Metal Mixed Media

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...

Contemporary Art, Metal Brushed brass on wood 60x60cm Signed and dated on the back

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

Frida Willis (Swedish, born 1971) "Violet Midas" 2023 Oil paint, Gold Leaf, Mixed Media, Canvas, Stretcher bars The artist signed the back of the painting. In "Violet Midas", the a...

Screen print in colors, on two sides of cut aluminum, mounted on a metal stand and base. Hand singed by Alex Katz on verso. Hand numbered 2/35 on verso (there were also 7 artist's ...

Titled: Chants. Hand signed and dated. Sonja Kuhfahl (1928-) is a German born woman artist. She began her art career studying fashion design in Europe,...

A. Ghosh - Untitled Wooden Boat Iron & Conch Flower and Brass Flower W 72 x H 36 x D 36 inches ( Delivery Time 40 days ) Born : 19.01.1972 Qualification : Diploma in furniture desi...

A. Ghosh - Untitled Galvanize Iron and Conchs H 42 x W 36 inches, Dia ( Delivered ) Born : 19.01.1972 Qualification : Diploma in furniture design silpa sadana, Visva-Bharati Univer...

A. Ghosh - Untitled Scrap Iron Welding & Conch H 96 x W 48 x D 48 inches ( Delivered in India ) Born : 19.01.1972 Qualification : Diploma in furniture design silpa sadana, Visva-Bh...

Goblets is a unique wall sculpture by Joanne Tinker, depicting goblets made of recycled foil wrappers. This work is a one-off but commissions are welcome. Joanne’s work is heavily influenced by the concept of recycling; transforming metal bottle tops, acupuncture tubes, confectionary wrapping, and aluminium cans into something precious, something special. Joanne Tinker seeks to transform ordinary objects into something precious, something special. Metal bottle tops, acupuncture tubes, confectionary wrapping and aluminium cans have all featured as materials, although chocolate foil wrappings remain a constant in her work. Her current work has appeared at London’s Royal Academy Summer Exhibition. While, the New York Museum of Art & Design and The White Rabbit...

I am usually not thinking so much about a finished work, but am inspired, accepting and mystified by the process of creating it. I see each of my works as a rehearsal in enduring un...

Mrinal Kanti Gayen - Untitled Bronze W 19 x H 10 x D 13 inches ( Delivered ) Born : 18 January, 1971, at Kakdwip, West Bengal, India EDUCATION : 1996 Graduate (B.V.A.) in Modelling ...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork comes framed in a bo...

"BigBlue" is a fun modernist freestanding sculpture that brings bold statement to wherever it is placed. Made from .25" thick powder coated mild steel. Both vibrant and durable, th...

Contemporary gold toned abstract painting by Houston based artist Joseph Cohen. The work features a solid gold field that ends in drips off of the bottom edge of the piece. Signed an...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

"Cuzco" is a contemporary green and cool toned artwork computationally engraved on aluminium. It is part of a pair, and can each be sold separately. Artist Matteo Mauro...

An original acrylic and enamel painting on gallery wrapped canvas. Robyn Gallick is an emerging American female artist living and working in Buffalo, NY.

Bee Gone Bee Gone is a poetic and visually arresting work by Arminée Chahbazian that speaks to the fragility of the natural world and the silent disappearance of vital species. Throu...

Canadian artist John Paul Robinson has chosen a deep blue for this elegant glass wall sculpture. Six arched pieces of translucent glass are suspended by fine steel cables…each crissc...

'Persistence' is an original mixed media painting on rough-cut aluminum by American artist and appraiser Kelly Butenhoff. In the image, Butenhoff shows a yellow figure against a blue background; however, the painting is even more about the material of paint and metal than it is about figuration. Recalling the figurative paintings of Abstract Expressionist Willem de Kooning, the work is constructed of built-up textured layers, their rough surface mirrored by the irregular border of the aluminum sheet support. These same colors are seen in the Ukrainian flag. Yellow and blue represent Ukraine’s wheat fields below the blue skies and mountains. All proceeds of this sale will be donated to help Ukrainian refugees. 34 x 23 inches Artist's labels on the reverse Unframed, ready to hang Framing options available Overall good condition; some lifting of paint around edges; paint loss upper left After studying abroad, Kelly graduated from Carroll College, Waukesha, Wisconsin, with a BFA in Fine Art and Commercial Art. Her career in the art world began with the prestigious David Barnett Gallery in Wisconsin. Simultaneously exploring her own artistic accomplishments and gallery pursuits, eventually brought Kelly to Palm Beach Gardens, Florida, and Studio E Gallery in 2001 where she held the position of Gallery Director for eleven years while launching her endeavor of concierge fine art and appraisal services. Never one to rest on her laurels, Kelly appeased an interest in appraising by attending the School of Continuing and Professional Studies at NYU, completing the intensive Art Appraising and Connoisseurship Program in 2004. These studies and internships have included in-depth research and documentation of fine and decorative arts. Courses, workshops, and seminars on fine art, decorative art, American silver 1800-1940, estate jewelry, 18th, and 19th-century furniture, and IRS legal guidelines. Her training took place in such esteemed locations as Sotheby’s, Doyle’s Auction House, Swann Auction Galleries, Hirschl & Adler, Beauvais Carpet...

