Art by Medium: Silver Gelatin

Untitled #20 (Kiss) from the series New York by Giacomo Brunelli is a Silver Gelatin print in a limited edition of 10 in this size. Brunelli shoots uniquely on black and white film ...

Gelatin silver print Paper size: 11 x 14 in., Image size: 8 1/4 x 12 in. Signed in ink on print by Jesse Alexander Jesse Alexander was considered one of the greatest race car photog...

Chorus Formation (1933) - Silver Gelatin Fibre Print (Photo by Sasha/Getty Images) 14th February 1933: The Albertina Rasch chorus girls who are appearin...

"Spruce Tree and Snow Clouds, Esashi, Hokkaido, Japan. 2023." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print ...

Staging Pictures: Early Polaroids focuses on Stivers' working Polaroid prints, shot with a Hasselblad Polaroid back for instant proofing of lighting and composition of his subjects. ...

"Ten Balloons, Albuquerque, New Mexico" is a limited edition, silver gelatin print by Michael Kenna. The photograph is signed and numbered and comes matted to 20x16 in. Michael Ke...

signed, titled, dated by artist in pencil, verso (c) The Estate of Fred Lyon Courtesy. Peter Fetterman Gallery

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...

Taken upon leaving Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork features a classic American neon Googie sign, with the Las Vegas cityscape lights ...

Marilyn On The Roof (1955) - Silver Gelatin Fibre Print (Photo by Ed Feingersh/Michael Ochs Archives/Getty Images) American actress Marilyn Monroe (1926 - 1962) leans over the balc...

Louis Falco and the Jose Limon Dance Company performing "Tragedy" in 1962. Vintage silver gelatin exhibition photograph made by Jack Mitchell. Dry mounted o...

Vintage gelatin silver print Signed and dated twice, verso Also inscribed in black ink, verso Various studio stamps and printing instructions, verso This artwork is offered by Clam...

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...

Hand printed by Roman Loranc Signed in pencil on recto. Signed, titled, dated and edition S/P on verso. Mat and photo in mint condition. Beautiful toning.

This 1986 black and white photograph was shot by British celebrity and fashion photographer, John Stoddart, captures Oscar-winning actress Tilda Swinton,...

Gelatin silver print Signed and numbered 14 x 11 inches (Edition of 20) 20 x 16 inches (Edition of 10) From the series, "Shoot the Arrow: A Portrait of The World Famous *BOB*" Thi...

No edition Gelatin silver print Paper size: 20 x 16 in., Image size: 15 x 15 in. Signed, titled and dated in pencil on print verso by Earlie Hudnall Earlie Hudnall, who is one of the most notable African American photographers...

16 x 20" vintage silver gelatin photograph of dancer/choreographer Mikhail Baryshnikov, 1993. It is signed by Jack Mitchell on the recto and in pencil on the verso. Comes directly fr...

Flamenco dancers use facial expressions, hand movements and gestures to convey emotions. Their dress is dramatic and enhances these movements often with the sweep and swirl of the flamenco shawl...

Stockings (1946) - Silver Gelatin Fibre Print (Photo by Kurt Hutton/Picture Post/Getty Images) 1946: Three pairs of stockinged legs. Original Publication: Picture Post. Additional...

11 x 14" vintage silver gelatin photograph of Choreographer Jack Cole teaching a jazz class at Harkness House for Ballet Arts in New York, April 27, 1966. Co...

Signed in pencil on recto Gelatin silver print Image/Paper: 3" x 3-3/4", Mount: 12" x 9", Mat 20" x 16"

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...

George Valentine Dureau (1930 - 2014) was active/lived in Louisiana. George Dureau is known for Male nude figure, genre, portrait.

Open and Limited Edition Silver Gelatin Prints
 Hand Signed by Bob Gruen Please contact us for inquiries of desired size: 8" x 10" Unframed
Open Edition 11" x 14" Unframed
Open Edi...

Parliament By Night (1973) - Silver Gelatin Fibre Print (Photo by Peter King/Fox Photos/Hulton Archive/Getty Images) Westminster Bridge and the Houses of Parliament by night, 31st ...

Brooklyn Bridge Tug Boat (1953) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts) Downtown skyline manhattan seen through cables of Brooklyn Bridge tug boat i...

