Post-Modern Mixed Media

This remarkably innovative work features a face sculpted in relief from blocks of colored wood, creating a striking three-dimensional effect. Each block appears meticulously position...

Two Giorgio Saporiti for Missoni Framed Textiles, 1985, mounted on paper on wood panel, both marked "Giorgio Saporitit / Nov. 85" verso. Each overall: 29.5" H x 29.5" W x 2" D. Pro...

canvas, collage, pastel, acrylic, photo transfers, 2016 Bifurcated sheets of canvas with torn edges suggest the beautiful open vistas now inaccessible to the residents of the Mott Haven and Port Morris areas of the South Bronx, abandoned and dominated by de-teriorating remains, rotting remnants of piers, New York State-owned power stations and City Waste transfer stations. The unusual materials and torn canvas edges convey with tactile sensibility the contradiction documented with photo-transferred images, layered with acrylic and pastel. Materials and image fuse revealing a broken South Bronx history, an urban renewal tragedy, an area once the retreat of choice for fresh air, heath and greenery. The shards of information and vistas evoke the former Port Morris harbor named after Governor Morris a signatory of the constitution. There barges once docked and youth once swam off a pier in the East River. Cunningham’s work centers upon time, transience and contradictions shown through images of the shifting urban present. Compelling environmental concerns juxtaposed against industry, ur-ban blight and the loss of the natural environment as well as her concern for her Bronx home area faced with gentrification drive her work. Linda Cunningham is a Bronx based artist with a long New York and international exhibition career. ODETTA, Bushwick, Brooklyn featured her work in a November two person exhibition and in the Harlem FLUX Art Fair, in 2015 and 2016. Her 2013 installation in No Longer Empty’s “This Side of Paradise,”at the Andrew Freedman House was installed at the Bronx Museum, 2014 in an exhibition sponsored by the Bronx Arts Alliance. The Bronx Museum displayed her sculptural installation ”Urban Regeneration” on its terrace, 2009/10. Exhibitions in Germany began with a Fulbright Senior Research Fellowship in Berlin and her monumental public sculptural installations & alternative memorials are permanently sited in Cologne, Kassel, Bad Hersfeld and Cornberg, Germany, Grounds for Sculpture, Hamilton, New Jersey and City of Sculpture, Hamilton, Ohio. Alternative memorials were sited at the CUNY Graduate Center across from Bryant Park, 1989-1995, in Tribeca and at UN Plaza, New York 1997-1998. Recent temporary public sculpture installations were at Westchester Sq., Bronx. NY, 2014 and Marcus Garvey...

Primitive couple walking :: Mixed Media :: Post Modern :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: ...

"Don't Wine" is a mixed media piece, predominately a serigraph, by Paula Schuette Kramer and Bill Weege. Both artists signed in pencil in the lower right, and the title is in the lower left. It is one of a an edition of 50. The print is an explosion of bright colors, but red, blue, and green dominated the composition as they fade through the background. A blue figure climbs up a ladder out of an apple, hefting a large wine bottle overhead, which they pour out into the sea of wine. A man, woman, and long-necked orange bird also look out from the apple, reading for the stem of a floating bunch of green grapes. A group surrounds the grapes with their heads and shoulders above the water, eating the fruit. Birds fly through the background, dodging wine glasses and a vase of flowers that seem to be tumbling from a flying carpet. The entire image feels very surreal. Art size: 12" x 10" Frame size: 19 1/4" x 17" Paula Schuette Kraemer is an independent artist living in Madison, Wisconsin...

This work demonstrates the artists postmodern versatility in transcending representational and abstract forms. Oil, acrylic polymers, grout, gold leaf, on shaped canvas.

A turn towards figurative work by artist Jack Reilly from his Eros, Love and Myth series, depicting love in a time of hate. The work is stretched canvas ov...

The Illustrated Long Walk to Freedom, Limited Edition Autobiography of the life of Nelson Mandela. A leather-bound book in a presentation box with an original pencil signature insert...

The old cemetery. 2018. Oil on wooden plywood. 16x54.4 cm

Abstract textured biomorphic shape painted with bright pink pigment by contemporary Houston, TX artist Matthew Reeves. The work is designed to hang away from the wall and cast a shad...

By Paul Jauregui Individual: 39.5" x 23.5" Triptych: 39.5" x 70.5"

this piece came together quite nicely: i ran a sheet of silver foil through my printer/copier multiple times roughly knowing were the various object would print and as luck would hav...

this piece deals with the media saturated world we now live in and the constant propaganda and sales pitches that surround us. it is one of the original pieces from a series of abstr...

my take on narcissus and the general human condition of blind self love. this abstract piece is a mix of computer and found imagery that's been transferred onto silver foil and pape...

spray paint - Cutting - Collage - print on Art paper - size 50*65 cm ( edition of 30 in this size and 7 on a bigger size. ) each one with a few differences as made by hand Numbe...

Michel Tabori Red Wood Night, 2018 Oil, acrylic, resin, canvas on panel 57” x 75” $18,500

Michel Tabori Sequoia, 2017 Oil, acrylic, resin, canvas on two-sided maple panels mounted on steel bases 84” x 10” each $6,500 each

Mixed media on shaped canvas

Oil, acrylic polymers, grout, gold leaf, on shaped canvas

A turn towards figurative work by artist Jack Reilly from his Eros, Love and Myth series, depicting love in a time of hate. The work is stretched canvas ov...