Eric Mack

YNR-0020

2018

PWW-777 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized Zerox copies adhered by a matte medium to create graphic imagery of electronics from the 90s, small bits of a map of various places in Germany, and vinyl records. Mack paints on top of a torn canvas, and on the edges you can see the frayed, painted canvas mounted to the white backing of the frame. The work is finished with glass that shows minimum reflection as well as a customized 2 inch, white frame. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

James Perrin’s abstract oil paintings create a visual language which, though appearing chaotic at first, reveal their meticulous craftsmanship and intuitive-driven intentions. In Pe...

Linda King Ferguson describes her "Equivalence Series" as social bodies; a re-thinking of Modernist figurative abstraction. They are a discursive formal and reductive language. As fi...

This piece is part of an exhibition in which Yuri Figueroa explores the relation between artworks that inform each other but respond to different systems of categorizing movement and color, where conventional structure and intuitive placing of tones will determine the disruptive chaos of the surrounding artworks and vice versa. Repercussion explores Chaos Theory, which explains that within the apparent randomness of chaotic and complex systems, there are underlying patterns and interconnectedness. You cannot have chaos without order and you cannot have order without chaos. What are the repercussions of a small change in the order of things? What conditions make patterns unpredictable? This particular painting, titled "Chaos III...

Signed and dated lower left Created in 1964 while the artist was living in Florence, Italy Collage with tissue paper and printed images and text From the Estate of the Artist

acrylic, ink and mylar on aluminum

Jim’s of Lambertville is proud to offer this artwork by: Dwinell Grant (1912 – 1991) Non-objective artist, Dwinell Grant, was born in Springfield, Ohio in 1912. His interest in the...

Paper and Adhesive collage by Wayne Timm. measures 11 1/2 x 15 3/4 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, ...