Art by Medium: Tin Glaze

"Gay Armory" is an original piece by Jeff Rubio made from stoneware, glaze, epoxy clay, 22k gold. This pieces measures 12"h x 11.5"w x 2"d and comes with a signed Certificate of Auth...

Brian Russell Jobe (American, b. 1981) is an artist and non-profit director based in Knoxville, Tennessee. Jobe's studio practice is focused on sculptur...

Created in 1956, this Madoura small convex wall plaque of white earthenware clay with engraving accentuated with oxidized paraffin in a glaze bath (ivory, brown) is from the edition ...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

Created in 1959, Pablo Picasso Arrastro, from Service Scènes de Corrida A.R. 423 is numbered from the edition of 50 on the reverse and stamped with the 'MADOURA PLEIN FEU' and ‘EMPRE...

Created in 1959, Pablo Picasso (Málaga, 1881 – Mougins, 1973) Paseo A.R. 416 is numbered from the edition of 50 on the reverse and stamped with the 'MADOURA PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO' pottery stamps on the reverse. Pablo Picasso was an avid fan of bullfighting his entire life, attending his first corridas when he was a child in Spain and gaining a renewed interest in the events when he settled in the South of France after World War II. Undoubtedly the theatrical drama and flashy machismo of the matadors appealed greatly to Picasso's sensibilities and resonated with his Spanish roots. In 1959, Picasso produced an 8-piece plate series, each featuring a different bullfighting scene suggested through lively stipple lines. Paseo A.R. 416 depicts a line of bullfighters highlighted by a streak of yellow. The strokes of blue above and below the figures contrast with the warm of the yellow, creating visual tension that anticipates the drama of the fight. Catalogue Raisonné & COA: Pablo Picasso Paseo...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

This Jose A Cunha Portuguese Palissy Majolica plate features a snake, spider, frog, caterpillar, and butterfly on green shredded clay ground. The piece bears the maker's marks for Jose A Cunha pottery. Palissy ware is a style of ceramics that is also known as rusticware due to their earth-toned palettes and naturalistic plant and animal scenes that are cast to it. The style was coined in reference to the 16th century French potter Bernard Palissy and experienced a significant revival in the 19th century thanks to Charles-Jean Avisseau. It's strongest revival however was in Portugal where it was produced by the potteries of Mafra, Jose A. Cunha, Alves, José Francisco de Sousa...

"Pink Ranger" is an original piece by Jeff Rubio made from stoneware, glaze, epoxy clay, 22k gold. This pieces measures 6"h x 8.5"w x 11"d and comes with a signed Certificate of Auth...

A whimsical portrait in vivid colors, this work appeals to our response to color, texture, depth and space. There is a wonderful interplay between ...