Fiberglass Mixed Media

"Fruit of Poet" by Dai Ban, 2021 42" X 22" X 12" Foam Board, Venetian Plaster, Beeswax, Pigment Dai Ban designed this dynamic abstracted wall sculpture in his studio in the Berkshi...

L’Ordine delle Onde (The Order of the Waves) is a textural sculpture by Vera Vizzi, part of her ongoing exploration of contemporary coastal art. Crafted from foam clay, acrylic, plas...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

Tom Holland (American, b. 1936) Rivero fiberglass and aluminum with epoxy paint Mixed Media Wall Sculpture 1981, hand signed and dated Dimensions: 73 x 58 X 10 inches Provenance: C...

“Diventa” is a contemporary wall-mounted mixed media sculpture by Italian artist Vera Vizzi, exploring the emotional pull between longing and levity. Composed on a 30 cm circular fir...

"Wave of Whispers" is a contemporary modern abstract wall sculpture by UK artist Mari-Ruth Oda. Made from Bath Stone Jesmonite, a fine art composite material based on acrylic resin, ...

This wall-mounted relief sculpture by María Magán consists of dozens of compressed forms arranged in a dense, tactile surface framed in classic white wood. Made from professional-gra...

This evocative wall sculpture by Vera Vizzi, titled VITA, forms part of the artist’s ongoing exploration of maritime themes and human vulnerability. Crafted in mixed media on reclaimed wood, the piece presents a poetic seascape made of three stacked wooden blocks, each painted in shifting shades of deep blue and stormy grey to evoke a layered oceanic horizon. Atop the highest block sits a delicate miniature boat with small figures, amplifying the sense of fragility and scale. The composition recalls coastal environments and states of emotional suspension—between movement and stillness, presence and absence. The textured surfaces and chromatic modulation suggest tides, foam, and sediment, while the figurative element introduces a narrative of journey, survival, or return. Like much of Vizzi’s work, VITA resonates with themes of resilience, the pull of memory, and our longing for connection with the sea. This one-of-a-kind sculpture belongs to the artist’s new 2024 collection and is ready to hang. Ideal for collectors interested in contemporary marine art, mixed media assemblage, or metaphorical sculpture. Keywords: By the Sea, Miniature Boat, Mixed Media Sculpture, Marine Art, Wall Sculpture, Ocean Artwork, Seascape Assemblage, Contemporary Nautical Art, Small Boat Sculpture, Vera Vizzi, Blue Wall Art...

"Portami Al Mare"is a coastal mixed media wall sculpture by Vera Vizzi that combines material relief, color and narrative to evoke a longing for the sea. Executed on a 40 cm Ø wood p...

Seeker Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Graphite filled acrylic laquor on filled polyester resin base 35 x 10 x 12  "I am an artist, a sculptor n...

Beth Reitmeyer is a visual artist based in Nashville, TN. Her current installations are based upon landscape topography and geology, specifically sinkholes, caves, geodes, and rocks....

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...