Art by Medium: Resin

Art Meets Something but We're not Quite Sure What it is by Lélia Pissarro (b. 1963) Acrylic, gold leaf and resin on canvas 130 x 97.4 cm (38 ³/₈ x 51 ¹/₈ inches) Signed and titled on...

Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, a...

Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, a...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

The sculpture is being offered with a work and authenticity certificate

Steel and resin sculpture Unique “It has long been known that the Earth is round, but it is only now in the space age that it is really seen...

Cocktail artwork featuring an African American waitress serving a "Gin Fizz" in a nightclub c1930s Art Sz: 14"H x 12"W Frame Sz: 15 3/4"H x 13 3/4"W in a shadowbox frame w/ Bakel...

Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham and Malka Green Award, and a BMO 1st Art Nomination. His work has been seen at Word On The Street, Katharine Mulherin Contemporary Art Projects, the Al Green...

Information: Anna is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia i...

Anna Kara is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia in 1980, ...

Naor is a French artist from Lyon born in 1988. Completely rooted in his time, he has always traveled a lot around the world. If travel trains youth, Naor was inspired by it. From th...

Abstract geometric painting on canvas. About the Artist: My text based paintings build upon the theme of myth vs. memory, which has been the focus of past paintings and sculpture...

Beautiful art paying homage to the artist Basquiat. Details: Spray Paint. Arylic. Image of Basquiat printed on paper. Board built by artist. Hand drawn GE icon. Resin fi...

Abstract painting created with ballpoint pen and resin on panel.

Abstract painting created with ballpoint pen and resin on panel.

Mixed Media/ Wood panel with epoxy resin finish. Homage to vintage Martini & Rossi. Black and cream colors. Woman featured. About the Artist: Seek One is an up and coming ...

Joseph Safina Atlantic, 2024 Resin and mixed media with decommissioned 1911 gun10 x 10 x 3 in (25.40 x 25.40 x 7.62 cm)

Tabori’s work depicts symmetric transformations of fast moving action, landscapes and intimate portraits, as seen and experienced both directly and through reflections of the subject...

Inspired by both art and science, Eric Johnson creates composite works of pigment, wood and resin that reference a kinship with other artists: to the sensuality of Brancusi, the arch...

Inspired by both art and science, Eric Johnson creates composite works of pigment, wood and resin that reference a kinship with other artists: to the sensuality of Brancusi, the arch...

Meditative landscapes of Rachel Kohn are created by layering watercolor with wax and aqua resin, adding texture and dimension to each work. The complex, sculptural quality of her wor...

Meditative landscapes of Rachel Kohn are created by layering watercolor with wax and aqua resin, adding texture and dimension to each work. The complex, sculptural quality of her wor...

Michel Tabori Red Wood Night, 2018 Oil, acrylic, resin, canvas on panel 57” x 75” $18,500

Rosa McMurtray is an internationally exhibited artist who was born in Spain and currently lives in Atlanta, Georgia. Her innate artistic talent was recognized at a young age. She in...

Fernando Moreno is a Mexican artist who was born in 1983. Fernando Moreno's work has been offered at auction multiple times. Only one artwork sold; this was Untitled, which realized ...

Fernando Moreno is a Mexican artist who was born in 1983. Fernando Moreno's work has been offered at auction multiple times. Only one artwork sold; this was Untitled, which realized ...

Fernando Moreno is a Mexican artist who was born in 1983. Fernando Moreno's work has been offered at auction multiple times. Only one artwork sold; this was Untitled, which realized ...

“You never forget where you came from, even if you don’t stay there. Our stories have to propel us forward. It’s the only thing we can do—just keep moving forward”. ...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Uses versatility of techniques and materials to create sculptures adorned with irony and contemporary beauty in accordance with urban art. Throughout his life, he has been accompanie...

Abstract painting created with ballpoint pen and resin on panel.

Abstract painting created with ballpoint pen and resin on panel.

Abstract painting created with ballpoint pen and resin on panel.

Abstract painting created with ballpoint pen and resin on panel.

Abstract painting created with ink extracted from ball-point pens.

Abstract painting created with ink extracted from ball-point pens.

Abstract painting created with ink extracted from ball-point pens.

Abstract painting created with ink extracted from ball-point pens.

Eric Johnson creates enigmatic and sensual abstract sculptures that are constructed with pigment, wood and resin. Johnson’s work seamlessly unites two traditions of Southern California art - the sleek and sexy aesthetic of the Finish Fetish movement and the organic and elegant tradition of woodworking. His handcrafted pieces are sheathed in resin skins, which often reveal glimpses of the wooden architectures encased within. Endlessly fascinated by physics and science, Johnson’s references range from cosmology and astrophysics to the human form. Johnson’s work is deeply personal - in addition to drawing inspiration from his ancestral boat-building heritage (which is Norwegian, Scottish and Cree Native...

Michel Tabori’s paintings are about emotional experiences and blissful acts. He uses colors and textures as sensory triggers. His paintings tell a story, but Tabori shies away from t...

They are a part of a limited edition of 8 and 2 artist proofs, all sizes included. After a career of more than 30 years in the research of textures (20 years as a textile stylist a...

They are a part of a limited edition of 8 and 2 artist proofs, all sizes included. After a career of more than 30 years in the research of textures (20 years as a textile stylist a...

They are a part of a limited edition of 8 and 2 artist proofs, all sizes included. After a career of more than 30 years in the research of textures (20 years as a textile stylist a...

They are a part of a limited edition of 8 and 2 artist proofs, all sizes included. After a career of more than 30 years in the research of textures (20 years as a textile stylist a...

They are a part of a limited edition of 8 and 2 artist proofs, all sizes included. After a career of more than 30 years in the research of textures (20 years as a textile stylist a...

They are a part of a limited edition of 8 and 2 artist proofs, all sizes included. After a career of more than 30 years in the research of textures (20 years as a textile stylist a...

They are a part of a limited edition of 8 and 2 artist proofs, all sizes included. After a career of more than 30 years in the research of textures (20 years as a textile stylist a...

They are a part of a limited edition of 8 and 2 artist proofs, all sizes included. After a career of more than 30 years in the research of textures (20 years as a textile stylist a...

They are a part of a limited edition of 8 and 2 artist proofs, all sizes included. After a career of more than 30 years in the research of textures (20 years as a textile stylist a...

Marlien Kulsdom's artistic practice is shaped by her background in fashion design and her training at the Amsterdam Fashion Institute. Rooted in a deep attention to detail, compositi...

Marlien Kulsdom's artistic practice is shaped by her background in fashion design and her training at the Amsterdam Fashion Institute. Rooted in a deep attention to detail, composit...