1880s Mixed Media

Arturo Souto Feijoo (1901-1964) City Walls w/ Figures Original Mixed Media c.1950 Original pastel, watercolor and charcoal on paper. Housed in a simple f...

"Subway Textures" is a one-of-a-kind piece created from Eustace Mamba, as part of his ongoing series of sewn mixed media cityscapes. This wall-hanging sculpture is made from sewing a...

Jean Cocteau ( 1889 - 1963 ) " la Dame étonnée " . Mix Media découpage signed by Jean Cocteau . work : 10 x 10 cm Framed: 27 x 25 cm . Collage original , déc...

This framed silk brocade tapestry is one half of a magnificent Qing-dynasty chair panel, or chair strip. Because traditional Chinese seating was not upho...

Various artists We Love You...So Love Us, 2000 We Love You – AMOUR 1 LP Cover art credit: Banksy Album cover with vinyl record inside Vinyl record held silkscreened album cover 12 1/...

Original drawing of a woman heading to market by the well known American artist, Everett Shinn. Mixed media work created with charcoal, pastel and gouache. Signed with the artist’s initials lower right and dated 1916. Condition is very good. Under glass. Matted and in a period gold frame with restorations. Overall framed measurements are 23.5 by 17.25 inches. Provenance: A New York City estate. Everett Shinn (1876 – 1953) Everett Shinn, a realist artist associated with the Ashcan School and member of “The Eight” was born in New Jersey in 1876. After showing an aptitude for the arts as a child, at age 15, Shinn was enrolled at the Spring Garden Institute in Philadelphia. He quickly moved on to classes at the Pennsylvania Academy of the Fine Arts and by the age of 17, he was working as a staff artist for the Philadelphia Press. While working at the Press, Shinn befriended fellow artists William J. Glackens, George Luks, and John Sloan. This group, with Robert Henri and Joseph Laub, established the Charcoal Club, a social and intellectual sort of alternative art school. In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...

This 59" x 20" Chinese Antique Scroll depicts a simple yet serene scene of a bird on a rock. The bird stands on the rock, which is much larger in size in comparison to the bird. The ...

Lucy Boom is a framed naïve-style painting by Inés Silvalde, created in 2018 as part of her Influencers de Taberna series. The piece presents a red-haired, wide-eyed figure pointing ...

Colorful abstract contemporary collage sculpture that incorporates pages from 1960 Sears catalogues, cardboard, wood, concrete, acrylic paint, and wood glue. The bright red sculpture...

In this radiant encaustic work, Joanne Ungar transforms a flattened cardboard box—originally packaging from the health and beauty industry—into a luminous, layered composition. Satur...

Sweet Emotions Mixed media acrylic, watercolor, ink marker, pastel on archival. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Art...

"Untitled: Movement 1" Abstract Mixed Media 24x24in 1/1 Photography by Ben Cope 2019 Medium: Photo on deconstructed paper on wood panel with oils and paint p...