Art by Medium: Rag Paper

A contemporary color photograph by Jean-Michel (JM) Voge, Tree, 1996 is a portrait of Surma Tribe boys from the Omo Valley in Ethiopia, Africa. This is a si...

This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magn...

"Line Hotel Nr 3" Photography 40" x 30" inch Edition of 10 by Lika Brutyan Archival pigment print on Hahnemühle Photo Rag Baryta. Not Framed. Ships in a ...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call them Unique Prints. The base image is only used 12 times and this is the AP Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...

"Michelle" Nude Photography 28" x 20" inch Edition 1/20 by Lika Brutyan Archival pigment print on Hahnemühle Photo Rag Baryta. Not Framed. Ships in a tube. Lika Brutyan is American...

Born in Hollywood and raised in the urban sprawls of Los Angeles, Julio’s artistic aesthetic was shaped early on by the platinum light and expansive concrete horizons of southern Cal...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

The contemporary work on paper is both art and photography, highlighting color fields. Tell Me A Story I, 2025 by Roberta Fineberg (RF) is 16 x 16in on Hahnemuhle paper, an original ...

“Pandora” bursts with energy, color, and emotion — a fearless composition that channels both chaos and beauty in equal measure. In this dynamic acrylic painting, Michelle Thomas expl...

Boy with Calf, 1996 by Jean-Michell Voge, is a contemporary color print 19" x 13" of a nomadic tribal child from the Surma tribe, painted from head to toe, posing with a calf with mu...

Though these pale mint green botanical monotypes resemble woodcuts or linocuts they are actually cyanotypes, a form of kind of photography dating back to the 1800s, but the artist al...

Looking out from underneath a bay laurel, dense fog obscures all the closest tree. These are the woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunri...

A single oak tree in a meadow with the grass aglow in early morning. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printe...

A curve in a s steep path in woods that disappear into morning mist. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph print...

This unique multistep technique is a combination of a painting and a photograph or monotype. Cyanotypes are a kind of alternative photographic process from the 1800s. The chemicals a...

Archival inks on rag paper Signed, titled, dated, and numbered, verso 14 x 14 inches (Edition of 15) 20 x 20 inches (Edition of 7) This artwork is offered by ClampArt, located in N...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

"Timeless: Blooms in Crystal" is a beautiful rendering of April blooms and antique bottles collected by the artist. In this mesmerizing watercolor painting, the artist masterfully ca...

"Some of What I Know, A Lot of What You Thought Was a Mistake" is an original oil pastel drawing on rag board by Reginald K. Gee. The artist signed the piece lower left. It depicts a...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Santorini, 2019 Inkjet on Hahnemuhle Photo Rag Baryta 315 gr. Frame: custom made aluminium profile. Mounted on aluminium. No glass. 44 ...

"One Eye" Black & White Photography 32" x 32" in Edition of 7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Shot with a 35mm analogu...

"Untitled" is an original oil pastel drawing on ragboard by Reginald K. Gee. It features surreal drawings on a background of color fields in blue, green, purple, red, and yellow. The...

"Commanding Curve" is a captivating watercolor painting on rag paper that beautifully portrays the freedom horse riding allows. The artwork depicts a woman with short brown hair grac...

Watermill Pinwheel 02 is a geometric mandala shape with blue, green, and yellow in an intricately layered design created with Judge's unique powered pigment technique. The combinatio...

"Untouched 1" Photography 28" x 20" inch Edition 2/20 by Lika Brutyan Archival pigment print on Hahnemühle Photo Rag Baryta. Not Framed. Ships in a tube. Lika Brutyan is American p...

Little Surma Boy, 1996 by Jean-Michel (JM) Voge, is a contemporary color photograph of a child from the Surma tribe in the Omo Valley in Ethiopia, Africa. The photograph is printed ...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. We have included in this listing an image from some of the world-wide Social Media Buzz on Candice CMC This large one of a kind photo arrangement titled "Large Marilyn Donuts with Blue Earrings...

"Victory Gallop" is a mesmerizing watercolor on textured rag paper, capturing the essence of the Bon Vivant lifestyle. A woman, adorned in resplendent garments and an exquisite hat, ...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Fragments II, Rome, Italy 2019 by Roberta Fineberg was shot at Ostia Antica, the Old Port of Rome and present-day archeological site in Italy. The image captures a symmetrical albeit...

This multicolored drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Poptic 22.02 is a predominately vibrant fuchsia pink, yellow an...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. I have included in this listing a...

