Art by Medium: Steel

hand fabricated steel edition 2 of 9 Sculpture size 23.5 x 7 x .75" with the base is 23.5 x 9.5 x 5" Clayton Peshlakai was born in the small town of Ft. Defiance, Arizona, on the Navajo Indian Reservation. Although he has no formal art education, Clayton’s involvement in art began at an early age when comic books and graphic novels sparked his interest. A combination of fantastic storytelling and exotic art helped him escape the world he lived in and create a world of his own. He first began drawing with pencil, then pen and ink, eventually incorporating watercolor. He constantly experimented with styles and techniques using watercolor and pen and ink—separately and together—never settling on just one.  In his junior high school wood shop Clayton was exposed to drafting. To him technical drawing was a new form of art. It was rooted in discipline and education—two things he needed when there seemed to be no direction in life. His desire to excel in drafting boosted his grades, and Clayton was invited to attend a college prep high school for “gifted” Native Americans. Here he studied architecture, then went on to the local community college to pursue electrical engineering.  While in college Clayton worked in numerous construction fields to support himself, gaining valuable experience that would benefit him later as a professional artist. Inspired by pipeline construction welders and their ability to manipulate and fuse metal, Clayton’s interest shifted from designing to building. Within a year he became a code-certified welder, obtaining the skills necessary to work with an assortment of metals. Over the next eight years he honed his craft in a variety of industrial fields.  Clayton was introduced to sculpture fabrication in the early 1990s. As a project manager for a small metal art fabrication shop, he worked with artists of various backgrounds, including the late Allan Houser, Dan Namingha, and Bill Barrett, to help create their visions in metal. Art fabrication was a refreshing change from the industrial world and reconnected Clayton with his true passion of working with metals. As a metal fabricator Clayton was satisfied with the challenges presented to him. But when he was contracted as an artist’s assistant for painter William Debilzan...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Mr Charmant is a wall sculpture that pays tribute to friendship with dogs. Dogs are not our whole life, but they make our lives whole. A true friend leaves paw prints on your heart. ...

"Sacandaga River Landscape XI" by John Van Alstine NY State green granite, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the uni...

Mango wood Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furnit...

Painted welded steel.

MATT DEVINE "Anemones #3 (Yellow)" Steel with Powdercoat (Indoor Only) 17 x 17 x 6 in. *Can be installed on wall or placed on table* Matt Devine is a self-taught sculptor working ...

Ray Geary Bruce #9, 2016 Steel Incised signature, title and date on the underside 10 x 7 inches Bruce # 9 is one of ten unique sculptures that popular young sculptor Ray Geary made exclusively for the Whitney Museum. Below is how the Museum described the series: These fanciful totemic objects, lovingly named Bruce, are made of steel purchased from a scrap metal yard in the Meatpacking District...

This outdoor fire pit "Globe" is the eye-catcher in your garden. Customization possible and designed in 2010. Also available to order in stainless ste...

This outdoor fire pit "Globe" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. There are already individual lava stones in the...

Sphère-trame, 1962. Welded steel rods, stainless steel. 13.75 x 13.75 x 13.75 inches. This work is from an edition of 100 (the edition was not fully executed). Artwork is in excellen...

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...

A life size, powder coated mild steel sculpture, edition 4/5. Available in different colours on request. The piece is shipped dis-assembled (base and two m...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Steel, wood, latex

This outdoor light "Umbrella" is for your garden or entrance area. This luminaire captivates by its unique shadow projection. The ball is supplied in galvanised steel optics. The bu...

tulip wood top, Steel base Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach t...

The modern Wall Sculpture " Shades of Gold ” is a unique metal Mural made from a burnout mold by David Marshall in 2021, sand cast in brass and steel in our foundry, handcrafted by ...

Umbrella lamp beta. Customization possible and designed in 2010. Also available to order in stainless steel. High quality outdoor lampshade for the hou...

Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. Customization possible. With this garden wall you'll conjure up an atmospheric ambience in your garden. Ideally the garden screen should be lighted up from the front, so the wall becomes a highlight even in the dark. You can easily set up a privacy screen e.g. to the neighbouring property, on the other hand with this decorative element beautify your garden. This art piece will surely be an eye catcher in your yard! The garden wall is mounted on 2 round steel pins of 18 mm diameter. These are 1 meter long and are included. You only need a hammer to set up the wall: knock the round steel bars into the floor at the right distance, slide the wall over it, and you are good to go. We create the garden walls in our own forge. Therefore we are also able to produce special designs, e.g. name plate with house...

A limited edition nickel plated, reflective steel sculpture. Edition 6/7.

Burner insert with 3 burners for sphere d=65cm. Through the separately available burner insert, the bowl can also be operated with bioethanol. Since pure bioethanol, also called bioa...

Publisher GKM. Enamel on steel. Unframed. Edition: 8 ex + 4 EA Signed by the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art....

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...

Shipping costs on request Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. With this garden wall you'll conjure up an atmospheric ambience in your garden. I...

