Plate Glass Mixed Media

Mickey Mouse Walt Disney Manga Cartoon Pop Art by Young British Urban Graffiti Artist, Chris Pegg, entitled 'All That Glitters'. Chris Pegg is a self-t...

Bad Weather is an original artwork realized between the XIX century and XX century by Paul Roux. Original black and white drawing on paper glued on cardbo...

Farbenlichthaut no. 160 is a brand new unique small size contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from doze...

In this radiant drawing from 1911, Swedish artist Oskar Lycke captures the quiet grandeur of a summer landscape near Sundsvall in northern Sweden. The view stretches across a serene ...

Portrait of a Lady by Wladyslaw Szary, circa 1960’s See label reverse for bio details Oil painting on canvas with applied mixed media Canvas is 64cm x 44cm Original frame Good condi...

"I am a Gippsland-based artist, whose creative process is ever-evolving, with the constant being my subject matter. Native Australian flora and fauna are commonly depicted in my work...

Rebecca Skinner’s “Forbode” is a 18 x 12 inch black and white interior photograph of an abandoned, decaying hallway with peeling walls and open doors, evoking an eerie, forgotten, an...

"Second Mesa (Hopi Pueblo, Arizona)" is a stunning mixed media artwork by Bert Van Bork (1928-2014), created using watercolor, ink, and charcoal on paper...

The contemporary work on paper is both art and photography, highlighting color fields. Tell Me A Story I, 2025 by Roberta Fineberg (RF) is 16 x 16in on Hahnemuhle paper, an original ...

Andrea Stella (1950-2019). The child of Greek immigrants raised in Italy, Andrea was destined to create. His first concentration in the art world was antique woodworking, which lead...

Ink and watercolor on cardboard realized by Alcione Gubellini in the mid-20th century. Hand signed. Includes a wooden frame cm. 53x47. Very good condition.

In BOOM BUST REPEAT17, Peña creates a silhouette of house and fills it with sharpe-edged shapes that contain gradients and saturated hues of red, green, and violet. He balances these colors with muted tones of orange and yellow . The viewer can create a house that is yet to be built in between the gaps here. In "Boom, Bust, Repeat", Peña remarks on a house and landscape that has yet to take place. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small circular lines that have been hand drawn with India ink. The Sintra board has been cut to reveal arrows in the negative space pointing upwards as to hint at a boom in the market. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...