Tapestry Mixed Media

404, 2014 Unique Jacquard-Woven Tapestry 60 x 80 inches Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the ...

A metal-thread calligraphic panel (hizam) from the kiswa of the holy ka'ba probably Ottoman Egypt, circa 1890 The black silk ground heavily embroidered with gold and silver wrapped t...

Palisades, wool and sisal, 55" x 70", 1992. Contemporary Abstract Textile Wall Sculpture, Woven Tapestry. Anna Urbanowicz-Krowacka (b 1938, Poland) gra...

This textile work, signed by Arcemont, presents a delicate and intimate approach to mixed media, where each element is imbued with a poetic intention. Rather than simply gluing piece...

Vibrant Conversation, horsehair, cotton, linen, 49” x 70” x 6", 2018. This vibrant contemporary abstract textile wall sculpture was done by textile artist, Marianne Kemp (b. 1976, W...

Cool toned abstract architectural tapestry by Houston-based artist David Adickes. The work features a depiction of the Church of St. Genevieve, a Parisian cathedral, with colorful le...

Predator, 2011 Mixed technique: tapestry, textile, lace 48.81 H x 60.62 W in 124 H x 154 W cm Raluca Arnăutu creates a zoomorphic world, where animals from a different world are mix...

Jamavar The Jamavar of Kashmir is an exquisite heritage textile of India. The original Jamavar was a yard-long shawl of pashmina wool with delicate patterns handwoven in multicolored silk weft threads. Its authentic designs are finely intricate, imparting gentle aristocracy with its most outstanding and popular motif being the elongated teardrop, originally called 'buteh'. The 'buteh' is what one now recognizes as the 'paisley'. These artworks are compositions of the timeless 'buteh' of the Jamavar. The wall panels are embroidered with fine thread cords couched along the pattern. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Technique: Fused collage, machine stitched and quilted. Materials: 100 % cotton panel on wooden stretcher Size: 60cm x 60cm (24 x 24inches) each panel

Technique: Fused collage, machine stitched and quilted. Materials: 100 % cotton panel on wooden stretcher Size: 60cm x 60cm (24 x 24inches) each panel

Vintage In the center of Mumbai city is an unorganised labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewellery, the list...

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

Technique: Fused collage, machine stitched and quilted. Materials: 100 % cotton panel on wooden stretcher Size: 60cm x 60cm (24 x 24inches) each panel

Brocade: The royal courts of the Maharajas of India were symbols of extravagance. The opulent Brocade or Zari textile was used lavishly to ornament the interiors. Brocade is a heavy weight drape, woven in intricate raised patterns of motifs or all over floral scrolls. What grants this fabric its royal stature is the use of gold and silver metal threads to weave the designs. These wall panels depict the rich affluent luxury of the Brocade. Gold corded thread embroidered on deep plush velvet creates raised patterns. The artwork is designed to exaggerate the opulence. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Vintage In the center of Mumbai city is an unorganised labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewellery, the list i...

Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the material. He is best know...

Tree of Life One ancient mythical symbol appears across various cultures as the esoteric Tree of Life. The Tree represents life's abundance and immortality. The cosmic mountain is often depicted as the highest point on earth where heaven and earth meet, where Gods dwell; the Tree stands atop it. Specific trees are held sacred and worshipped as the Tree of Life by the different cultures, and it does not bode well to cut the Peepal in India, Bodhi (Peepal) in Buddhist countries, Cyprus in Iran etc. About: "Art is just perception. The first glance is an emotion, your emotion. The title of the canvas is read after that."- Shabbir Merchant...

Jaali' of Urdu origin meaning netting, is an ornamental open work originally crafted on wood, metal and stone for interiors. A significant feature of Indo-Islamic art, the Jaali is an intricate pattern ranging from delicate trellises to complex floral layouts. The wall panels depict the interlacing design of the Jaali in mid earth tones on silk. The compositions of flowers and the paisley are embroidered in thread with subtle highlightes of shine. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Jaali: Jaali' of Urdu origin meaning netting, is an ornamental open work originally crafted on wood, metal and stone for interiors. A significant feature of Indo-Islamic art, the Jaali is an intricate pattern ranging from delicate trellises to complex floral layouts. The wall panels depict the interlacing design of the Jaali in mid earth tones on silk. The compositions of flowers and the paisley are embroidered in thread with subtle highlightes of shine. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Vintage In the center of Mumbai city is an unorganized labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewelry, the list i...

