“La Voile d'Or"
Located in Warren, NJ
Thomas McKnight Serigraph “"La Voile d'Or"” signed and numbered. In good condition measures 27x25
21st Century and Contemporary More Art
Lithograph
“La Voile d'Or"
Located in Warren, NJ
Thomas McKnight Serigraph “"La Voile d'Or"” signed and numbered. In good condition measures 27x25
Lithograph
Early Sunday Morning, Oil Painting
Located in San Francisco, CA
Artist Comments
Morning sunlight covers the dining room table with a warm, amber glow. The flower arrangement of orchids and willow rests prominently on the table, with a bra...
Oil
Tick It, Tock It, Turn It True (from The Blue Guitar)
Located in New York, NY
Color etching and aquatint on Inveresk mould-made paper, 1976-1977. Signed by the artist in pencil, lower right. Inscribed "BAT" in pencil, lower left. The "bon à tirer" proof, as...
Etching, Aquatint
The Crescent, Original Painting
By John Jaster
Located in San Francisco, CA
Artist Comments
"The Crescent Hotel, built in 1938, is one of the famous Art Deco buildings in Miami's South Beach," shares artist John Jaster. He pictures the historical arc...
Acrylic
The Good Dog, Original Painting
Located in San Francisco, CA
Artist Comments
Artist Edward McHugh's affinity for animals shapes this playful composition. A well-behaved dog wearing a crown remains still, even as a nearby door stands slig...
Acrylic
Backyard Hideaway, Original Painting
By John Jaster
Located in San Francisco, CA
Artist Comments
A pink house with blue shutters opens into a backyard with a profusion of colorful flowers. A patio with a tiny table and two blue wooden chairs offers an intim...
Acrylic
Comfort Zone - Still-Life Painting, Acrylic, Color Pencil, Contemporary Interior
Located in Mississauga, Ontario
COMFORT ZONE - This interior still-life painting on canvas combines expressive brushwork with intricate details capturing a warm and inviting atmosphere. Through the use of acrylic, ...
Acrylic, Pencil, Color Pencil
Quiet Time, Contemporary Still Life Painting, Acrylic, Color Pencil, Pink Beige
Located in Mississauga, Ontario
QUIET TIME - This interior still-life painting on canvas combines expressive brushwork with delicate details capturing a warm and inviting atmosphere. Through the use of acrylic, pen...
Acrylic, Pencil, Color Pencil
$21,800
“Dering Harbor Panorama” DIPTYCH, impressionist landscape, Shelter Island, NY
By Viktor Butko
Located in Sag Harbor, NY
"Dering Harbor, Panorama" is a diptych, which means it's two separate canvases to form one image. Each canvas is 30 x 36 inches, so the total dimensions of both canvases together is ...
Linen, Oil
Clive's Porch, Oil Painting
Located in San Francisco, CA
Artist Comments
The bright morning sunshine floods a front porch where an inviting scene unfolds. Artist Sherri Aldawood was drawn to the light and cast shadows on this historic adobe home in Taos, New Mexico. The two turquoise chairs add to the scene's charm and beckon the viewer to relax and enjoy the peaceful ambiance of the moment.
About the Artist
Sherri Aldawood didn't intend to always paint flowers, but over time her love of gardens started to permeate her art. She focuses on the light and color of the flowers on the canvas. Sherri prefers alla prima, working with wet layers of paint instead of letting them dry. She keeps the paint as wet as possible by using walnut and clove oil...
Oil
$570
H 16.54 in W 11.82 in D 0.04 in
Summer evening. Original painting by Spanish artist Liudmila Shabazova
Located in Zofingen, AG
Summer seascape at sunset. The bright colors of the day are replaced by gentle ones. The damp smell of the sea mixes with the smell of plants and flowers. The work is done with acrylic on paper. 11x16 inches (30x42 cm.) The product will be well-packaged and protected from moisture and damage when sent by mail. I appreciate your interest in my painting. Artist Liudmila Shabazova.
