Art by Medium: Steel

Extraordinary outdoor garden torch for your garden. Customization possible and designed in 2010. Also available to order in stainless steel. We produce this object in our own locksm...

Desire is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. Joan wants to depi...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor. Hayes received a B...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

This "Tool-Box" installation by Mary Shaffer includes all nine slumped glass and found metal tool sculptures, as well as the custom, painted wood wall cabinet for display...

Silvana Pestana's oeuvre presents a critical interrogation of contemporary Peruvian socio-environmental realities, with a particular focus on the ecological devastation wrought by ex...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Artist: Mel Ramos, American (1935 - ) Title: Miss America Year: 2008 Medium: Enamel on Steel, signed and numbered in marker Edition: 125, 25 AP Size: 36 i...

With this climbing wall you can conjure up an atmospheric ambience in your garden. The wall is ideal for planting all kinds of climbing plants. On the one hand, you can easily a privacy screen, e.g. from the neighbouring property, on the other hand, you can use this decorative element beautify your garden. This art piece will surely be an eye catcher in your yard! The garden wall is mounted on 2 round steel pins of 18 mm diameter. These are 1 meter long and are included. Hammer the round posts into the ground at the correct distance of 50 cm, Push the wall over it and you're done! We manufacture the garden walls in our own locksmith's shop. This means that we can also produce special designs, e.g. name plate with house...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Quiet Shelter is a wall sculpture created by Mireia Serra. In this new sculpture of 2022 Mireia used a new material, brass to create a nice contrast with bronze and steel. This give...

Artist: Sam Peacock Title: Victoria Materials: Oil, Coffee and Parafin on steel Medium: Mild steel sheet Size: 85 x 35 cm Edition: Original Artwork Year: 2018 ________________...

A limited edition nickel plated, reflective steel sculpture. Edition of 7.

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

SALE ONE WEEK ONLY John Piet's "Untitled" from 1974 is a welded sculpture with two opposing forms connected by a swoop of steel. Piet's sculptural work explores the tension between contending elements, and other works investigating the relationship of heaven and earth. The form shown here in Untitled appears similar to the form in his 1975 large-scale work The Entrance currently located at the entrance of Harmonie Park in Detroit. The abstract drawing in the pictures above is part of the sculpture offer. The drawing was a study, work-in-progress, as John "worked out" the details of the final sculpture. John Piet was born in Detroit on American Street, and was educated at the Detroit Society of Arts and Crafts (now named College for Creative Studies). College for Creative Studies (formerly Center for Creative Studies) faculty and graduates include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), John Louis Krieger (American Modern), William Girard (American Modern), Charles Culver, Henry Heading, Hughie Lee-Smith and Joseph Wesner. He received his MFA from Wayne State University where other well-known individuals taught or studied including Arthur Danto, Dr. Wayne Dyer, Susan Aaron-Taylor, Tyree Guyton, Hughie Lee-Smith, Philip Levine, Casey Kasem and Helen Thomas. Sergio DeGuisti, Stanley Rosenthal...

Medium: oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...

This torch is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. There are lavastones in the provided burner wich has to be filled w...

Unfolding Dreams is a wall sculpture that captures snapshot of our daily lives. It is also dedicated to the book lovers who like reading. Edition Size: 25. Sculpture for wall easily...

hand fabricated steel edition 2 of 9 Sculpture size 23.5 x 7 x .75" with the base is 23.5 x 9.5 x 5" Clayton Peshlakai was born in the small town of Ft. Defiance, Arizona, on the Navajo Indian Reservation. Although he has no formal art education, Clayton’s involvement in art began at an early age when comic books and graphic novels sparked his interest. A combination of fantastic storytelling and exotic art helped him escape the world he lived in and create a world of his own. He first began drawing with pencil, then pen and ink, eventually incorporating watercolor. He constantly experimented with styles and techniques using watercolor and pen and ink—separately and together—never settling on just one.  In his junior high school wood shop Clayton was exposed to drafting. To him technical drawing was a new form of art. It was rooted in discipline and education—two things he needed when there seemed to be no direction in life. His desire to excel in drafting boosted his grades, and Clayton was invited to attend a college prep high school for “gifted” Native Americans. Here he studied architecture, then went on to the local community college to pursue electrical engineering.  While in college Clayton worked in numerous construction fields to support himself, gaining valuable experience that would benefit him later as a professional artist. Inspired by pipeline construction welders and their ability to manipulate and fuse metal, Clayton’s interest shifted from designing to building. Within a year he became a code-certified welder, obtaining the skills necessary to work with an assortment of metals. Over the next eight years he honed his craft in a variety of industrial fields.  Clayton was introduced to sculpture fabrication in the early 1990s. As a project manager for a small metal art fabrication shop, he worked with artists of various backgrounds, including the late Allan Houser, Dan Namingha, and Bill Barrett, to help create their visions in metal. Art fabrication was a refreshing change from the industrial world and reconnected Clayton with his true passion of working with metals. As a metal fabricator Clayton was satisfied with the challenges presented to him. But when he was contracted as an artist’s assistant for painter William Debilzan...