MATT DEVINE "Anemones #3 (4 pieces)" Steel with Powdercoat (Indoor Only) 17 x 17 x 6 in. Each 17 x 68 x 6 in. Overall *Can be installed on wall or placed on table* Matt Devine is ...

Sense and Sensibility is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. J...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

A medium sized, powder coated mild steel sculpture on a steel footing. Open Edition. Available in different colours or finishes on request.

2017, Edition of 8 Resin FiberGlass Painted & Varnished 51 1/5 × 37 2/5 × 37 2/5 in - 130 × 95 × 95 cm The artwork is signed by the Artist , carved with edition number and date under...

A steel sculpture by Bruce Stillman from 1980. A kinetic sculpture with rotating components perched atop a whimsically modernist base. Artist: Bruc...

A limited edition nickel plated, reflective steel sculpture. Edition 2/7.

Polygon dragon on oak stele oxidized Unique polygon sculpture with burner insert on an oxidized oak stele. The body of the dragon is made of rusty steel, whereas the wings are made...

Artist: Paul von Ringelheim, Austrian/American (1933 - 2003) Title: Spiral 1 Medium: Painted Flame-Cut Steel Sculpture Size: 47 x 52 x 8 in. (119.38 x 132.08 x 20.32 cm)

"Screen Sculpture #62" by David Hayes Abstract Metal Outdoor Sculpture in black-painted, welded steel American modern master David Hayes creat...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Sense is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. Joan’s latest scu...

A unique function sculpture/handbag by American artistic duo Mollie and Ken Kash of Flying Anvil Metalworks. These functional handbags are the newest collaboration by the pair of ma...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Little Mermaid is a bronze table sculpture, it is connected to a steel base. The edition size is 8. Joan’s latest sculpture series of female figures brings an out-of-the-box approach to sculpture creation. The small vivid women figures linked or bonded to their pedestals; the figures are delicate and intriguing representation of a woman’s mind and soul yearning for liberty, freedom, a moment of tranquility from busy daily life, or a space that she could spend the time totally with herself and for escaping from the routine and monotony. The woman made of bronze is warm and sensual and dances in/on a structure of rusted iron. She observes the world from her/ours solitude, from this vertiginous watchtower (metaphor of life, universe) rusted because the inexorable time. The base rises impressively, creating a contradiction between both pieces. However, in Joan’s work the geometrical base and the figure find a surprising harmony. BIOGRAPHY OF JOAN ARTIGAS PLANAS...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

This outdoor fire pit "Globe" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. There are already individual lava stones in the...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. The included burner already contains individua...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Shade lamp alpha. Customization possible and designed in 2010. Also available to order in stainless steel. High quality outdoor lampshade for the house and garden as well as entranc...

Philip Shore uses his art to illustrate man's relationship to the environment and how the connection between nature and culture is becoming more fractured. Spiraling Dreams is made o...

Jesús Curiá Perez Horse I bronze and artificial stone 23h x 19.75w x 8.25d in 58.42h x 50.16w x 20.95d cm JCP061 It is seemingly easier to identify with the ideas and thoughts of a...

A limited edition nickel plated, reflective steel sculpture. Edition 2/7.

This fireball is the eye-catcher in your garden. Customization possible and designed in 2010. Also available to order in stainless steel. Because of the good air supply you can quic...

Modern abstract mixed media sculpture by Texas artist McKay Otto. The work features steel arms twisting out of a wood center pillar that is attached to a cement base. Signed, dated, ...

Etruscan Princess is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. This sc...

Shipping costs on request Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. With this garden wall you'll conjure up an atmospheric ambience in your garden. Ideally the garden screen should be lighted up from the front, so the wall becomes a highlight even in the dark. You can easily set up a privacy screen e.g. to the neighbouring property, on the other hand with this decorative element beautify your garden. This art piece will surely be an eye catcher in your yard! The garden wall is mounted on 2 round steel pins of 18 mm diameter. These are 1 meter long and are included. Hammer the round posts into the ground at the correct distance of 50 cm, Push the wall over it and you're done! We manufacture the garden walls in our own locksmith's shop. This means that we can also produce special designs, e.g. name plate with house number...

Jesús Curiá Perez Samurai bronze and methacrylate 27h x 7w x 7d in 68.58h x 17.78w x 17.78d cm JCP059 Jesús Curiá's sculptures arouse something more than purely aesthetic pleasure. ...

German Steel Fireplace "Globe" with base, is available in different sizes, and also available in stainless steel on request. Please contact us. This fireplace globe is the eye-catch...

A medium sized, orange powder coated mild steel sculpture on a black steel footing. Edition 1/5. Available in different colours or finishes on request.

Incredible Brutalist torch-cut wall mountable sculpture by artist Gene Montez Flores. Designed to hang as shown. Produced during in the early 1960s in his California studio. Has neve...

Virus Lamp Tripod - Set Our Virus luminaire is a spherical luminaire on pedestals with a color filter attachment for indoor use. The tubular sectional steel has been arranged here a...

Circus II is a bronze table sculpture, it is connected to a steel base. The edition size is 25. Joan’s latest sculpture series of female figures brings an out-of-the-box approach t...