Art by Medium: Rag Paper

Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist with acrylic paint and prismacolor. Edition 1 of 5. Kristin Moore says o...

Windswept and weather beaten these stakes fight a losing battle against the eternal elements… James Sparshatt’s black and white landscapes from his Norfolk home emphasize the beauty...

Brand-new addition to the Foggy Woods Collection of forests in northern California near San Francisco. New as of May 14, 2024. This is a hand-printed contact photograph using the ant...

House On The Marsh by James Sparshatt pictures a lonely cabin seen through late summer grasses on a marshland. The black-and-white photograph captures a tranquil rural scene, where...

"PORTRAIT OF CHARLIE KELLER" ARTIST OIL ON PAPER C.1970 23 X 17.5 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides. After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores. His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City. In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular. After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him. He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...

New. A nearly 30 inches (29 5/8") hand-printed version of the smaller landscape of the same name. There are just 5 editions of this largest size. All are unframed. The tree is a na...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

These graceful leaning Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. They become top-heavy as they grow and their lower branches are knocked off in the wind, causing them to lean more and more each year. These are the misty woods in the hills of Oakland, across the bay from San Francisco, shortly after sunrise. The California coastal redwood...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

This piece titled "Finger Wave" is an original piece by Branche Coverdale and is made from acrylic gouache on Stonehenge rag paper. This piece measur...

This piece titled "Third Wheel" is an original piece by Branche Coverdale and is made from acrylic gouache on Stonehenge rag paper. This piece measur...

Original, uniquie cyanotype. “I love this means of directly using sun and water to create my art,” says Terri Dilling. “It is a collaboration with nature. The weather and the season...

This photograph by Doris Mitsch is offered by CLAMP in New York City.

Larger size hand-printed photograph than the other two listings of the same name. These iconic Monterey pines can be found all up and down the coast of northern California from San F...

Mare Veen - "No Title I". Of the series 'Free Fall'. Result of a personal journey, looking for answers to the question 'What is Being?'. This process was inspired by philosophers su...

This is the larger hand-printed version of the same blue and white landscape also available in a 12 x 18 inch size. This is a hand-printed contact photograph using the antique cyan...

This graceful bending tree disappearing into the morning mist is a Monterey pine. They are found all along the coast of California from Carmel to San Francisco and all the way up nor...

The moody scene of a shady bend in a forest path was captured at dawn on a winter's day. The sky is beginning to brighten. The tall narrow format accentuates the height of the tower...

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The paths are crowded with towering eucalyptus, bay laurel and madrone tr...

Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...

Original, uniquie cyanotype. “I love this means of directly using sun and water to create my art,” says Terri Dilling. “It is a collaboration with nature. The weather and the season...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...

Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...

Original, uniquie cyanotype. “I love this means of directly using sun and water to create my art,” says Terri Dilling. “It is a collaboration with nature. The weather and the season...

Original, uniquie cyanotype. “I love this means of directly using sun and water to create my art,” says Terri Dilling. “It is a collaboration with nature. The weather and the season...

Original, uniquie cyanotype. “I love this means of directly using sun and water to create my art,” says Terri Dilling. “It is a collaboration with nature. The weather and the season...

Original, uniquie cyanotype. “I love this means of directly using sun and water to create my art,” says Terri Dilling. “It is a collaboration with nature. The weather and the season...

Original, uniquie cyanotype. “I love this means of directly using sun and water to create my art,” says Terri Dilling. “It is a collaboration with nature. The weather and the season...

Original, uniquie cyanotype. “I love this means of directly using sun and water to create my art,” says Terri Dilling. “It is a collaboration with nature. The weather and the season...

Wall Street 2 - plate size 25.5 x 36 - printed on 100% cotton rag - edition 3/5 monochromatic city-scape w/ Architectural elements Cubist and abstract assemblage photographic character

Mare Veen - "Tell me who you are, and I will be You". Of the series 'Free Fall'. Result of a personal journey, looking for answers to the question 'What is Being?'. This process was...

This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magn...

Artists proof printed on 100% cotton rag monochromatic Panoramic

Karmen Moccha Homage to Iggy Pop (Colorful, Iconic, Punk, Cubism, Pop Art) Giclee on Hahnemuhle Velvet Year: 2025 Size: 24.01 × 17.32 inches (61 x 44 cm) Edition: 10 Signed and numbe...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s. This butter yellow cyanotype sta...