Acrylic, Watercolor, Archival Paper
Wilfred of Ivanhoe
Located in Austin, TX
SALVADOR DALI (1904-1989) Title: Wilfred of Ivanhoe Medium: Lithograph Measurements: 23.63 x 18 in Edition: 231/250 Signat...
Lithograph
$1,200
H 12 in W 12 in
"View to the Kitchen" (2010) By Jim Beckner, Original Interior Oil Painting
By Jim Beckner
Located in Denver, CO
Jim Beckner's (US based) "View to the Kitchen" is an original, handmade oil painting depicting a trio at a bar with a view to the establishment's kitchen. About the Artist: (Bor...
Canvas, Oil
$3,049
H 16.15 in W 21.66 in
Thames Ditton - Contemporary Interior 20th Century Print
Located in Kingsclere, GB
Julian Trevelyan 1910-1988 Thames Ditton, 1969 etching and aquatint 41 x 55 cm 16 1/8 x 21 5/8 in signed, titled and inscribed in pencil, aside from the edition of 75 Julian Trevely...
Etching, Aquatint
Anthropométrie (ANT 83)
By Yves Klein
Located in New York, NY
Color lithograph on Rives BFK, 2001. Proof, aside from the numbered edition of 200 . With the artist's estate ink stamp, verso. Published by Editions T.A.T. Arts, Paris. The sheet ...
Lithograph
$7,721
H 26.19 in W 30.32 in D 1.97 in
After the ball, painting, portrait, framed, belle epoque
Located in PARIS, FR
Albert Bréauté (1854-1941) After the Ball, 1894 Oil on canvas 65 x 54 cm 77 x 66.5 cm with frame Signed and dated lower left 1894 Exhibition: Society of Friends of the Arts of Seine...
Canvas, Oil
$522Sale Price|26% Off
H 7.49 in W 9.45 in
Luminous Mediterranean View of Sitges Church with Palms and Flowers oil painting
Located in Sitges, Barcelona
Luminous Mediterranean View of Sitges Church with Palms and Flowers Artist: López-Valle Title: View of Sitges, Church of Sant Bartomeu i Santa Tecla Medium: Oil on canvas Period: circa 1970–1979 Signature: Signed lower left Artwork dimensions: 19 × 24 cm / 7.48 × 9.45 in Framed dimensions: 33 × 38 cm / 12.99 × 14.96 in Frame: Decorative frame included Provenance: López-Valle oil paintings exhibition, documented on the reverse with original exhibition card dated 1979 Condition: Very good overall condition. Stable paint surface. Minor age-related wear to the frame, consistent with age. Ready to hang. DESCRIPTION A charming and luminous Mediterranean oil painting depicting the iconic Church of Sant Bartomeu i Santa Tecla in Sitges, one of the most recognizable architectural landmarks of the Catalan coast. The composition captures the church from a highly desirable viewpoint, framed by tall palm trees, lush Mediterranean vegetation and a vivid foreground of red flowers. The result is a small but visually rich painting with strong decorative presence, full of coastal light, architectural character and warm Mediterranean atmosphere. The artist uses a loose, expressive brushstroke and a bright palette of turquoise blues, sandy ochres, fresh greens and floral reds. The impasto in the sky, church façade and garden areas gives the surface a lively texture, while the diagonal path leads the viewer naturally toward the historic church and its bell tower. This is exactly the kind of Mediterranean coastal subject that performs well with international collectors: intimate scale, recognizable location, architectural charm, palm trees, flowers, sunlight and Spanish post-impressionist atmosphere. A little Sitges jewel, basically the painting equivalent of a terrace table with sea breeze and no tourist asking where the beach is. The original exhibition card preserved on the reverse, dated 1979, documents the work’s presence in an oil paintings exhibition dedicated to López-Valle, adding period context and collectible appeal. Its modest size makes it especially suitable for interiors, gallery walls, Mediterranean-style decoration, coastal homes, libraries, bedrooms or refined small spaces where a luminous European landscape can act as a concentrated window of light. European art with a Mediterranean soul. ARTIST BIOGRAPHY López-Valle was a Spanish painter active in the second half of the 20th century, particularly associated with traditional oil painting and Mediterranean subjects. His work reflects the enduring appeal of Spanish coastal landscape painting, combining architectural