Kintsugi, by Alejandra España -Mixed Media -29 x 24cm -Abstract Geometric, c.2026 España’s intuitive processes and open engagement with materials allow images to arise through at...

Sally-Ann Johns’ striking work often depicts everyday birds and animals, sometimes portraits, displayed in a unique and exciting way. Set into a gold lined box, they conjure images o...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Pablo Garcia-Lopez, MFA, PhD Pablo Garcia-Lopez was born in Madrid in 1977. He has a Bachelor’s Degree in Biochemistry from Autonoma University, and a PhD in Neuroscience from Complu...

This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and wooden frame (framed piece 24.5 x 30 in., sculpture piece is about 94 X 11 inches) Francoise Schein is a visual artist, trained as an architect - urban planner; She also teaches art at the ESAM Higher School of Arts and Media in Caen in Normandy . She is the founder of the INSCRIRE Association. In 2016, she was elected member of the Royal Academy of Sciences, Arts and Fine Arts of Belgium. Group Exhibitions Spain: 2016, The "5Contemporary" Paris gallery presented a group show at the Museum of Contemporary Art of Genalguacil, Spain. The show included important artists such as Françoise Schein, Mimouni and Pedro Castrortega. Born in Brussels , Françoise Schein left Belgium after studying architecture at the higher institute of architecture of the French community - La Cambre where she wrote her thesis on fundamental rights, then studied urban design at the Columbia University in the City of New York . She lived 11 years in New York where she begins a work on cartography territories. Subway map Floating on NY Sidewalk is his first monumental urban sculpture located at 110 Greene Street in SoHo (1985). At that time her works are abstract landscapes of cities, made up of networks, lines, trajectories, territories, founding texts and stories. They are constructed of very diverse materials and light. Returning back to Europe in 1989, she continues to work on what she calls her drawings-laboratories while beginning to integrate works in cities on civic themes, the main ones: at the Concorde metro station in Paris in 1991 and then in Brussels, Saint-Gilles , in 1992, these two projects took her to Lisbon in 1993 where she lived for five years and produced two monumental works (in azulejos) for the city of Lisbon at Parque metro station ( 1994) and another for the city of Stockholm at the Universitetet station (1998). She continues to travel to cities where she builds successively projects in Haifa , on the facade of the Beth Hagefen Jewish-Arab Cultural Center with Michel Butor (1994). Then she lives in Berlin where she builds the Westhafen station (2000) which takes her to Bremen to make her first human rights park, Rhododendronpark (2002). In 2005, she made the monumental Time Zone Clock in Coventry in 2005. Since 1999, she has also settled in Rio de Janeiro and initiated participatory artistic projects with the underprivileged population of the favelas . Since then, with the help of a locally trained team, many projects have been carried out, including one in Copacabana and more than 20 in different favelas (from 1999 to 2016). These works transformed the Rio workshop into sustainable development for the people who invested it. In Sao Paulo, since 2009, Françoise Schein has produced a monumental work with the participation of 1000 young people from the favela schools at Luz subway station. Her work is monumental recalling the works of Christo, Maria Dompe, Christian Boltanski, Anish Kapoor, Ai Wei Wei...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait is of a lady from the valley of Viñales in Cuba. Viñales is t...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

Colorful abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Currently on view in "David Hardaker: R...

