2010s More Art

Counterpart is a sculpture by British contemporary artist Tom Price, it is composed by two elements each measuring 45 cm H x 220 cm L x 35 cm D ( 17.7 × 86.6 × 13,78 in). This artwo...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Mark Ryden - BABY BOS - BLUSH Date of creation: 2022 Medium: Vinyl figure Edition: 500 Size: 15.25 cm height Condition: In mint conditions, brand new inside its original package Desc...

PUMPKIN (YELLOW) Date of creation: 2016 Medium: Resin sculpture Edition: Open Size: 9,5 x 7,5 cm Observations: Sculpture created with high quality resin stamped on its base with Yayo...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

JOHN BALDESSARI - Throwing Three Balls in the Air to get a Straight Line (Best of Thirty-Six Attempts) Date of creation: 2025 Medium: Digital print on Canadian maple wood Edition: 3...

Jean-Michel Basquiat - Both Poles Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York This skateboard set reproduces Both Poles (1982), an iconic work by Jean-Michel Basquiat that encapsulates the tensions running through his visual language: past and present, earth and sky, history and immediacy. The original piece, executed in acrylic, oil stick, and collage, presents a fragmented scene dominated by a symbolic mountain, a crescent moon, and charged elements such as a sickle and a post. Here, Basquiat confronts “both poles” of his inner and outer worlds: excavation and invocation, memory and transmission. This edition brings that conceptual force into the urban language of skateboarding, becoming both a collectible object and a contemporary artistic statement. Transposed onto the skateboard format, the work becomes a visual declaration that bridges art and street culture, while preserving the expressive and conceptual intensity of the original. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael...

Viga 1, 2, 3 & 4 is a group of sculptures by contemporary artist Tom Price. These sculptures are made of resin, tar, steel, wood. Overall dimensions are 242 × 180 × 45 cm (95.2 × 70....

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

Jean-Michel Basquiat Untitled Head (Skull 2) - Set of 3 skate decks Made of 7 ply Grade A Canadian Maple Wood 31 1/2 × 7 9/10 in 80 × 20 cm (each deck)

70x70cm, print on canvas Edition 20 pcs.

Unity II is a unique terracotta sculpture by contemporary artist Delphine Brabant, dimensions are 26 × 19 × 12 cm (10.2 × 7.5 × 4.7 in). The sculpture is signed and comes with a cer...

Melanie Sherman Vase with 3 Openings Porcelain, Glaze, Cone 6 Firing 2025 Size: 7.5 x 4.5 x 7 inches (19.05 x 11.43 x 17.78 cm) Signed by hand COA provided *One Opening slightly cr...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now started to carve out a career for himself as artist and designer, utilizing the medium and craft he has mastered...

New York YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 52 x 52 cm Condition: Brand new...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

N195, 50x50cm

Soft picture «Bird of happiness», 2025 Textile 85х100, embroidery

series "Personal Contacts", 61 x 48 cm The work is sold without a frame and mat

Jean-Michel Basquiat Exu (1988) Print on 7 ply Grade A Canadian Maple wood (Set of 3) 31 1/2 × 7 9/10 in 80 × 20 cm (each)

KAWS, The Promise (Black), 2022 Painted vinyl sculpture, available in brown or grey colourways From the Companion Series. 34 x 16 x 24 cm (13.39 x 6.30 x 9.45 inches⁣) Mint condi...

Born in 1982 in Manzanillo, Cuba, artist Darwin Estacio Martinez honed his artistic skills at the Professional Academy of Fine Arts "El Alba" in Holguin...

Forest fog, 60x40cm, acrylic, pastel, canvas

Seascape , 70x70cm, print on canvas Edition 20 pcs.

Yayoi Kusama Pumpkin sculpture with holes, 2025 Hand-painted zinc alloy metal pumpkin with perforated dots. Individually numbered. print signed on the base. Packaged in a custom box ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through t...

Girls on a picnic 150x120 cm The work is sold without a frame.

I want to be with you so much, 100x100cm

Yayoi Kusama (after) Kusama Pumpkin (Red & Yellow), ca. 2015 Painted cast resin Open edition 4 × 3 2/5 in 10.2 × 8.6 cm Published by Benesse Holdings, Inc., Naoshima, Japan

Muse, 140x90 cm, acrylic on canvas

Campanula , 62x43cm, print on canvas.Edition 20 pcs.

Tracey Emin It - didnt stop - I didnt stop, 2019, from the exhibition TRACEY EMIN/EDVARD MUNCH: THE LONELINESS OF THE SOUL (hand signed), 2021 Offset lithograph promotional card (han...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Tamara de Lempicka (1894-1980) - The Blue Scarf, 1930 Giclée from 2023. The edition no. 2 out of 100. Dimensions of work: 70 x 52.5 cm. Publisher: Chelsea Green Editions. High-q...

Tamara de Lempicka (1894-1980) - Saitn Moritz, 1929 Giclée from 2023. The edition no. 3 out of 100. Dimensions of sheet: 70 x 52.5 cm Dimensions in frame: 87.5 x 69.8 cm Publish...