"Untouched Nr 2" 30x40 in Photography Edition 2/10 by Lika Brutyan "Untouched Nr 2" 30" x 40" inch Original photography by Lika Brutyan from the ""Untouched" series Edition 2/10 Archival pigment print on Hahnemühle Photo Rag Baryta. Not Framed. Ships in a tube. Lika Brutyan is American photographer, was born in a family of scientists and artists in Yerevan, Armenia. Her training and work in psychotherapy has lead her to a deep curiosity in human nature. While still in the field of psychology, she started to shoot. Over the years she became more and more interested in photographing human emotion and behavior. This interest combined her great appreciation for fashion has lead Lika down the path of fashion photography and portraiture. Lika’s work are shown across the U.S, Great Britain, France, Italy, Romania. Her photographs have been published in various magazines, many of them belong to private collections. Selected Exhibitions 2019 - Sublimation at Voies Off Festival, Arles 2019 - Sublimation at Fondazione Luciana Matalon...

Watermill Pinwheel 04 is a contemporary abstract geometric mandala made with Mary Judge's unique powdered pigment technique with bright neon pink layered with yellow and periwinkle b...

Watermill Pinwheel 05 is a contemporary abstract geometric mandala made with Mary Judge's unique powdered pigment technique in blue, green, yellow and coral red in an intricately lay...

Golfam Jozdani Shadows of Peace III 2025 Oil Pastel on Fine Paper Size: 11 x 8.5 inches (28 x 22 cm) Signed and dated in pencil COA provided *Framing Options available - Please Inqu...

"Fluidity Nr 5" Photography 40" x 30" inch Edition of 10 by Lika Brutyan Original photography by Lika Brutyan from the ""Fluidity" series Archival pig...

Hues of colour, tones of life. Each artwork of the series shows a story, a tone, an element of existence in this world. There are countless shades to it. The images are just a select...

"Untouched Nr 1" 40x30 in Photography Edition 3/10 by Lika Brutyan "Untouched Nr 1" 40" x 30" inch Original photography by Lika Brutyan from the ""Untouched" series Edition 3/10 Archival pigment print on Hahnemühle Photo Rag Baryta. Not Framed. Ships in a tube. Lika Brutyan is American photographer, was born in a family of scientists and artists in Yerevan, Armenia. Her training and work in psychotherapy has lead her to a deep curiosity in human nature. While still in the field of psychology, she started to shoot. Over the years she became more and more interested in photographing human emotion and behavior. This interest combined her great appreciation for fashion has lead Lika down the path of fashion photography and portraiture. Lika’s work are shown across the U.S, Great Britain, France, Italy, Romania. Her photographs have been published in various magazines, many of them belong to private collections. Selected Exhibitions 2019 - Sublimation at Voies Off Festival, Arles 2019 - Sublimation at Fondazione Luciana Matalon...

"Proxima" Photography 45" x 30" inch Edition 1/7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Not framed. Ships in tube. Shot wit...

Ever dreamed the dream of flight? That ache, standing in the wind, to expand your wings, to feel the air rush by, to let yourself be carried across the world into a different mode of...

Hues of colour, tones of life. Each artwork of the series shows a story, a tone, an element of existence in this world. There are countless shades to it. The images are just a select...

Hues of colour, tones of life. Each artwork of the series shows a story, a tone, an element of existence in this world. There are countless shades to it. The images are just a select...

This contemporary figural limited edition art photograph by Alyssa Fortin is reminiscent of the angels that were often depicted in the Rococo style during the Baroque period. Rococo ...

From the transformative to the ephemeral, the birth and death of a butterfly with a broken wing is reimagined in a photo series by Roberta Fineberg inspired by a poem by the 13th Century Persian poet Rumi who wrote: ‘Whatever you know, or don’t - only love is real...

Ever dreamed the dream of flight? That ache, standing in the wind, to expand your wings, to feel the air rush by, to let yourself be carried across the world into a different mode of...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Birch tree branches hang illuminated by t pale blue glow against a deep midnight sky. Neither woodcut nor screen print, this is a double-exposure cyanotype. That means different part...

A contemporary color photograph by Roberta Fineberg of a classical Greco-Roman statue in Ostia Antica, the old port of Ancient Rome. The neon landscape captures the spirit of the ant...

Amsterdam I is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is bo...

Though these pale mint green botanical monotypes resemble woodcuts or linocuts they are actually cyanotypes, a form of kind of photography dating back to the 1800s, but the artist al...