Roman Holiday (1953) Silver Gelatin Fibre Print (photo by United Archives/ Alamy Archives) Roman Holiday USA 1953. Directed by William Wyler, Gregory P...

VOGUE – HANOVER SQUARE – 1961 This photograph by Duffy was taken in 1961. The bare trees reveal a very different W1 Hanover Square to how it is 50 years later. To the left, you can see the statue of William Pitt (The Younger) which still remains today. Once a highly desirable and exclusive Mayfair address, the square now comprises mostly of offices. The models, wearing various evening dresses are stood opposite the Vogue head office at 1 Hanover Square. The offices were completed in 1958 and have been the publications UK headquarters since. The image was used for a feature titled “Getting home with the milk” for British Vogue in June 1961. AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials. Despite repeated requests to return to still photography, give interviews or discuss his career, he became reclusive and his remaining negatives would have stayed in boxes under the stairs had it not been for the persistence of his eldest son, Chris. Chris realised that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing his negatives took many hours whilst Chris was running his own photographic studio. In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London (now Beetles & Huxley) gave Duffy the platform for his first ever exhibition which was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues to see the show. During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. Since 2010 Duffy’s work has been exhibited in numerous museums and galleries around the world. In 2012 the Victoria and Albert Museum requested use of the original Aladdin Sane record cover ‘dye transfer’ print for their British Design 1948-2012 cultural exhibition. In 2013 the V&A approached the archive for use of the newly released ‘Eyes Open’ version as the lead image for the ‘David Bowie is’ exhibition. This exhibition has achieved record breaking numbers in several venues and has been seen by over 1.5 million visitors. Duffy’s name has now become recognised by an international audience and is now firmly back on the map. In 2014 Duffy’s second book was released – Duffy Bowie: Five Sessions which covers his work with David Bowie. Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. The book is also available in French and Italian. The archive is made up of negatives and contact sheets that have been retrieved from numerous UK and international publications; Vogue, French Elle, Glamour, The Sunday Times, The Telegraph to name but a few in addition to work held by independent archives. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work. ARCHIVE TIMELINE 2008 The Duffy Archive was established by Chris Duffy. 2009 BBC Documentary “The Man Who Shot The Sixties” One hour documentary on Duffy’s life and work. First exhibition at Chris Beetles Gallery Mayfair, London (now Beetles & Huxley)* See Exhibits page for full list of exhibition since 2009
 2010 Duffy passed away 31st May 2010 2011 Publication of first monograph “Duffy Photographer” Published by ACC Editions features over 160 iconic images from the 1950s, 1960s and 1970s and in 2011 the V&A Museum London requested Duffy prints for their permanent collection.
 2012 Solo Exhibitions and contributions in Italy, Paris, Amsterdam, Spain, San Francisco, Los Angeles, New York, London and Australia. See Exhibitions section for more exhibits. 2013 David Bowie Is launched at the V&A Museum with Aladdin Sane as the lead image. Also named as one of one hundred ‘most influential photographers of all time’ by the British Journal of Photography. See Exhibitions section for more exhibits. 2014 Publication of Duffy / Bowie – “Five Sessions” Published by ACC Editions. Publication of French Elle – “In The Eyes of Brian Duffy” – Published in French by Glenat. David Bowie Is V&A Exhibition goes on tour to: Sao Paulo, Berlin and Chicago. See Exhibitions section for more exhibits. 2015 David Bowie 'Is' continues to tour Paris, Australia and the Netherlands.
 See Exhibitions section for more exhibits. 2016 David Bowie 'Is' continues to tour Italy and Japan. See Exhibitions section for more exhibits. 2017 David Bowie 'Is' reaches Barcelona. The Archive also contributed to Holden Luntz Gallery...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

George Platt Lynes Photograph #9 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #9 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

Signed and dated on the front of the mount. Limited edition of 35. Number 14 of 35. From the “Twenty Photographs, 1970-1977” Portfolio.

Paul Rowland- He is the one, that everybody knows about, Paul Rowland. A genius in the modeling industry, president of Ford Models New York, owner of Women Model Management & Suprem...

A photograph by Lawrence Schiller. ""Marilyn Monroe"" is a nude, figurative vintage silver gelatin photograph in black and white by American Post-War artist Lawrence Schiller. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. ""It was a time in which things happened awfully fast,"" Schiller says of the decade. ""It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."" When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

11 x 14" vintage silver gelatin photograph of New York City Ballet principal dancers Suzanne Farrell and Joseph Duell performing, 1986. Comes directly ...

