Art by Medium: Polystyrene

"Juicy Juice" Pop Art Sculpture 24" x 12" x 8" inch Edition 1/1 by Kii Arens ABOUT One of the most credible and influential in Los Angeles - the award winni...

"Wonder Bread" Pop Art Sculpture 6.5" x 14" x 6.5" inch Edition 1/1 by Kii Arens ABOUT One of the most credible and influential in Los Angeles - the award winning Kii Arens, is a cr...

Material: Ink, Acetate, Pins, Repurposed Banned Book Coates details the weight of being perfect as a marginalized American—always prepared and without the privilege to make mistakes...

M10-B edition of 71 Miniature sculpture inspired by the Deflated Moon Series, Designed and fully produced by the artist - Edgar Askelovic - Aspencrow. Reflecting on how humans trea...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. “Coco Popsicle Sculpture (White)” by Sanuj Birla is a playful exploration of luxury, consumer culture, and contemporary Pop Art. Crafted from fibre and resin, the tabletop sculpture takes the form of a pristine white melting popsicle, incorporating the recognisable No. 5 Chanel label on one side and the interlocking CC logo on the other. On closer inspection, the familiar frozen treat reveals itself as a witty reinterpretation of a perfume bottle, complete with a broken corner that suggests a playful bite has been taken from its surface. Birla’s contemporary Pop Art approach transforms familiar imagery from fashion and everyday life into an unexpected sculptural object. The clean geometry associated with a perfume bottle is softened by the rounded form and melting appearance of the popsicle, creating an intriguing tension between elegance and humour. This combination of recognisable references allows the sculpture to feel immediately familiar while remaining surprising in its presentation. The sculpture’s silhouette plays an important role in its visual character. The elongated popsicle form establishes a strong vertical structure, while the melting edges and broken corner disrupt its otherwise polished appearance. Logos positioned across the surface become integral compositional elements, encouraging the viewer to move around the sculpture and discover how the object shifts between confectionery, perfume bottle, and Pop Art statement. Colour is central to the sculpture’s visual impact. The predominantly white palette gives the work a crisp, minimalist appearance, reinforcing its association with luxury packaging while also recalling the smooth surface of a frozen confection. The restrained colour scheme allows the graphic elements and sculptural form to remain prominent, giving the piece a clean and distinctly contemporary presence. The sculpture’s carefully finished surface also encourages close attention to material and texture. Smooth areas of fibre and resin contrast with the irregular details of the melting form and broken edge, creating a playful tension between perfection and imperfection. These details reinforce the illusion of an object caught between states, as though a polished luxury product has unexpectedly begun to melt away. Yet “Coco Popsicle Sculpture (White)” is more than a whimsical combination of a popsicle and perfume bottle. By bringing together imagery associated with luxury fashion and an ordinary sweet treat, Birla playfully blurs distinctions between exclusivity and everyday consumption. The sculpture invites viewers to reconsider familiar symbols of desire and branding through humour, transformation, and visual contradiction. With its crisp white palette, inventive form, and playful fusion of luxury imagery and popular culture, “Coco Popsicle Sculpture (White)” is a distinctive contemporary tabletop sculpture...

A 2023 recipient of the Vermont Governor’s Award for Excellence in the Arts, Leslie Fry is represented in this show with fantastical sculptures of female hands, titled the “Cuffed” series. Tensely poised and mannered gestures, inspired by Parmigianino and Caravaggio, cascade into blooms and barnacles, creating a mesmerizing visual dissonance. This elision of romance and rigidity both draws attention to the limitations of the female form and liberates it from the constraints of reality. Leslie Fry’s works have been exhibited internationally at such venues as Kunsthaus in Hamburg, Zwitscher Machine Gallery in Berlin, Hangaram Art Museum in Seoul, Windspiel Galerie in Vienna, Couvent des Cordeliers in Paris, Artists Space and Wave Hill in New York, deCordova Sculpture Park and Museum near Boston, and Centre des Arts Visuels in Montreal. Her public sculptures have been commissioned in New York, South Korea, Montreal, Florida, Wisconsin, and Vermont; public collections include Tufts University, Songchu International Sculpture Park, Freehand New York, Kohler Arts Center, Tampa Museum of Art, Fleming Museum of Art, Musée d’art de Joliette, and St. Petersburg, Florida’s Museum of Fine Arts. Fry’s M.F.A. is from Bard College, and her B.A. is from the University of Vermont, with a Foundation year at the Central School of Art in London. She currently lives and works in Winooski, VT. Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from Mannerist paintings by Parmigianino and Caravaggio, and are ink-washed onto vintage tablecloths...

A 2023 recipient of the Vermont Governor’s Award for Excellence in the Arts, Leslie Fry is represented in this show with fantastical sculptures of female hands, titled the “Cuffed” series. Tensely poised and mannered gestures, inspired by Parmigianino and Caravaggio, cascade into blooms and barnacles, creating a mesmerizing visual dissonance. This elision of romance and rigidity both draws attention to the limitations of the female form and liberates it from the constraints of reality. Leslie Fry’s works have been exhibited internationally at such venues as Kunsthaus in Hamburg, Zwitscher Machine Gallery in Berlin, Hangaram Art Museum in Seoul, Windspiel Galerie in Vienna, Couvent des Cordeliers in Paris, Artists Space and Wave Hill in New York, deCordova Sculpture Park and Museum near Boston, and Centre des Arts Visuels in Montreal. Her public sculptures have been commissioned in New York, South Korea, Montreal, Florida, Wisconsin, and Vermont; public collections include Tufts University, Songchu International Sculpture Park, Freehand New York, Kohler Arts Center, Tampa Museum of Art, Fleming Museum of Art, Musée d’art de Joliette, and St. Petersburg, Florida’s Museum of Fine Arts. Fry’s M.F.A. is from Bard College, and her B.A. is from the University of Vermont, with a Foundation year at the Central School of Art in London. She currently lives and works in Winooski, VT. Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from Mannerist paintings by Parmigianino and Caravaggio, and are ink-washed onto vintage tablecloths...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Material: Ink, Acetate, Pins, Repurposed Banned Book Leaving Pennsylvania through New Hope was the last leg of my escape from the psychiatric hospital. A few days later, my friend a...

Delicate green and pink flora emerge from a pool of milky white light. “Looking Between I” (2022) by Colleen Toledano. Porcelain, flocking, light, resin.

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Botanical brambles emerge in ascension from a rectangular vessel and its atmospheric purple light. “Looking Between" (Blue) (2022) by Colleen Toledano. Porcelain, flocking, light, re...