Water lilies , 180x120 cm, acrylic, canvas

Orchids, 130x140 cm, oil on canvas

The illusion of intimacy, 2020, 70x100 cm

Like the iridescent light of a silvery sea, the polished surface of this steel wall sculpture just glows. Canadian artist Floyd Elzinga finds inspiration for his work in the natural ...

Edward Hopper - Early Sunday Morning Date of creation: 2022 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never displ...

Sisterhood , 70x70cm, print on canvas Edition 20 pcs.

Summer still life

Red still life , 62x43cm, print on canvas.Edition 20 pcs.

Blue still life , 50x50cm, print on canvas.Edition 20 pcs.

Still life

Ed Ruscha GOD, 2010 Digital Light Jet Print in Artist-Designed Frame Edition 48/50 Hand-signed by artist, Signed, numbered and dated 48/50 by Ed Ruscha in black marker on the back P...

Yayoi Kusama (after) Pumpkin (Yellow & Black and Red & White), 2016 Two cast resin Open edition 10.2 x 7.6 x 7.6cm 4 x 3.15 inches each Published by Benesse Holdings, Inc., Naoshim...

Lady and the Hares, 80x60cm

70x70cm, print on canvas Edition 20 pcs.

70x70cm, print on canvas Edition 20 pcs.

Limoges x Estate of Jean-Michel Basquiat Estate Authorized Porcelain Plate in Box, 2014 Porcelain Plate in Blue Presentation Box with Estate Logo This plate is in excellent condition and comes in an elegant blue gift box...

This Orb Demi Round Lace black vase is a unique medium size contemporary modern ceramic vase by Californian artist Lynne Meade. It is wheel thrown, hand pierced and has a smooth blac...

Yayoi Kusama Love Forever Ceramic Bowl (VIP Gold Edition), 2017 Limited Edition Porcelain Bowl Signature, titled and date fired into bowl on the underside 4.5 x 4.5 x 1 inch Limited...

Sarah Johnson infuses passion, heart, and a lifetime of creative experience into each original painting. Her radial series exhibits both uninhibited freedom and methodical technique. Through colors, textures, and movement, Johnson’s acrylic paintings on canvas radiate joy with pleasing repetition and form. This 48-inch high by 30-inch wide one-of-a-kind painting is stretched, wired, and ready to hang. The sides of this original artwork are painted and it does not require framing. It is signed by the artist on the back. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping are available. A certificate of authenticity issued by the Los Angeles art gallery is included. Johnson says about her work: "I believe things that you bring into your home make a difference in the way you live and feel. My artwork is inspired by joy, purpose, and freedom. I hope my paintings are a source of inspiration for you and everyone who enters your home." Each series has a meaningful message, adding both truth and beauty to your walls. Johnson is based in Dallas, Texas, and has been a professional artist since 2012. Her abstract artworks are collected internationally. REPRESENTATION Artspace Warehouse, Los Angeles, California, USA EDUCATION 2010 The University of Texas at Austin EXHIBITIONS 2022 Artspace Warehouse, Los Angeles, CA 2022 The Collective, Dallas, TX 2022 Mecox Gardens, Houston, TX 2022 The Arbors, Round Top, TX 2022 The Walking Man, Whitefish, MT 2022 BayHill Design Studio, Austin, TX 2022 Septemberfest Art Fair, Midland TX - Honorable Mention 2021 Olive & Home, Tyler TX...

Bob Dylan Bob Dylan: The Drawn Blank Series, Drawings and Paintings Book Size: 13.5 x 10 inches November 2013 Included Lithographs on Somerset Satin: 1. Woman on a Bed 12 x 9 inche...

Oil on canvas 60x60 cm

Jean-Michel Basquiat - Charles The First Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York This skateboard set reproduces Charles The First (1982), a key work by Jean-Michel Basquiat that pays tribute to Charlie Parker, the influential jazz saxophonist known as "Bird." Basquiat captures the frantic energy and complexity of Parker through his signature style, blending elements of Black culture, music, and the figure of the artist in a raw and powerful representation. The original painting, executed with acrylics, oils, and pastels, presents a stylized figure that recalls both a portrait and a symbol. The face is fragmented, filled with quick strokes and vibrant colors, while the outline and details evoke both divinity and struggle. Basquiat uses his unique visual language to convey the chaos and beauty of Parker’s life, a metaphor for creativity as a form of resistance and expression. Transposed onto the skateboard format, Charles The First becomes a dynamic work of art that not only celebrates the life of a musical icon but also merges contemporary art with urban culture. This piece transcends simple reproduction, inviting a connection between visual art and movement in the streets, with the same vigor and attitude Basquiat infused into his work. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael Stewart...

Contemporary colorful painting by Houston-based artist Peter Healy. The work features expressive pink, blue, yellow, and red strokes against a light gray background. Signed, titled, ...

Naked Raku Pottery, Duck Egg Blue Vase- Extra Small is a ceramic work by Tamsin Levene ADDITIONAL INFORMATION: Clay 16.3 cm H x 5.5 cm D Sold unframed ARTIST BIOGRAPHY: Tamsin Lev...