Brigitte Bardot, Les Petroleuses 1971 Silver gelatin print edition of 50 72 x 48 inches Estate signature stamped and numbered edition of 50 Brigitte Bardot on the set of the film ‘...

Esperanza, the hope of youth for a better future. Holguín, Cuba 2002. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm...

A man of gentlemany demeanour, content with his cigar. A sentinel watching the world pass amidst the endless sugar cane country of central Cuba. The Spirit of the Revolution serie...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

A girl at one with the rhythm of her guitar in Holguín, Cuba. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm of the...

Audrey Hepburn Relaxing, 1970 C print Estate stamped and numbered edition of 50 American actress Raquel Welch wearing a stars and stripes suit in ‘Myra Breckinridge’, a 1970 America...

George Platt Lynes Photograph #11 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #11 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

Elizabeth Taylor – Elstree Studios, England, Elizabeth Taylor’s jewellery collection was renowned as one of the greatest ever assembled. The ...

Signed limited edition silver gelatin print of Johnny Cash, taken by Barrie Wentzell in London in 1968. This Johnny Cash print is available in the following sizes. 16" x 20" - Edi...

Christmas day on Santa Maria beach on the outskirts of Havana, Cuba. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm ...

David Ogburn, American (1942 - ) - Sade Adu, Medium: Gelatin Silver Print, Size: 10 x 8 in. (25.4 x 20.32 cm)

Mounted gelatin silver print (Edition of 25) Estate stamped in black ink, verso Also titled, dated, and numbered in black ink, verso Posthumous print 20 x 16 inches, sheet size 15 x 15 inches, image size This artwork is offered by ClampArt, located in New York City. Photographer and conceptual artist Tseng Kwong Chi was born in Hong Kong, educated in Canada and Paris, and settled in New York where he befriended artists in the vibrant downtown arts scene of the late 1970s and 1980s. In his best-known work, “East Meets West,” Tseng wears a costume modeled after Chairman Mao, and creates a series of self-portraits in front of iconic landmarks around the world. These include Walter de Maria...

Plaster Works, Los Angeles, 1925 Toned silver print Negative by Edward Weston Print by Cole Weston (1919-2003) From: Edward Weston Portfolio, 1971 Published by Witkin-Berley Ltd., Ne...

A stunning portrait of a girl in NY. Lighting exceptional. Taken with a twin lens Rolleiflex and hand printed by the artist. Dry mounted on board.

Hand printed by artist. Signed and numbered. Mint Condition.. 9/75 Dry mounted onto archival acid free board. 16x20" The artist is no longer living.

Man Ray (Emmanuel Radnitsky, called) Hollywood : Mr and Mrs Woodman, 1970 Original gelatin silver print Handsigned on the back Authenticated with the artist stamp "Epreuve originale...

Stilbon Stilbon in the ancient Greek religion, is the sky god of Hermaon, the planet Mercury, and one of the Astra Planeta. The word, Stilbon, means shining. All works are contact p...

11 x 14" vintage silver gelatin photograph of famed 1960's iconic fashion model & actress Twiggy, studio portrait 1972, signed by Jack Mitchell on the verso. Comes directly from the...

Museo De Arte Moderno, Mexico Bosque De Chapultepec, Exposicion Inaugural El Dia 20 De Septiembre De 1964’ stamp on verso with artist, title, collection, EW birth/death date, number,...

Vintage gelatin silver print (Edition of 100) Signed and numbered, verso 11 x 14 inches, sheet This photograph is offered by ClampArt, located in New York City. Duane Michals is one...

Signed in ink on recto

This gelatin silver print was created by American photographer Christopher Makos. Makos is well known for his relationships with icons like Andy Warhol, Tennessee Williams, and John ...

Silver Gelatine Print by Erich Andres, 1941. This black-and-white photograph, taken in 1938, shows a scene from a lighthouse on the island of Amrum, Germany. A man and a young boy a...

American Girl in Italy by Ruth Orkin is a black and white gelatin silver print depicting a distressed woman walking down a street, past a group of men looking at her. 11 x 14 in. Ge...

A unique original silver gelatin black and white photography. Blagny, France, the War Memorial, April 6, 1926. This photograph shows an automobile and a man in front of the War Memo...