Delft More Art

Twentieth Century Marine Oil on Panel depicting the iconic Cutty Sark Tall Sailing Ship in dry dock at Greenwich by one of the undisputed Masters of the Mid Twentieth Century. Belov...

This blue, white, and gold striped, geometric ceramic wall hanging by sculptor Brian Bosworth uses simplistic color and pattern. Along side the three-dimension form, which create an ...

This beautiful and delicate Pablo Picasso ceramic Chouetton (Young Wood Owl), 1952 inhabits all the qualities unique to Picasso's limited œuvre of ceramic works. Known for his series...

PABLO PICASSO (1881-1973) Joie de vivre (A.R. 346) stamped and marked 'Madoura Plein Feu / Empreinte Originale de Picasso / R=C 102' (underneath) white earthenware ceramic plate with...

This 5.5" x 8.5" ceramic wall sculpture was created by Brian Bosworth. This is a contemporary piece that demonstrates sophisticated glazing techniques and compositional balance. The ...

Pablo Picasso — Horloge aux chiffres (A.R. 326) In Horloge aux chiffres, Pablo Picasso transforms the familiar form of a clock into a playful human face, merging time, portraiture, a...

Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...

FREE SHIPPING WORLDWIDE! Artisan: Martin Olivas Quintana MASTERPIECE Carved polychrome jar decorated with a sgraffito iguana, dragonfly, roadrunners an...

Richly textured with whimsical appeal, this late 20th century wooden crow is a delightful example of naive American sculpture. Poised mid-caw, the crow's wings are outstretched, read...

Artist Comments
Artist Jessica JH Roller crafts a visual tale of a playful interaction between creatures of the night. "Long before the break of day, a bat enters a home, awa...

This ceramic dish was made by an unknown Chinese artist in the 1860s. It features sepia designs on a white background. The dish has a 5 1/4" diameter.

Here is a rare late 19th Century-early 20th Century painted and stenciled Jewish plate with a Yiddish greeting. A rare piece of Jewish Porcelain from the Pre War era. In a bold black...

Melanie Sherman Bowl with Interior Still Life (Handmade, Mid-Century, Lounge Chair, Stereo Tower, Speakers, Gold Luser) Earthenware, 24K German Gold Luster, Glaze, Underglaze, China ...

Melanie Sherman Vintage Moth X (Wall Piece/Dish (hand-painted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2025 S...

Paint and gold paint on wood Circa early to mid 20th century. This is not signed A treasure from a proud congregation. It is a hand-carved wooden sculpture showing the Tablets of the Law flanked by two Lions of Judah. Their paws held the tablets. Their roaring mouths faced outward, protecting the commandments from threats. In a foliage design with gold and silver paint. Circa 1920-1940's. This Neoclassical, Judaic, Art Deco, Egyptian revival, Shul, Aron Kodesh hand carving, wood with gilding, Hebrew lettering ten commandments sign sculpture, was produced probably in New York. There was a show at the Folk Art Museum titled “Gilded Lions and Jeweled Horses: The Synagogue to the Carousel” That featured these antique magnificent pieces. From gilded lions to high-stepping horses, the sacred to the secular, and the Old World to the New, “Gilded Lions and Jeweled Horses: The Synagogue to the Carousel” traces the journey of Jewish woodcarvers and other artisans from Eastern and Central Europe to America and the unsung role they played in establishing a distinct Jewish culture in communities throughout the United States. The exuberant artworks stand as a testament to a history of survival and transformation and provide a surprising revelation of the link that was forged between the synagogue and the carousel as immigrant Jewish artists transferred symbolic visual elements into this vernacular American idiom. The first major study of this important aspect of the Jewish contribution to American folk art, the exhibition features approximately one hundred artworks and objects, including rare documentary photographs of Eastern European synagogue arks and carved gravestones, sacred carvings, papercuts, and carousel animals. Some of these same Jewish European carvers worked on Coney Island amusement park rides and carousel horses and other carnival and circus carvings.