Art by Medium: Wax

Reflective Vibration (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist cons...

Wimereux (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work continues the exploration of colour as both subject and object. In a formal ...

Comes framed and ready to hang in black floater frame. (Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...

Linear Fervor (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct,...

0118.15 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty y...

Linear Hush (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct, th...

Montauk (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstracti...

Saltaire (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstract...

(Very difficult to photograph inside the case with glass front, so we took a few outside the case. A video is included that we hope helps, thought it suffers from reflections on the ...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Louisa Chase’s work is represented in the permanent collections of a number of major museums, the Whitney Museum of Art in New York; the Museum of Modern Art, New York (MOMA), the Me...

These works reflect the animism of Japanese culture and Zen training. Living in temples and the countryside with craftsman communities in Japan for over a decade, Majio was deeply in...

Jane Sangerman lives and works in New York City. She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had on...

Jane Sangerman lives and works in New York City. She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had one ...

Jim Rattenbury’s work is of our time, yet it is filled with signs from other eras, both distant pasts and distant futures. He creates marks on his works that are accessible to childr...

"After the Lightning" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 12 x 12 inches. A soothing, abs...

Oil and wax on canvas painting from the BLUE series. Linda Touby pairs intuitive brushstrokes with bold, horizontal bands of vibrant blue, black, red, and yellow, offering a sense of...

"Sea Breeze" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 12 x 12 inches....

"Once in a Blue Moon Shell" is an abstract expressionist painting by Rebecca Sobin executed in oil, cold wax medium on a cradled wood panel; measuring 12 x ...

"Floral Mystique" is an abstract diptych painted by Rebecca Sobin in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 44 x 44 inches. Each separate panel m...

"Our House" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 22 x 44 inches. A soothing abstract compo...

Artwork made with Suede Venetian paint, latex, birch, MDF & wax Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other A...

HEATHER HUTCHISON DANCE WHEN YOU ARE PERFECTLY FREE, 1996 beeswax, plexiglass, pigment and wood 48 x 55 x 2 in. 121.8 x 139.8 cm. signed, dated and numbered on verso semi-translucent

Artwork made in birch, wax & acrylic washes Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Texa...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended t...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended t...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spen...

Artwork made in MDF, enamel, latex & wax Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Texas C...

This poured wax painting in green by Joanne Ungar, is composed with the geometric forms of recycled packaging, layered and infused with pigmented wax. A vibrant sculptural painting, ...

abstract 29/29, Original Signed Contemporary Neutral Abstract Encaustic Painting 29" x 29" x 3" Beeswax, Resin, Pigment, and Oil on Wood Panel Hand-signed by the artist in verso. A contemporary minimalist encaustic work by artist Michele Renée Ledoux...

Artist Commentary: This understated transitional abstract piece makes a bold statement. Strong shapes in pale green, purple, and beige look as if they are interwoven. Added interest is provided by two round images taken from a vintage furniture-assembly manual. A unique, painterly statement to add a distinguished and distinctive touch to any décor. A subtle, thoughtful painting. Words that describe this piece: soft, subtle, tan, mint, lavender, collage, understated Details about the piece: This is a hand-painted, original oil and cold wax painting...

Artist Commentary: The challenge in making this piece was building two woven forms, one inside of each other. It required all of my dexterity. The title, "Switchback," as in a swit...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Dredging Up Memories, Original Contemporary Aquamarine and Red Abstract Painting 24" x 24" x 1.5" (HxWxD) Oil and Cold Wax on Panel This square-format work by artist Denise Presnell...

Artist: Cary Smith, Puerto Rican/American (1955 - ) Title: Not Now Year: 1989 Medium: Oil and wax on canvas Size: 72 x 72 in. (182.88 x 182.88 cm)

Abstract mixed media painting in red, white and light green. Jylian Gustlin is a native Californian and grew up in the San Francisco bay area. She has been shaped by the technology...

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Confluence 22 C (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Confluence 22 D (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Acrylic, aluminum leaf, and wax on aluminum panel.

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...