Jerome Caja

Birdman

c. late 1980s

This painting on wood by Zachari Logan depicts an abstracted botanical/nautical form on a black background with gold leaf accents. Untitled (Blue Tendrils on Black Background) 2023 ...

Acrylic and gold leaf on wood panel Signed and dated, verso This artwork is offered by ClampArt, located in New York City. Critics have put Andrew Brandou into several categories, including pop-surrealism and “underground” art. Brandou received his training in illustration and animation; he worked with a greeting card company, and animation studios where he helped in the production of popular cartoons like Spongebob Squarepants, The Simpsons, and Rugrats. Though he draws inspiration from fellow illustrators – Richard Scarry...

Ink and 24-karat gold leaf on Hahnemühle paper (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachusetts) and Sammy...

A line in the sky #7 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

Bellflower is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments, gold and silver leaf on Japanese paper mounted on wood, dimensions ar...

Signed lower right, 'Barbara Johnson' (American, 1927-2021) and titled, lower left, 'Oberon Series 1'. Exhibited: Carmel Art Association, circa 1995 (accompanied by original label) ...

CUSTOM Contemporary Art, Gold Leaf Portrait, Modern Art-Harmony ABOUT THIS PIECE: “Harmony, (Behtyie-A13)” is mixed media portrait art by Addison Jones featuring her own portrait ph...

Gold & Despair is my adaptation of Gustav Klimt’s masterpiece "The Woman In Gold", also known as The Mona Lisa of Austria. Having admired the symbolic art of Klimt since my working days as a fine art restorer at Vienna’s prestigious Conservation Institute (Bundesdenkmalamt) in the 1980’s, I conceived the idea to recreate the jewel of his gilded period with an interpretive lens on the looming darkness of the Holocaust and World War II. As a native of Austria, Salzburg, I have developed an appreciation for Klimt’s art, and Art Nouveau in general. For the last thirty years, I have lived in New York City and worked as a fine art restorer, conservator, and painter as well as in the healing arts. Klimt had executed The Woman in Gold in the span of four years (1903-1907). My own creative process during 2014-2017, reflects my diligent care and thoroughness in rendering the original painting. In 2014, I started with the preparation of the canvas using Klimt’s original size of 54 x 54 inches (167 x 167 cm). For gesso, I used the traditional method of rabbit skin glue and chalk. For the painting, I used oil paints and genuine 23.5 karat gold in various shades, as well as silver leaves, to magnify the brilliant sheen of Klimt’s gold...