Jugendstil Mixed Media

This early 20th-century mixed media by K & K Hof Atelier Pietzner of Vienna depicts a respectable family within a neoclassical garden setting. With the advent of photography, afflue...

Joe Garnero’s medium of choice for his winding abstract wood sculptures is reclaimed Redwood roots, which he finds along the northern California coast. The distinct curving shapes of...

Very Rare Portrait of 6 Dogs on Enameled Ceramic Maison Pichenot-Loebnitz Enamels, ceramic France, ca. 1875. 25 x 8 (31 x 13 framed) inches This rectangular panel made of enameled c...

A gorgeous Newcomb Pottery vase thrown by master potter Joseph Meyer. He was at Newcomb for around 30 years, between 1897 and 1927. Decorated by ...

A pair of candlesticks in great condition - no chips or cracks - from the famous Newcomb Pottery program in New Orleans. Beautiful buff grayish-blue glaze. Newcomb mark stamped on bottom. Came from a fine St. Charles Avenue home out of the estate of Chip Flowers of New Orleans, with lots of Newcomb pottery in the collection, including a Joseph Meyer bowl we have also listed on this site. Proudly presented by Guy Lyman Fine Art, New Orleans. If you are reading this it is probably because you are already familiar with Newcomb Pottery, but here's some information from Wikipedia, and there is a wealth of information about it online should you wish to learn more: "Newcomb Pottery, also called Newcomb College Pottery, was a brand of American Arts & Crafts pottery produced from 1895 to 1940.[1] The company grew out of the pottery program at H. Sophie Newcomb Memorial College, the women's college now associated with Tulane University in New Orleans, Louisiana. The Pottery was a contemporary of Rookwood Pottery, the Saturday Evening Girls, North Dakota pottery, Teco and Grueby. Newcomb College had been founded expressly to instruct young Southern women in liberal arts.[2] The art school opened in 1886 and production of art pottery on a for-profit basis began in 1895 under the supervision of art professors William Woodward, Ellsworth Woodward, and Mary Given Sheerer.[3][4][5] Potters Among the first persons to be hired by the Woodwards to assist with the new pottery...

This sculpture titled "Crossing Paths: Sunset" is an original artwork by Kelly Kozma as part of her newest exhibition, "Watch Me Backflip." This collection is made up of meticulously...

Wood and metal metronome with printed eye. Initialed and numbered 16/200 in felt tip pen and ink on printed label on bottom of object. Published by the New York Cultural center. Con...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Caviar20 is excited to be offering this striking collage by the inimitable Louise Nevelson, who is regarded as one of the most original, influential, and successful American sculptors of the 20th century. Nevelson's enduring appeal lies in her distinct visual language, which is apparent in all of her works, regardless of medium. While her iconic monochromatic wood assemblages are instantly recognizable, she continuously experimented with diverse materials, including resin, steel, and bronze, as well as numerous printmaking techniques. Collage was an important part of Nevelson's practice, defining her signature aesthetic. Much like her approach to printmaking, her collages possess a sculptural ethos that transcends the two-dimensional surface, imbuing the composition with a remarkable sense of volume, texture, and depth. One could argue that Nevelson's sculpture was informed by collage in that she took assorted existing forms combining them in order to create an entirely new and distinct arrangement. This untitled collage is an exceptional example of the artist's mastery of the medium. Featuring an assemblage of wood veneer, mirror, and metal, this work reflects Nevelson's meticulous sense of form and rhythm. Subtle details, such as the alternating direction of the wood veneer grain further heighten the visual complexity of the otherwise minimal composition. The inclusion of wood veneer marks a notable shift for Nevelson, who was previously loyal to a strict monochromatic palette of black or white. It wasn’t until the 1970s with her experimentation in collage that she expanded her palette. Nevelson also created jewellery and this collage acknowledges her activity in that realm. Created at the age of 83 during the final chapter of her career, this piece powerfully captures Nevelson's enduring spirit and dedication to artistic innovation. Today Nevelson's work can be found in every major public collection across North America and beyond. Questions about this piece? Contact us. Visit our Toronto gallery on Thursdays or by appointment. "Untitled" USA, 1983 Mixed media collage Metal, mirror, wood, and wood veneer on grey mat board mounted on 0.25" Luan plywood Signed and dated by artist, bottom right Nevelson Estate no. LN 40830 19.5"H 15.75"W (work) 31"H 21"W (framed) Very good condition Literature: Stein, Judith. Louise Nevelson Collages...

This extraordinary garden torch "Nature Crown" on oxidised oak pedestal is a real eye-catcher for your house or garden. The included burner already contains individual lava stones, ...

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

Edition: limited edition of 100 Information: Born in Germany and creating in Dubai, Tina brings a fresh and contemporary approach to the world of box frame art. Her work merges eleg...