedy film directed by John Lasseter and produced by Pixar Animation Studios for Walt Disney...

Signed limited edition print of Bob Dylan by Guido Harari, taken in Sirmione, Italy, 1984. Available in the following sizes: A. 11” x 16” - Edition 50 B. 16” x 20” - Edition 50 C. 20” x 28” - Edition 25 D. 32” x 44” - Edition 10 E. 44” x 59” - Edition 5 Guido Harari has photographed many music legends in his prolific career in Italy. Lou Reed said about him: "I'm always happy when Guido takes my picture because I know it will be a musical picture. And it will also have some poetry and feeling to it. The things that Guido captures with his portraits are generally speaking ignored by other photographers. I consider Guido a friend, not a photographer". Guido started out in the early Seventies as a music photographer and journalist, also exploring reportage, fashion, advertising and corporate photography. He’s produced record covers for Kate Bush, David Crosby...

Louise Marler Energetic Influence Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1695 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Series: The Americana Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $7,500.00 48" x 60" - $11,000.00 60" x 75" - $14,750.00 Framed Sizes: 39" x 47" - $9,250.00 55" ...

Series: The Americana Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $6,250.00 48" x 60" - $9,500.00 60" x 75" - $12,250.00 Framed Sizes: 39" x 47" - $7,750.00 55" x...

Yellow Ball, East Hampton, NY, Archival Pigment Print, $ Ed. 3/5, 2016 Printed to Order *Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have been feature...

Maggie Taylor creates evocative single-scene narratives in her whimsical and often elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objec...

Black and white fine art cityscape - waterscape photography. View from the rialto bridge into the grand canal of Venice, Italy. Archival pigment ink print, edition of 9. Signed, titl...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $7,500.00 60" x 48" - $11,000.00 75" x 60" - $14,750.00 Framed Sizes: 47" x 39" - $9,250.00 67"...

High Tea, limited edition photograph, archival ink, signed and numbered Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and how...

Cupcake Sundae, limited edition photograph, archival photograph, signed Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and how...

Contemporary still life photograph of bright orange and blue poppy flowers and fingerling potatoes on a crisp white tabletop background archival pigment print, edition 6 of 10 17 x 2...

Jimmy Page backstage at the Fillmore East, NYC 1969, eating a hamburger. About The Print: Archival pigment print on 100% cotton paper with a satin baryta finish. It is from a limite...

"""Peak"" A lone snowy peak rising above the clouds and mist with a flat white minimal natural backdrop In the Arctic, minimalist landscapes abound in pristine, untouched conditio...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday ...

archival inkjet print on watercolor paper 10 x 13 inches unframed 2016 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures a trees in a meadow. The serenity of the sky and grassy meadow in soft grays are contrasted by the leafy tress in the distance. This photograph is available unframed. The image measures 10 x 13 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Ugo Rondinone The Sun Artist: Ugo Rondinone Title: The Sun Medium: Archival pigment ink print on Innova Etching Cotton Rag 315 gsm with Deluxe Rizzoli Hardcove...

Storm over Sierra Nevada, limited edition photograph, signed, archival ink print Artist Statement The Earth is an ever-changing ecosystem. It existed well before we were here and w...

'Penthouse Pool' Young women by the Canellopoulos penthouse pool, Athens, July 1961. 60 x 60 inches / 152 x 152 cm paper size Estate Stamped Collection Edition to 150 Photo...

"Covid Vanitas: The Pandemic Still Lifes" On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual ...

Gerald Berghammer - Black and white Photography. A wall with closed wooden shutters, a blooming rose growing over the wall, and a small stool on the ground. Archival pigment ink pri...

"Scotland 0044" Landscape Photography 36" x 44" Edition of 12 by Ben Cope Signed and numbered by the artist. Comes with COA issued by the artist. Unframed - ships rolled in a tube ...

"Wild Flowers in My Hair" Suri People of the Omo Valley, Ethiopia, 2023 30 x 20 in / Edition of 6 - $32,500 Also available: 48 x 32 in / Edition of 6 - $28,500 60 x 40 in / Editio...

'Caleta Beach, Acapulco' A couple walk on Caleta Beach holding hands, Acapulco, Mexico, 1968. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 ...

'Dining Al Fresco On Capri' Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umber...

Archival Pigment Print on Cotton Rag Paper Including COA Printed by Eve Arnold's own bespoke printer Danny Pope

Edition of 15 Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created...

