“La Voile d'Or"
Located in Warren, NJ
Thomas McKnight Serigraph “"La Voile d'Or"” signed and numbered. In good condition measures 27x25
Category
21st Century and Contemporary More Art
Materials
Lithograph
Chair More Art
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Art Subject: Chair
Tick It, Tock It, Turn It True (from The Blue Guitar)
Located in New York, NY
Color etching and aquatint on Inveresk mould-made paper, 1976-1977. Signed by the artist in pencil, lower right. Inscribed "BAT" in pencil, lower left. The "bon à tirer" proof, as...
Category
1970s Pop Art Interior Prints
Materials
Etching, Aquatint
The Good Dog, Original Painting
Located in San Francisco, CA
Artist Comments
Artist Edward McHugh's affinity for animals shapes this playful composition. A well-behaved dog wearing a crown remains still, even as a nearby door stands slig...
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21st Century and Contemporary Surrealist Animal Paintings
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The Crescent, Original Painting
By John Jaster
Located in San Francisco, CA
Artist Comments
"The Crescent Hotel, built in 1938, is one of the famous Art Deco buildings in Miami's South Beach," shares artist John Jaster. He pictures the historical arc...
Category
21st Century and Contemporary Impressionist Interior Paintings
Materials
Acrylic
Early Sunday Morning, Oil Painting
Located in San Francisco, CA
Artist Comments
Morning sunlight covers the dining room table with a warm, amber glow. The flower arrangement of orchids and willow rests prominently on the table, with a bra...
Category
21st Century and Contemporary Impressionist Interior Paintings
Materials
Oil
Backyard Hideaway, Original Painting
By John Jaster
Located in San Francisco, CA
Artist Comments
A pink house with blue shutters opens into a backyard with a profusion of colorful flowers. A patio with a tiny table and two blue wooden chairs offers an intim...
Category
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Materials
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Andrea Stajan-FerkulComfort Zone, Still-Life Painting, Sofa Pillows, Brown Pink Green Blue Interior, 2012
$2,850Sale Price|25% Off
Comfort Zone, Still-Life Painting, Sofa Pillows, Brown Pink Green Blue Interior
Located in Mississauga, Ontario
COMFORT ZONE - This interior still-life painting on canvas combines layered, painterly strokes with intricate details, creating a warm and inviting atmosphere. Through the use of acr...
Category
2010s Contemporary Interior Paintings
Materials
Acrylic, Pencil, Color Pencil
Andrea Stajan-FerkulQuiet Time, Still Life Painting, Acrylic, Color Pencil, Pink Beige Contemporary, 2014
$2,850Sale Price|25% Off
Quiet Time, Still Life Painting, Acrylic, Color Pencil, Pink Beige Contemporary
Located in Mississauga, Ontario
QUIET TIME - This interior still-life painting on canvas combines expressive brushwork with delicate details capturing a warm and inviting atmosphere. Through the use of acrylic, pen...
Category
2010s Contemporary Still-life Paintings
Materials
Acrylic, Pencil, Color Pencil, Canvas
Viktor Butko“Dering Harbor Panorama” DIPTYCH, impressionist landscape, Shelter Island, NY, 2025
$21,800
“Dering Harbor Panorama” DIPTYCH, impressionist landscape, Shelter Island, NY
By Viktor Butko
Located in Sag Harbor, NY
"Dering Harbor, Panorama" is a diptych, which means it's two separate canvases to form one image. Each canvas is 30 x 36 inches, so the total dimensions of both canvases together is ...
Category
21st Century and Contemporary Impressionist Landscape Paintings
Materials
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Clive's Porch, Oil Painting
Located in San Francisco, CA
Artist Comments
The bright morning sunshine floods a front porch where an inviting scene unfolds. Artist Sherri Aldawood was drawn to the light and cast shadows on this historic adobe home in Taos, New Mexico. The two turquoise chairs add to the scene's charm and beckon the viewer to relax and enjoy the peaceful ambiance of the moment.
About the Artist
Sherri Aldawood didn't intend to always paint flowers, but over time her love of gardens started to permeate her art. She focuses on the light and color of the flowers on the canvas. Sherri prefers alla prima, working with wet layers of paint instead of letting them dry. She keeps the paint as wet as possible by using walnut and clove oil...
Category
21st Century and Contemporary Impressionist Interior Paintings
Materials
Oil
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H 72.05 in W 56.7 in D 4.34 in
Portrait of King William III in Armour, a Battle in the Distance, oil on canvas
Located in London, GB
The sitter in this sumptuous grand scale portrait is King William III, sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Guelders, and Overijssel in the Dutch Republic from the 1670s and King of England, Ireland, and Scotland from 1689 until his death in 1702. As King of Scotland, he is known as William II. The military-minded William III is portrayed as the archetypal commander – serious and authoritative. Painted circa 1680-1700 he wears full armour of highly polished steel and holds a baton of command in one hand while the other rests on his hip. He is depicted as a brave and chivalrous character. Common in portraiture at the time, sitters were often displayed in outdoor settings with military encampments or amongst a raging battlefield, as we see here. These symbols of power and office refer to his heroic visage and reflects his status whilst the armour and the elaborate plumbed helmet affirms his ability on the battlefield. The prestigious character of this portrait is accentuated by the abundance of draperies which frame the sitter and create a sense of drama. The work is the epidemy of the early propaganda portrait and images such as this were an essential tool to emphasise a sitter’s importance and further their cause. By the early 17th century this was a favoured format for portraits of royalty and aristocracy. Portraits of Royals were painted both individually and in series to hang in royal palaces and stately homes of the nobility. The originals of these portraits served as a prototype for many copies, and many variations, made both in the 17th and 18th centuries, by the same hand and others. They were also intended for descendants wishing to show their royal lineage (a type of visual genealogy), or those wishing to show their political aspirations. The inspiration for our portrait is most likely a work by Sir Peter Lely. Presented in a fine quality and condition antique frame. Jan de Baen (1633-1702) was a Dutch Golden Age portrait painter. He studied in Amsterdam from 1645 to 1648 and he worked for Charles II of England in his Dutch exile. From 1660 until his death, he lived and worked in The Hague. His talent meant that he was one of the most popular artists of the time and he painted the most distinguished people – royalty, nobility and other wealthy individuals. In around 1666 he was allegedly invited by Lord Killigrew to come to England and paint his portrait and a portrait of King Charles II. The Elector of Brandenburg asked him to work at his court in Berlin, but he refused this invitation. He was court artist to the House of Orange and typical of that generation of Dutch artist who was brought up on the portraiture of the school of Rembrandt...
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