Artist: after Shlomo Katz, Polish/Israeli (1937 - 1992) Title: Who Knows One (Passover) Year: 2000 Medium: Woolen Carpet Tapestry, signature in the cache Size: 120 x 95 in. (304.8 x ...

Artist: after Shlomo Katz, Polish/Israeli (1937 - 1992) Title: Moses and the Ten Commandments (Passover) Year: 2000 Medium: Woolen Carpet Tapestry Size: 84 x 54 in. (213.36 x 137.16 cm)

San Francisco artist Gary Bukovnik has created a new series of tapestries in a limited edition of ten; ‘Garden of Earthly Delights’. The im...

San Francisco artist Gary Bukovnik has created a new series of tapestries in a limited edition of ten; ‘Flower Cascade’. The images draw from the artists floral still-life series of ...

Glitch Tapestry 21, 2012 Jacquard woven tapestry made of dyed cotton thread. 60 x 80 inches The Digital Tapestry Project continues my exploration of notions of materiality, craft,...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

Geometric tapestry made of various red, green, purple, and blue fabrics titled "Geometric" by Bill Condon, circa 1970's. Similar to the early geometric designs of Ida Kohlmeyer. Ar...

A 19th Century Sampler by Eliza Hanna Oddy June 20th 1861 in original frame Dimensions framed: height 15" x width 16" All of the items that we advertise for sale have been as accu...

"Breakfast in Merida (Homage to Carmen Miranda)" is an original woven wool tapestry with velvet fruit by Joan Ward Summers. It is a decorative tableau which displays a background pat...

One, 2014 Unique Jacquard-Woven Tapestry 60 x 80 inches

Vintage In the center of Mumbai city is an unorganised labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewellery, the list i...

Jaali: Jaali' of Urdu origin meaning netting, is an ornamental open work originally crafted on wood, metal and stone for interiors. A significant feature of Indo-Islamic art, the Jaali is an intricate pattern ranging from delicate trellises to complex floral layouts. The wall panels depict the interlacing design of the Jaali in mid earth tones on silk. The compositions of flowers and the paisley are embroidered in thread with subtle highlightes of shine. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Tapestry of a collection of brightly color abstract scenes titled "Unique" by Bill Condon. The piece is made out of various fabric pieces stitched onto light denim fabric. Artist Bi...

Original mixed media on board with carpet/rug trim. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable of...

Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the material. He is best know...

Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the material. He is best know...

Marriage Flag, 2018 Grayson Perry Handmade cotton fabric and embroidery appliqué flag From the edition of 45 Published by Victoria Miro Gallery, London Multiple: 97 × 143 cm (38....

Hand woven tapestry: wool, silk, dyes

Hand woven tapestry: alpaca, cochineal. Image of Emma Gonzales

Handwoven tapestry of undyed alpaca and dyes

Hand woven tapestry: wool, dyes

Mathieu Matégot (1910-2001) Sans titre c.1950s wool tapestry, Manufactura de Tapeçarias de Portalegre 150 x 70 cm signed ‘Matégot’ and with the Manufactura de Tapeçarias de Portalegre monogram (lower right) Price: $11,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF21324) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern tapestry...

Mathieu Matégot (1910-2001) Oberon c.1950s wool tapestry, Manufactura de Tapeçarias de Portalegre; (possibly) no. 2 125 x 202 cm signed ‘Matégot’ and with the Manufactura de Tapeçarias de Portalegre monogram (lower right); titled, inscribed, numbered and signed (workshop label on the verso) Price: $18,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF19387) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern tapestry...

Mathieu Matégot (1910-2001) Castille c.1950s Aubusson tapestry, Pinton Frères; (probably) unique 156 x 120 cm signed ‘Matégot’ and with the Pinton Frères monogram (lower right); titled, inscribed, numbered and signed (workshop label on the verso) Price: $14,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF11410) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern tapestry...

Mathieu Matégot (1910-2001) Apollo c.1950s Aubusson tapestry, Manufactura de Tapeçarias de Portalegre; edition 3 of 6 142 x 118 cm signed ‘Matégot’ with the Manufactura de Tapeçarias de Portalegre monogram (lower right); titled, inscribed, numbered and signed (workshop label on the verso) Price: $13,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF19383.3) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern...