Art by Medium: Steel

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

The eagle holds great significance for Egyptians, Greeks, and Romans as the bird of Jupiter, the King of Gods. It is also viewed as the symbol of strength, courage, and immortality. ...

Shinsetsu Steel Abstract Sculpture Black Paint Geometric Symbolic In Stock Eric Morren (22-4-1970, De Bilt) GEOMETRIC SCULPTURES Eric Morren (1970, De B...

Forged and stainless steel Frédérick Mazoir est un sculpteur français né en 1968 qui vit et travaille à Plélan Le Grand en Bretagne, France. Diplômé des Beaux-Arts à Quimper, Reims ...

Cement and corroded steel on foam panels. Unframed. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the...

Jesús Curiá Perez Conectados VI bronze 29h x 9w x 5.50d in 73.66h x 22.86w x 13.97d cm ed. 1 of 8 JCP051 Jesús Curiá's sculptures arouse something more than purely aesthetic pleasur...

"Silver Circle" by Joel Perlman Unique cast stainless steel Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While minima...

"Memory in Sepia" Abstract Sculpture 104" x 12" x 12" in by Shawn Kolodny Medium: Steel & Automotive Paint Shawn Kolodny is an artist based in Miami, FL. For the past 15 years,...

Sphère-trame, 1962. Welded steel rods, stainless steel. 13.75 x 13.75 x 13.75 inches. This work is from an edition of 100 (the edition was not fully executed). Artwork is in excellen...

Steve Tobin 3 Part White Roots, 2024 Forged and welded steel, multicoat acrylic paint 20 x 22 x 20 inches STo002 Steve Tobin (b. 1957, Philadelphia) is a conceptual artist whose aca...

Rocket man is a wall sculpture that captures snapshot of our daily lives. Edition Size: 25. Sculpture for wall easily hung with 2 screws/nails. BIOGRAPHY OF MIREIA SERRA Mireia Se...

Quiet Shelter is a wall sculpture created by Mireia Serra. In this new sculpture of 2022 Mireia used a new material, brass to create a nice contrast with bronze and steel. This give...

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also give your outdoor area a special charm. The rusty surface gives each element an individual...

Alegria II is a bronze sculpture with black patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan wants to ...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also give your outdoor area a special charm. The rusty surface gives each element an individual...

With this garden wall, you can conjure up an atmospheric ambience in your garden Ideally, you should illuminate the garden wall from the front so that the wall is also a highlight in...

"Study in Monochrome (i)" Abstract Sculpture 46" x 10" x 10" in by Shawn Kolodny Medium: Steel & Automotive Paint Shawn Kolodny is a Miami-based artist renowned for his immersi...

" Levitation IV ", 2019 Edition: /20 + AP 40 x 19 x 8 cm Rafael Barrios, sculptor, and founder of the Virtualism movement. From the beginning, his w...

David Tanych has been building objects since his father gave him a saw, hammer, nails and a block of wood at the age of 10. A veteran home and furniture builder, David turned his in...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

Give your garden a touch of industrial elegance with our steel wall in a 3-part design with a rusty surface! Each part of the wall is made of high-quality steel and has been careful...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

Give your garden a touch of industrial elegance with our steel wall in a 3-part design with a rusty surface! Each part of the wall is made of high-quality steel and has been careful...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

"Sisyphean Circle (twirl IV)" by John Van Alstine Granite, galvanized and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of st...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

This beautiful handmade glass sculpture, crafted with colored glass pieces forming a beautiful butterfly combines aesthetic beauty with profound symbolic meaning of transformation, l...

This beautiful handmade glass sculpture, crafted with colored glass pieces forming a beautiful butterfly combines aesthetic beauty with profound symbolic meaning of transformation, l...

"Sisyphean Circle Beijing Series XXXII" by John Van Alstine Slate, pigmented steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and met...

Hand-crafted Glassfusing Glass Sculpture Glass Artwork for Sale "Ravenna Purple", is a hand-crafted sculpture of colored glass using the fusion process. This window model sculpture...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

"RIVER LANDSCAPE (tailfin)" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and meta...

Beyond the Page is a wall sculpture paying tribute to those who like reading and enjoy me-time moments. Edition Size: 25. Sculpture for wall easily hung with 2 screws/nails. BIOGRA...

"SHADOWS OF TWILIGHT" Wall Sculpture 32" x 32" x 16" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny create...

Sisyphean Circle (Twirl IV) Granite and galvanized and powder-coated steel 42" (height) x 46" (width) x 11" (depth) Stone and metal, usually granite or slate, and found object steel...

Sisyphean Circle (Lunge) Granite and galvanized and powder-coated steel 42" (height) x 46" (width) x 11" (depth) Stone and metal, usually granite or slate, and found object steel ar...

Lunge 9-22 (Red Tail) NY State slate/pigmented and sealed steel 23" (height) x 26" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central...

NIDUS (The Nest) Bronze and steel 29" (height) x 51" (width) x 30" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interac...

This hand-crafted glass sculpture and urn "Sunset" is a unique colored glass window model that vividly depicts a desert scene with cacti and an in...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

Abstract composition reverse-painted on an acrylic sheet (Plexiglas) by Laurel Morley (American, b. 1969). Acrylic sheet is mounted on a steel structure with "wings" on either side. ...

Liquid Sunshine: Spring Moss Hand-dyed cast polymer rubber on painted steel 31.5 X 9.5 X 9.5 Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

"Three Chairs" (Triptych) steel mesh, gold, silver and background rust steel board, 35" x 42 1/2" x 2", 2010. This three-piece mixed media textile work was done by artist, Jin-Sook ...

Sensitivity is a bronze sculpture connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. It captures the posture of a ballet da...

Liquid Sunshine Gear Column is made of hand dyed cast polymer and the base is painted steel. It is 24 X 10 X 10 Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed me...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

The Writer is a wall sculpture paying tribute to those who like reading and writing. Edition Size: 18. Sculpture for wall easily hung with 2 screws/nails. BIOGRAPHY OF MIREIA SERRA...