Monotype More Art

In the artist's abstract print series, Cosmos, 2023 by a.muse represents an imaginary cosmos - the universe as a place of longing, dreams, wonder, and ethereal beauty. A 13.75" x 11"...

Inspired by Matisse, Flower Vase, 2020 by a.muse blooms with color and energy. A 14" x 10" one-of-a-kind abstract art on watercolor paper hand-pulled by the artist on an etching pres...

Horse, 24x35cm, monotype/paper

Monotype Painting Title: Table and Chairs, 1980 Medium: monotype or monoprint painting Size: image 13 x 9.5,overall with frame 23 x 20 Hand signed and dated lower right Provenance...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985. After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985. In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. Select Group Exhibitions (partial list) 1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool. 1966 Recent Aspects of British Art. Australia and New Zealand (traveled). 1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Joseph Solman (1909-2008), a New York expressionist painter, hovered near the leading edge of the avant garde through most of his career, yet his works never departed entirely from r...

Childhood, 30x20cm, monotype/paper

It Doesn't Have to be Perfect by a.muse suggests that striving for perfection is not always the goal. Transcending the limitations of perfection, personal expression resides in the ...

Criss-Cross, 2019 by a.muse is on the subject of missed connections and chance meetings. A one-of-a-kind chine-colle monotype hand-pulled on the etching press by the artist, Criss ...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985. After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985. In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. Select Group Exhibitions (partial list) 1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool. 1966 Recent Aspects of British Art. Australia and New Zealand (traveled). 1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...

Young Tanist, 30x20cm, monotype/paper

Young football player, 30x20cm, monotype/paper

Malachite box, 40x30cm, monotype/paper

Young ballerina, 40x30cm, monotype/paper

During morning exercises, 40x30cm, monotype/paper

Masquerade, 40x30cm, monotype/paper

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 102×77 cm. Frame size: 117 × 93 x 5 cm. Acquired directly from the artist. Free shipment w...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 99 × 102 cm. Frame size: 114 x 117 x 5 cm. Acquired directly from the artist. Free shipm...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. A Post-Impressionist figural monotype showing a woman standing beneath a tree in t...

The art Mindset, 2023 by a.muse embodies ideas on the mind as a fertile landscape for thoughts and emotions wandering freely. The colors, shapes, and textures within the monotype rep...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 103×89 cm. Frame size: 118 × 104 x 5 cm. Acquired directly from the artist. Free shipment ...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Printed on one of the artist's characteristic sardine-can wrappings from the Monter...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

This unique print is 1 of 3 in the series. Behind Bars No. 3 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. ...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 103 × 75 cm. Frame size: 118 × 90 x 5 cm. Acquired directly from the artist. Free shipmen...

This unique print is 1 of 3 in the series. The Rustling III is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. T...

This unique print is 1 of 3 in the series. Behind Bars No. 2 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. ...

This unique print is 1 of 5 in the series. TumbleWeed 01 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Thes...

Bather, 40x30cm, monotype/paper

Color monotype. The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divided...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 103×70 cm. Frame size: 118 × 85 x 5 cm. Acquired directly from the artist. Free shipment...

Light Between Drought

Green Growth

Blue Sky, Beetle Kill

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 103 × 94 cm. Frame size: 119 × 109 x 5 cm. Acquired directly from the artist. Free shipme...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 95 × 103 cm. Frame size: 110 x 118 x 5 cm. Acquired directly from the artist. Free shipme...

"Trovata", by the Argentine visual artist and sculptor Blas Castagna (Buenos Aires, 1935). Monotype. Mixed media on handmade Tagesa paper. Image size: 26 × 25 cm. Framed dimensions: ...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 103 × 84 cm. Frame size: 118 × 99 x 5 cm. Acquired directly from the artist. Free shipmen...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 83×102 cm. Frame size: 98 × 117 x 5 cm. Acquired directly from the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 80 × 104 cm. Frame size: 95 × 119 x 5 cm. Acquired directly from the artist. Free shipmen...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 104 × 63 cm. Frame size: 119 × 78 x 5 cm. Acquired directly from the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 104 × 78 cm. Frame size: 119 × 93 x 5 cm. Acquired directly from the artist. Free shipmen...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Provenance: Janet Ament De La Roche, from estate stamp verso. A cabinet sized, Pos...

Color monotype. The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divided...

This unique print is 1 of 5 in the series. TumbleWeed 05 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Thes...

This unique print is 1 of 5 in the series. TumbleWeed 03 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Thes...

Mind Over Matter is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. These small,...

Turning Over A New Leaf is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. These small, one of a kind prints mak...

This unique print is 1 of 3 in the series. Behind Bars No. 1 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. ...

This unique print is 1 of 3 in the series. The Rustling I is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. The...

This unique print is 1 of 3 in the series. The Rustling II is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Th...

Sarah du Feu Corn and Clouds 3 Original Monorprint Image size 40 x 50 cm Mounted size 55 x 63 cm Unframed Printed on acid free Somerset Velvet 280gsm paper This monoprint print was ...

Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...

Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...

This original monotype was made from found textures and objects to make this unique landscape. This monotype is printed on Rives BFK 280 gsm Printmaking Paper. I used found objects ...

This is a monotype collage made from original monotypes that were then cut up into this abstract composition. I like using found objects and textures in my prints to create unique shapes and forms to be used in my collages. Monotype collage on Rives BFK 280 gsm printmaking paper...

Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of my monotypes are unique and one-of-a-kind original monotypes. Printed on Rives BFK 280 gsm printmaking...

Friedel Dzubas (1915-1994) was a Berlin-born, American abstract painter and a key artist associated with both the New York School and the Color Field movement. Dzubas studied art i...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 102 × 85 cm. Frame size: 117 × 100 x 5 cm. Acquired directly from the artist. Free ship...