Hadar Sobol

Falling out of time

2017

“What he has learned from the art of the museums, Cobb has fully assimilated and modified in the development of his own personal vision. And while enriched by these historical perspe...

Miles Cleveland Goodwin says, "I don’t like to do things I don’t know." Not unlike the spirit of Southern literature and Delta blues music, there is an autobiographical nature to his...

This is lithographic crayon and gouache on paper

signed "E.JB." at lower right 21 7/8 x 17 inches including frame

signed "EJB." at lower right 21 3/4 x 17 inches including frame

signed "EJB" at lower left 21 13/16 x 17 inches including frame

This piece titled "A KAJUAL DAY IN TAIPEI" is an original piece by Danielle Clough and is made by watercolor, cotton thread, wool, etoile on cotton, in solid kiaat. This piece measur...

This brightly colored mixed media artwork titled "The sunflower field" is an original artwork by Han Cao made of embroidery thread and a vintage photograph. Wi...

"Sisters #2", 2019 by Valerie Hammond 73 x 34.5 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels that are unframed, can be installed with magnets, but framing is recommended. In Valerie Hammond’s series of wax drawings, protection is two-fold: the artist (previously) encases dried flowers and ferns in a thin layer of wax, preserving their fragile tissues long after they’ve been plucked from the ground. In outlining a pair of hands, she also secures a memory, or rather, “the essence of a gesture and the fleeting moment in which it was made.” Centered on limbs lying flat on Japanese paper, the ongoing series dates back to the 1990s, when Hammond made the first tracing “partly in response to the death of a dear friend, whose beautiful hands I often found myself remembering.” She continued by working with family and friends, mainly women and children, to delineate their wrists, palms, and fingers. Today, the series features dozens of works that are comprised of either hands tethered to the dried botanics, which sprout outward in wispy tendrils, or others over layed with thread and glass beads. Although the delicate pieces began as a simple trace, Hammond shares that she soon began to overlay the original drawing with pressed florals, creating encaustic assemblages that “echoed the body’s bones, veins, and circulatory systems.” She continued to experiment with the series by introducing various techniques, including printmaking, Xerox transfers, and finally Photoshop inversions, that distorted the original rendering...

"Sisters #4", 2019 by Valerie Hammond 72 x 35 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels ...

2018 Sapiens series. Ink + thread hand stitched on paper

2018 Sapiens series. Ink + thread hand stitched on paper