Brad Brown

'Okina 27

2012

Color monotype. The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divided...

Color monotype. The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divided...

Color monotype with hand coloring. The artist describes this project: Making these monotypes was a wonderful new experience for me. They combine a painterly, abstract background with a graphic structure of hard edged, flat forms. Those dark shapes can be read as either positive/foreground space (body silhouettes or curtains) or as negative space that frames a central image (landscapes, columns, creatures). Similarly, the white lines and dots...

Color monotype The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divi...

Color monotype with hand coloring. The artist describes this project: Making these monotypes was a wonderful new experience for me. They combine a painterly, abstract background with a graphic structure of hard edged, flat forms. Those dark shapes can be read as either positive/foreground space (body silhouettes or curtains) or as negative space that frames a central image (landscapes, columns, creatures). Similarly, the white lines and dots...

Color monotype. Barbara Takenaga's latest prints are a series of Untitled hand colored monotypes, which she describes as follows: Making these monotypes was a wonderful new experience for me. They combine a painterly, abstract background with a graphic structure of hard edged, flat forms. Those dark shapes can be read as either positive/foreground space (body silhouettes or curtains) or as negative space that frames a central image (landscapes, columns, creatures). Similarly, the white lines and dots...

Ron Pokrasso (Santa Fe, 20th century) "A Relationship Between Trees #2" triptych monotype, circa 1988 Beautiful trio of monotypes by noted Santa Fe artist, printmaker and teacher Ro...

Out of Space and Place, Melanie Yazzie, green, octopus, monotype, Navajo unframed unique monotype As a printmaker, painter, and sculptor, my work draws up...

They Are Always With Me, by Melanie Yazzie, Monotype, unique, Navajo, bear green They Are Always With Me, Monotype, unique, Navajo, by Melanie Yazzie bear green framed Melanie Yazz...

Hand pulled unique monotype printed by the artist. Signed and titled on bottom front Framed With The Missoula Crew, unique monotype, dragonfly, heart, blue red yellow green My wor...

Lithograph by Alain Le Foll 1934-1981 Number 71 of 150 examples hand signed by the artist Unframed in very good condition with one very small tear on one edge that doesn't affect the image and won't show when framed In the 1970s he produced designs for Rosenthal Studio Line Porcelain which were typical of his distinctive style Alain Le Foll in his lithographic art gained an international reputation for his highly charged, surrealist imagery This is printed on smooth, archival paper in an edition of one hundred and fifty impressions. It is signed and numbered by Alain Le Foll in pencil A twentieth century French artist, Alain Le Foll studied art techniques at the Beaux-Arts Academy in Caen. He moved to Paris shortly after completing his studies and began exhibiting his original lithographs in international exhibitions in Paris, Dijon, Basel, Dusseldorf, Cologne, Cracovie, Florence, Washington, D. C. and Tokyo. Alain Le Foll began teaching at the Ecole Nationale des Arts Decoratifs, Paris, in 1964 and remained there until his untimely death in 1981. Alain Le Foll was equally famous for his lithographs and for his contributions to the book arts. During the 1960's and 1970's he illustrated many works by the author, Claire Nadaud, including, Moise, Jesus nous donne le pain, Les trios arbres du Samourai and Sinbad the Sailor. In 1965 he received the diploma 'Meilleur Livre Loisirs Jeunes' for his illustrative...

Lambdaprint "4 Beings" behind glass on aluminum, edition 1. single size: 150 x 43 cm.