"Anti-tank Hedgehog 3" Sculpture 13 x 13 x 13 in Edition 1/1 by ILLYA TIGOIS Unique sculpture Materials: steel 3-8mm. Welding, metalworking. ABOUT THE ARTIST Illya Trofymchuk is...

Shipping costs on request Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. With this garden wall you'll conjure up an atmospheric ambience in your garden. I...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor. Hayes received a B...

Fables No. 1: Silk and Steel series - mixed media painting and sculpture. A wonderful, provocative, curiously mysterious and delightful painting and sculpture by Elaine Badgley Arnou...

German Steel Fireplace "Globe" with base, is available in different sizes, and also available in stainless steel on request. Please contact us. This fireplace globe is the eye-catch...

A medium sized, powder coated mild steel sculpture on a steel footing. Open Edition. Available in different colours or finishes on request.

"SHADOWS OF TWILIGHT" Wall Sculpture 32" x 32" x 16" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates ar...

This firewood bench is on the one hand very practical for storing firewood, on the other hand it is an extraordinary seat. Customization possible and designed in 2010. Also available...

A large contemporary black steel sculpture. Beautiful on the floor or a pedestal. A contemporary statement piece full of elegance and movement. _____________________________________...

Andrew Hayes grew up in Tucson, Arizona and studied sculpture at Northern Arizona University. The desert landscape inspired much of his early sculptural work and allowed him to culti...

A limited edition nickel plated, reflective steel sculpture. Edition 3/7.

The modern Wall Sculpture " Downstream ” is unique, a truly one of a kind metal Mural made from a burnout mold by David Marshall in 2019, sand cast in aluminium in our foundry, mount...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Red, purple, and blue modernist biomorphic mobile sculpture by Jon Jon Krawczyk. Signed by the artist at the bottom of the piece. Artist Biography: A graduate of Connecticut College, Krawczyk has studied fine art throughout Europe and apprenticed with various acclaimed sculptors. He realizes his biomorphic sculptures by cutting sheet stainless steel or bronze and welding, pounding and shaping with focused heat. Each sculpture is therefore unique, as the works are never cast from a mold. Krawczyk draws inspiration from artists such as Picasso, Henry Moore and David Smith. He is not only influenced by the obvious masterful techniques of these artists, but also by their philosophies of the sculptural process. Jon Krawczyk works in stainless steel, either brushed or highly polished, and in bronze, to which he applies intense patinas of earth tones and bright blues and greens. These works appear to have the geological marks of boulders, as sentinels that look comfortable in natural environments, can be abstract tendrils or wispy smoke-like forms that defy gravity, or long, thin, yet powerful lines that seem to jump into the sky. His most recent highly polished stainless steel sculptures...

This fireball is the eye-catcher in your garden. Customization possible and designed in 2010. Also available to order in stainless steel. Because of the good air supply you can quic...

Sculpture is a beautiful gray, with delicate texturing and the opening at the top of the stairs casts a striking reverse shadow. This plated steel pedestal sculpture is from Bella Fe...

Polygon dragon on oak stele oxidized Unique polygon sculpture with burner insert on an oxidized oak stele. The body of the dragon is made of rusty steel, whereas the wings are made...

In the bronze "Stepper II," a young woman steps forward both deliberately and with caution, entering life as she is still creating herself, gathering strength and assurance. The pain...

Pareja 05 is a unique contemporary modern abstract sculpture by Spanish artist Eduardo Lacoma from his latest series Pareja, Spanish for couple. The sculpture consists of two handmade constructions from cut, welded and polished steel, that are mounted together to form a true complementary couple. The outer element is 5 mm carbon steel which has been varnished, the inner element is 5 mm corten steel which has been oxidized. Due to the manual process of building and finishing, each element has its own characteristic look, sometimes very smooth, sometimes a little rough but always very sophisticated. From all sides it offers intriguing views, now more closed, then more open. It fits perfectly in a contemporary modern interior setting, on a side table, on a shelf or even on a plinth. It evokes feelings of mid-century modern design whilst being a one-of-a-kind 21st century piece. Eduardo Lacoma (1968, Spain) is a practicing sculptor since many years, in addition to his career as an electronics technician. Being profoundly inspired by art during a trip to Barcelona in his teens, he taught himself the fine art of sculpting, combining materials such as iron, steel and stone. Living and working in Pamplona in the Basque region of Spain, he was originally inspired by the architecture of Gaudi. Gradually his interest shifted however to the sculptural forms of Eduardo Chillida and Jorge Oteiza...

Cuba Salsa is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 7. The sculpture will be shipped in wood crate to render maximum protection d...