Patty deGrandpre’s “The Complements 1” is a unique abstract 1.75 x 10 inch polychromatic inkjet print on 11 x 14 inch rag paper with a band of varied stripes in saturated complementa...

Swoopy By Jerkface 2023 Signed by the artist Screen print Archival ink on 300gsm Entrada Rag 55.88 x 43.18 cm (22 x 17 inch) Edition of 25

The road disappears into white past the oak in the foreground. Morning sunlight glows through the dense fog. The road is Skyline Blvd in Oakland, California the moment when the sun b...

The tree is a native Californian Monterey pine. They are found up and the down the coast of California from Carmel to San Francisco and all the way up north Mendocino. The moody scen...

A solitary oak tree is backlit by the glow of sunrise at dawn along a trail. The scene is a hiking trail in the hills of Oakland, California. This is a one-off mini studio proof. A h...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...

Joy of Color, 2002 by Yasuhiro Ishimoto is a contemporary color photograph from an extensive documentary photography series of Japan that Nagano shot on assignment. The image is hand-signed on recto (front left margin) by the photographer. This is an archival pigment print on Hahnemule Fine Art paper printed 2005 under the direction of the photographer. The 19" x 13" work is from the portfolio "Masters of Modern Photography. Japan," Tokyo. Edition available: 87/100. Provenance: Private Collector *** Artist’s Bio: Yasuhiro Ishimoto a Japanese photographer was born in 1921. His work was chosen by Edward Steichen to appear in the Family of Man exhibition and catalogue at the Museum of Modern Art in 1955, and Steichen also selected his work for a three-person exhibition in 1961. From 1973-1993 Ishimoto produced a number of in-camera color abstractions that appeared as covers for a Japanese magazine. Ishimoto's exhibitions, include New Japanese Photography at the Museum of Modern Art in 1974, solo shows in 1960 and 1999 at the Art Institute of Chicago, a retrospective in 1989–1990 at Seibu Museum of Art in Tokyo, and an exhibition at the National Museum of Modern Art, Tokyo, in 1996. His later photography addressed the transitory nature of life as shown in photographs of clouds...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Towering Monterey pines lean into the blue mist of the valley beyond. These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. The photograph is of the coastal redwood...

This is the silhouette of wild mugwort (artemisia) or chrysanthemum weed which grows in the woods in northern California. It is a fragrant herb that smells similar to sage. Though t...

The Nubra Valley is part of the Tibetan plateau. It is an arid landscape surrounded by awesome peaks, a high altitude desert inhabited by a few small Ladakhi communities and their ...

The Nubra Valley is part of the Tibetan plateau. It is an arid landscape surrounded by awesome peaks, a high altitude desert inhabited by a few small Ladakhi communities and their ...

A minimalist dialogue between light, shadow, and human perseverance. In The Climb, Eduardo Rezende captures figures ascending a vast sand dune, their silhouettes etched against the f...

Archival inks on rag paper Signed, titled, dated, and numbered, verso 14 x 14 inches (Edition of 15) 20 x 20 inches (Edition of 7) 32 x 32 inches (Edition of 7) This artwork is of...

This long narrow blue and white monotype was made by carefully arranging hundreds of individual flowers of fresh-cut Dutch clover growing wild. This unique print is the same size as ...

Spring St. SI, Artists proof printed on 100% cotton rag monochromatic Panoramic

Brand-new addition to the Foggy Woods Collection of forests in northern California near San Francisco. New as of May 2024. This is a hand-printed contact photograph using the antique...

Signed in pen LRC "David Barnett" Framed with UF5 Plexiglass which filters out 99% of harmful UV rays

The cover shot of A Man Alone, 1969. This was recorded between March 19-21 in a Hollywood studio by American singer Frank Sinatra, arranged by Don Costa. In ...

Hoar frost envelops the reeds of Hickling Broad at dawn. James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments when the natural form of topography ...

Jack Nicholson on the set of "One Flew Over the Cuckoo's Nest", 1974. Archival Chromogenic print on Hahnemüle Photo Rag Paper Edition of 25 21 x 25 inc...

American abstract painter Pamela Stockamore lives and maintains a studio in Litchfield, Connecticut. She received an MFA in Painting from Pratt Institute, with minor concentrations i...

Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist. Edition 2 of 5. In this new series of paintings, Moore explores themes ...

"One Eye" Black & White Photography 40" x 40" in Edition of 3 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Signed and numbered b...