Contemporary medieval atlas inspired work by Texas based artist Michael Macedo Meazell. Created with UV cured inks on aluminum, the work has a unique sheen. The piece features a collage of images from the Catalan Atlas, an early world map created in the late 1370s or the early 1380s, mixed with contemporary images and blocks of color. Signed and dated on the reverse. Currently unframed, but options are available. Artist Biography from the Artist: "I have made art for as long as I can remember. When I was in high school in Beaumont, Texas, I would draw constantly. During high school, I took classes in painting, drawing, and design at the Beaumont Art Studio, Beaumont Art League, and the Art Institute of Houston. During the mid to late 1980s, I studied art, concentrating on design, drawing, sculpture, and painting at Lamar University and the MFAH Glassell School of Art on a scholarship. After leaving school I worked on the installation crew at the Contemporary Arts Museum Houston. That was a great time, because I was working with some talented people who are still making art today – David McGee and Tierney Malone to name a couple. While I was there, I learned museum quality handling of art and installations. I began making art with found materials while attending Lamar University, mostly wall-dependent works and collage from found wood, fabric, paper, and paint. I have always been a scavenger, partly because I never had much money and partly because it is a medium that I identify with. I continue working on assemblage and collage today, incorporating drawing, painting, printmaking, and traditional sculpture techniques into my pieces, often using objects that have a storied history to myself or others. I incorporate objects from others in my own work and for commissioned works of art. I worked at Judy Youens Gallery from 1990-1993, doing whatever needed to be done. She specialized in glass, so I became an expert in handling fragile works of art, which included installing them, building custom crates, and preparing them for shipping. While at the gallery I was also on the Art League and Texas Accountants and Lawyers for the Arts boards. I designed, curated, and installed over 100 exhibitions though the 90s. I studied with a master carpenter from 1994-1999 and learned how to use a variety of hand and power tools, sourcing material, building techniques, as well as repurposing and fixing just about anything. This has served me well. Combining my art and design skills with my new building skills, I designed dozens of home remodels from single rooms and outdoor deck tops and complete homes from the ground up. I still do design work and consultations. I served on the Art League of Houston Board of Directors from 1991-1994, where I was president of the Artist Committee and a member of the Executive Committee. In 1997 I moved into an empty shell of a warehouse and immediately finished out the space with a large studio, kitchen, full bath, and bedroom loft. My Barnes Street Studio was next door to artist Harvey Bott...

This mixed media collage has a geometric stylistic look of Futurism and Art Deco, created with handpainted metallic colors. ink, watercolor, origami paper, patternmaking paper, foil....

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

"Folded Form I", steel mesh, painted, electroplaited, gold and silver leaf, 12 1/4" x 12 1/4" x 12 1/4", 2004. This abstract geometric wall sculpture was done by fiber artist, Jin-S...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

Sunil Das - Collage Series IX - 23 x 16 inches (unframed size) Collage Series, Mixed Media, Paper, Foil, Acrylic. Will be shipped, ready to hang with frame . Sunil Das (1939-2015) ...

Bronze sculpture with 24K gold leaf caps on granite base. Variant of 48. Artwork in Excellent Condition. Certificate of Authenticity is included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered. About the Artist: Carole A. Feuerman (American, born 1945) is a Hyper-Realist sculptor. Along with artists like Duane Hanson and John DeAndrea...

Nan Van Ryzin (American, born 1952) "Entwined" 2019 Oil Paint, mesh, wire, mixed media, canvas, stretcher bars The artist signed the back of the painting. About the Artist: Based in...

Glossy textured mixed media painting by American artist Jim Jacobs (b. 1945). This unique abstract piece is made with enamel and etching on pressed wood, with highly textured details...

Oscar Tuazon Sheetrock, 2013 Plaster on steel 165.5 x 165.7 cm 65.16 x 65.16 inches In speaking about his architectonic sculptures and installations, Oscar Tuazon says, “I hope that...

Mary Scott Oscillation (II) Original Abstract Painting Acrylic Paint, Pencil and Gold Leaf (Silver Finish) on Board Board size: H 50 cm x W 40 cm x D 0.5cm ...

Siren Mirror by Courtney Kinnare 2024 Genuine Abalone, Mother of Pearl, Resin, Foil, Pigment Powder, Acrylic and Silver Leaf on Mirror Dia 36" An amalgamation of recent materials...

Original artwork - industrial paints on aluminium. The technique is extraordinary. Acid etch primer is applied, followed by multiple paint layers blown onto the surface and polished...

“Refraction 2024–28” is a commanding 36 x 48 inch original oil painting on canvas by contemporary artist Fenway Fan. Infused with gold and painted through deep meditation, this large...