Art by Medium: Polymer

Dorothy Napangardi spent her early childhood living a nomadic life at Mina Mina near Lake Mackay in the Tanami Desert during the late 1950s and early 1960s. This idyllic life came to...

Unique piece Pedestal in walnut wood 10,5 x 20 x 2,5 cm - 4,1 x 7,8 x 0,9 in Arnaud Billottet is a French artist born in 1977 who lives & works in Paris, France. Arnaud is an artist...

Makinti Napanangka walked in to Haasts Bluff ration depot during the 1940’s with her young son when in her early 20’s and by the time she had moved to the new settlement of Papunya h...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French ...

This year, 2024, the artist Ruth Vidal (1998, Isla de Arousa) launches her latest research into painting and games. These works are based on the references that the artist draws from...

This year, 2024, the artist Ruth Vidal (1998, Isla de Arousa) launches her latest research into painting and games. These works are based on the references that the artist draws from...

This year, 2024, the artist Ruth Vidal (1998, Isla de Arousa) launches her latest research into painting and games. These works are based on the references that the artist draws from...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French ...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French ...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French ...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French ...

This year, 2024, the artist Ruth Vidal (1998, Isla de Arousa) launches her latest research into painting and games. These works are based on the references that the artist draws from...

A time traverse mechanism with antecedents in mythological Atlantis. Legend speaks of a Minoan connection to Atlantis. The time machine's fictional narrative builds upon the latest in archeological finds and a growing body of circumstantial evidence hinting of an advanced society lost to history. Perchance, dare say, one which developed methods defying the very forward arrow of the space time continuum. The Atlantian Continuum narrative tells of it originally being buried in volcanic ash (thereby preserved) after a catastrophic event altered the earth's magnetic polarity. A broken piece of Minoan-Atlantian continental land mass drifted thousands of miles south (based upon recent real-life scholarly posits), further protecting the device in the permafrost of the Antarctic. Metrics of time manipulation employed are aligned with many of Einstein‘s theories including Relativity, Light Quanta, entanglement, curvature of space and infinite time loops. The sculpture portends an original scientific perspective replete with esoteric symbols, equations, formulai and multi-dimensional geometry, all portending a series of radical posits. These heuristic, intuitive theories expand upon the latest cutting-edge scientific, mathematical and philosophical insights into "visiting" the past. SPECS: Vintage spot welded cast-iron gears, cogs, sprockets and other pieces of used farm implements. Total of 49 individual pieces, all antique and vintage dating as far back as 1920. Antique plano-convex glass ball clock housed in brass. Antique brass transit surveyor. Antique brass car oiler. Antique iron padlock...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French public, despite his participation in the architectural project of the Musée du Quai Branly, Tommy Watson is nevertheless often considered the greatest living Aboriginal artist. Like many aborigines of his generation, he lived a traditional, nomadic or semi-nomadic life before his contact with Western civilization; then he will occupy the only jobs that the Aborigines find: herdsmen (until Yuendumu), laborers for the construction of infrastructures in the desert. Throughout this period he became familiar with his "country", a harsh region, and deepened his knowledge, both profane and sacred, relating to Dreams and Dreamtimes, to the connections between sacred sites and the Ancestors. He will even work in Papunya, where the artistic movement started. But the Pijantjarra are intransigent with tradition…no question at this time of revealing the motives and the secret stories. The North of South Australia, the region where he is from, was touched by the pictorial movement only at the very beginning of the 2000s. In 2001, Tommy began his career as an artist in Irrunytju (Wingellina). He is a young artist… He learns by observing other painters and draws on the experiences of a long life and on the exceptional knowledge he has stored up. But quickly he will find his way, a radically new style where color plays a major role. Very quickly, the iconography now well known by the artists of Yuendumu, or the Western Desert, Balgo or Lajamanu disappeared. The symbols are no longer there. As Rover Thomas, Emily Kame or Paddy Bedford...

Janet Nelson has created a wholly original method of making artifacts using contemporary materials – painted mixed polymers and paper laminated with wood glue which are then distress...

Janet Nelson has created a wholly original method of making artifacts using contemporary materials – painted mixed polymers and paper laminated with wood glue which are then distress...

Signed and dated 2018 His father nearly sold 5-year- old Erik Johnsen in 1965 for $600. What followed was a chaotic journey into beatings, sexual abuse and groundlessness. Moving co...