This steel and glass pedestal sculpture is from Bella Feldman's "War Toys" series, which began in the aftermath of the Persian Gulf War and has continued into...

"Viewer" Bronze Sculpture 41.5" x 32 "x 20" inch Ed. 1/1 by Sergii Shaulis 2020 From the Fateful Flowers series Approximate weight 75 lbs ABOUT ARTIST Born on 27 May 1985 in Kharkiv, Ukraine. From 2005 to 2011 studied at the Kharkiv State Academy of Design and Arts, at the Faculty of "Fine Arts" specialty "Easel and monumental sculpture." Now studying postgraduate at Kharkiv State Academy of Design and Arts. Works are in private collections in Ukraine, Israel, Germany, USA, Australia, Finland, Holland, Spain, Belgium, England. Education 2002‑2005 Faculty of Engineering and Physics (NTU KhPI) 2005‑2011 Easel and monumental sculpture (KSADA) 2012-2016 postgraduate education (KSADA) Exhibitions 2007-15 City exhibition HONSKHU. Kharkiv. 2007-14 Ukrainian Exhibition KONSKHU. Kyiv. 2008-11 "The maestro and his students", KSADA. Kharkiv (Audience Award 2009) 2008 11 International Triennial of sculpture. Kyiv . 2009 “Male portrait”, gallery KSADA. Kharkiv . 2009 "You get SMS ", Kharkiv ( Grand Prix "The best sculpture...

"Before the Animals" by Chapel 36x14x8" one-of-a-kind sculpture Mixed Media: Cast Bronze, Dyed Concrete, Steel, Marble This particular piece is available from the estate of the artist. It is in excellent, like-new, condition. Shipping price includes the custom packing necessary for safe transport of fine art. Chapel, 1948-2021, Artist's Statement: “I was raised on the Western Slope of Colorado, with almost unfettered access to the American wilderness. I currently reside on a sailboat in Oakland, CA with my studio in nearby San Leandro. I work with permanent materials including bronze, steel, stainless steel, aluminum, glass and stone. It is my contention that a work of art must include a complete environment, not just a single object. In my opinion, it is very difficult to convey meaning with either pure abstraction, or pure representation. Describing an abstract concept with another abstraction does not define the subject. There is nothing in a completely non-objective artwork from the viewers experience upon which to base some meaning. One the other hand, a completely realistic presentation doesn't define an abstraction any better than a dictionary. This is why my sculpture is a blend - the symbolic joining of modern man with primitive experience. They are in-depth studies of the archetypes and symbols used to communicate their relevance to our everyday lives. Mythology, poetry and art are humanity's attempt to describe the mysteries of life which are beyond our ability to consciously comprehend. This is the appeal of the visual arts, poetry, literature and music; they excite an emotional response, or memory that transcends mere words.” - Ron Chapel...

A unique spray painted cut steel sculpture by New York Graffiti artist, John "Crash" Matos. signed and dated lower edge. Crash (b. John Matos, Bronx, New York, Oct. 11, 1961) is a g...

This outdoor fire pit "Globe" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. There are already individual lava stones in the...

This blue, abstract, contemporary, glass and steel, wall sculpture is by Canadian artist John Paul Robinson. Elegant and ethereal, John Paul Robinson’s contemporary glass wall sculpt...

Eggermont, Marjan (Contemporary Dutch Canadian), Big Seeds 2006, mixed media, patina and silkscreen painting on steel, 20 x 20 inches Hand signed, titled and dated on wood bar vers...

Shipping costs on request Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. With this garden wall you'll conjure up an atmospheric ambience in your garden. I...

Mango wood Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furnit...

Large abstract contemporary chain sculpture by Houston, TX artist, Matthew Reeves. The sculpture depicts a linked chain sculpture that can be displayed ...

Book Matched Walnut wood Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to ...

Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. Customization possible. With this garden wall you'll conjure up an atmospheric ambience in your garden. Id...

This piece by Brian Jobe consists of two separate stacks of concrete and steel. The stack to the left is a bit taller than the other stack, as the top-most block of corrugated concrete has been turned on its side. Beneath the corrugated concrete blocks on each sculpture is a steel plate that balances the concrete blocks on top of two breeze blocks...

A medium sized, limited edition, abstracted figurative rusted steel sculpture on rusted steel base. Edition 1/3.

Extraordinary garden torch with one burner insert on an untreated oak spot. Customization possible and designed in 2010. Also available to order in stainless steel. The included bur...

A mixed media sculpture of carved and painted pine wood, motor, and steel.

This outdoor fire pit "Globe" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. There are already individual lava stones in the...

Rocket man is a wall sculpture that captures snapshot of our daily lives. Edition Size: 25. Sculpture for wall easily hung with 2 screws/nails. BIOGRAPHY OF MIREIA SERRA Mireia Se...

Extraordinary outdoor garden torch for your garden. Customization possible and designed in 2010. Also available to order in stainless steel. We produce t...