Marble Mixed Media

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Brandon Neher is a California artist whose original paintings on canvas embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Dra...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

Dive into the abstract depths of "Fond Memories," a thought-provoking 48" x 36" mixed media creation by the artist Lorraine Lawson. This piece exemplif...

"Que Sera, Sera," by Lorraine Lawson, is a stunning 48" x 48" mixed media abstract expressionist work that encapsulates the natural world's transformat...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Rizaldy Celi Jr. (Filipino-Vietnamese, American, born 1983) "Death of the Ego" 2024 Oil paint, Acrylic paint, Canvas, Stretcher bars The artist signed the back of the painting. 'Dea...

Ralph Rosenborg (American, 1913-1992) "American Landscape, Sky and Shore, 1973" Oil on canvas. Signed 'Rosenborg' (lower right). Titled (verso). 30 x 40 in Ralph Rosenborg (1913–1992) was an American artist whose paintings were described as both expressionist and abstract and who was a colleague of the New York Abstract Expressionists in the 1940s and 1950s. Unlike them, however, he preferred to make small works and tended to explicitly draw upon natural forms and figures for his abstract subjects. Called a "highly personal artist," he developed a unique style that was considered to be both mystical and magic. His career was exceptionally long, covering more than 50 years. Rosenborg was born in Brooklyn, New York, on June 9, 1913. In 1929, while he was a high school student, he began to work with the designer, artist, and instructor, Henriette Reiss. When Rosenborg encountered her, Reiss was serving as an instructor for the School Art League in the American Museum of Natural History. She was then engaged in instructing both students and their teachers in the city school system by a method she called Rhythmic Design. She believed inspiration for abstract designs could be found in rhythms—rhythms that could be perceived in ordinary perceptions much as they are when listening to music. In May 1930 Reiss selected a drawing by Rosenborg to be shown in an exhibition of creative design by City high school students. From 1930 to 1933, aged 17 to 20, Rosenborg studied with Reiss in what Vivien Raynor of the New York Times called a "pupil-apprentice" relationship. During this time she instructed him in music appreciation, literature, and art history as well as giving technical training in art. In April 1934 Rosenborg was one of 1,500 artists to participate in the annual Salons of America exhibition, which was held that year in Rockefeller Center RCA Building. Each paid two dollars for the privilege of hanging up to three works and none was given prominence over the others. The New York Times reported that by the time the show closed a month later, some 30,000 people had viewed it. The following year he was given a solo exhibition (his first) at the Lounge Gallery of the Eighth Street Playhouse. The year after that he participated in a group show held by the Municipal Art Committee and in 1937 was given a second solo exhibition, this time in the Artists Gallery. That year he also became a founding member of and participated in a group show held by American Abstract Artists, a loose assembly of artists that aimed to promote abstract art and artists in New York. Its founders included Josef Albers, Ilya Bolotowsky, Werner Drewes, Ibram Lassaw, Mercedes Matter, Louis Schanker, Vaclav Vytlacil and Rudolph Weisenborn. At roughly the same time Rosenborg associated himself with a group of abstractionists that called itself "The Ten" (It included Ben-Zion, Mark Rothko, Adolph Gottlieb and Joe Solman) and in May 1938 joined with its other members in what would be his first appearance in a commercial gallery: the Gallery Georgette Passedoit. In 1938 he his work appeared in a group show at the Lounge Gallery, in 1939 in group shows at the Artists Gallery and at the Bonestell Gallery with David Burliuk, Earl Kerkam, Karl Knaths and Jean Liberte...

"Symphony" is a 36" x 48" mixed media canvas by Masri, an embodiment of contemporary abstract expressionism at its most vibrant and emotive. The piece is a visual overture, where swe...

"Challenge 22," a 36" x 48" mixed media canvas by Masri, captures the essence of contemporary abstract expressionism with its bold, chaotic brushstrokes and a vibrant collision of co...

"Between B&W" stands as a striking 36" x 48" mixed media piece by the artist Masri, a vivid portrayal of the tension and harmony within contemporary abstract expressionism. The work ...

"Conversations with Rauschenberg" is a 48" x 36" tribute to dialogue and interplay within the abstract expressionist realm, skillfully executed by Lorraine Lawson...