Using landscape photography to reflect on broader notions of culture, the passage of time, and the construction of perception, photographers Mark Klett and Byron Wolfe spent five years exploring the Grand Canyon for their most recent project, Reconstructing the View. The team's landscape photographs are based on the practice of rephotography, in which they identify sites of historic photographs and make new photographs of those precise locations. Klett and Wolfe referenced a wealth of images of the canyon, ranging from historical photographs and drawings by William Bell and William Henry Holmes...

Using landscape photography to reflect on broader notions of culture, the passage of time, and the construction of perception, photographers Mark Klett and Byron Wolfe spent five years exploring the Grand Canyon for their most recent project, Reconstructing the View. The team's landscape photographs are based on the practice of rephotography, in which they identify sites of historic photographs and make new photographs of those precise locations. Klett and Wolfe referenced a wealth of images of the canyon, ranging from historical photographs and drawings by William Bell and William Henry Holmes...

Blondie Pink by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – BATIK is an increasingly collectable pop artist currently...

Sepia toned archival pigment print, edition 4 of 25 Item size: 24 x 20 inches, 100% cotton rag paper Image size: 22 x 17 inches This modern, sepia toned landscape print was made by ...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $7,500.00 48" x 60" - $11,000.00 60" x 75" - $14,750.00 Framed Sizes: 39" x 47" - $9,250.00 55"...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...

Milan Cathedral The duomo or cathedral in the Piazza del Duomo, Milan, 1960. Paper size 50 x 50 / 127 x 127 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons P...

Elevation 42 x 70" Ed. of 10, framed A resolutely minimalist and suggestive approach to get to the essential. Not trying to show a subject for what it is, but for what it expresses. This is my way of telling stories, of translating my sensibility”. J-M. Lenoir A passion for nature from an early age led Lenoir to photography as a means to capture magical moments of nature and wildlife. Starting with wildlife and wide spaces, he developed his own vision of photography. Landscape photography is an eternal quest for atmosphere where the light and the quest of beauty are key references, his aesthetic landmark. His photographic intention relies on his magnetic attraction for wide spaces combined with his quest of beautiful lights. A way that inspires him and his instinct of freedom. In photography, he is looking for simple pictures, which go straight to the subject core, with very few things in the frame. Lenoir follows a suggestive approach: he does not try to show a subject as it is, but to share what it expresses. It is his way of telling stories and conveying his sensibility, like his recent work “Evanescence”. Combining his passion for pictures with rugged landscapes, he organizes and guides photo tours with Photographes du Monde agency for seven years. From north of Europe (Scotland, Norway, Finland) to South america (Chile and Bolivia),his photographic world leads him into areas of wilderness from where he draws his main source of inspiration. Lenoir is an ambassador for Fujifilm cameras and Cokin filters. Keywords: Photography, ocean, blue, elements, landscape, nature, sea...

“When I began taking pictures,” Blackmon says, “ I was primarily interested in documenting the lives of my five sisters and myself as we raised families in the Ozarks in the 21st cen...

Minimalist landscape photograph of black and white lilies on water "Dusk Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds and nearby trees are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1800. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and spirituality. Appropriately, her subject matter is often in spiritual c...

Minimalist landscape photograph of black and white lilies on water "Lily Pond", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

'C.Z. Guest With Her Great Dane' 1955 Slim Aarons Limited Estate Edition Print The swimming pool and jetty at the Villa d'Este Hotel, Lake Como, Italy, June 1983. 40 x 30" inches ...

Untitled Flower # 156 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 10" x 10” 18" x 18” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

"Chair, Napkins and Sheets" by David Halliday, 2020, archival pigment print, edition of 10 35 3/4" X 22 1/4" Image size 38.25 x 24.75 inch paper size Contemporary Still Life Color...

"I first visited Tokyo in 2004 to see my Uncle Rabindra, an artist who moved there in the 1980’s. He was recovering from Cancer, but took me all over Tokyo and taught me so much abou...

THE LAST SITTING - MARILYN LAUGHING IN BLACK DIOR DRESS, 1962 Date of creation: 2011 Medium: Iris pigment print Edition: 72 Size: 48 x 33 cm Condition: In perfect condition, never f...

In the Dare alla Luce series, I initially responded to a collection of vintage photographs, retrieved from a variety of sources both personal and anonymous. Through hand-manipulated ...

Luca Artioli has always been fascinated by Roman Statues. As a child, he wandered through the Imperial Forum creating dialogues between them. For young Luca the statues were alive. T...

Daniel Mansur In Paradisum #2, 2018 40 x 60 inches 100 x 150cm 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigment Print Sig...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sammy ‘ from 1984. A man takes his dog ...

Fine Art Print, photographed in the US., Limited edition.