views, garden settings and luminous color with a direct, post-impressionist handling of paint. This painting is especially interesting because the original exhibition card on the reverse places the artist within a documented exhibition context in 1979, confirming that his works circulated publicly during the period. López-Valle’s paintings are appreciated for their decorative quality, approachable scale and ability to capture recognizable Spanish places with freshness, color and atmosphere. ARTISTIC CONTEXT / PICTORIAL INSPIRATION This work belongs to the tradition of Catalan and Spanish Mediterranean landscape painting, a school deeply connected to light, coastal architecture, gardens, palm trees and open-air observation. Its luminous handling of color and its decorative view of Sitges recall the atmosphere sought by collectors of artists such as Santiago Rusiñol, Eliseu Meifrèn, Joaquim Mir and Josep Amat, painters who helped define the poetic and chromatic identity of the Catalan coastline. While López-Valle maintains his own modest and direct pictorial language, the painting clearly participates in that same Mediterranean lineage: sunlit architecture, garden foreground, loose brushwork, atmospheric blue sky and an elegant sense of place. This makes the piece attractive not only as a view of Sitges, but also as part of the broader collecting category of Spanish impressionist and post-impressionist coastal painting. TAGS mediterranean landscape sitges church painting catalan landscape painting spanish coastal painting spanish impressionist style post impressionist landscape mediterranean architecture art church landscape artwork palm trees painting flower garden painting...
Oil
$120
H 32 in W 48 in D 1 in
Signature in Gold Glass Contemporary art Original Painting Ready to Hang
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Plexiglass Year: 2025 Style: Contemporary Art, Title: Signature in Gold Size: 14"...
Glass, Plexiglass, Acrylic
Towards the sun and my desire
Located in Zofingen, AG
ABOUT THE ARTWORK "Towards the Sun and My Desire" from the Perichoresis series is a portrayal of movement towards the self, towards one’s own passion, towards an inner sun that is bo...
Canvas, Acrylic
Forward Pass
Located in New York, NY
Lithograph on wove paper, 1972. Signed by the artist in pencil, lower right. Inscribed "Ed. 250" in pencil, lower left. Published by Associated American Artists, New York. Catalog...
Lithograph
Brake (from the Stoned Moon series)
Located in New York, NY
Lithographon Arches Cover, 1969. Signed by the artist, dated, and numbered 50/60 in pencil, lower margin. Printed by Robert Petersen. Published by Gemini G.E.L., Los Angeles, with ...
Lithograph
"Family Unit" Oil painting
Located in Denver, CO
Louis Recchia's (US based) "Family Unit" is an oil painting that depicts a family of felines personified in interior setting with birds Louis Recchia has been producing contemporary...
Canvas, Oil
Mano-Sillas II
By Pedro Reyes
Located in Saint Louis, MO
Pedro Reyes has won international attention for large-scale projects that address current social and political issues. Through a varied practice utilizing ...
Steel
Sold
H 72.05 in W 56.7 in D 4.34 in
Portrait of King William III in Armour, a Battle in the Distance, oil on canvas
Located in London, GB
The sitter in this sumptuous grand scale portrait is King William III, sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Guelders, and Overijssel in the Dutch Republic from the 1670s and King of England, Ireland, and Scotland from 1689 until his death in 1702. As King of Scotland, he is known as William II. The military-minded William III is portrayed as the archetypal commander – serious and authoritative. Painted circa 1680-1700 he wears full armour of highly polished steel and holds a baton of command in one hand while the other rests on his hip. He is depicted as a brave and chivalrous character. Common in portraiture at the time, sitters were often displayed in outdoor settings with military encampments or amongst a raging battlefield, as we see here. These symbols of power and office refer to his heroic visage and reflects his status whilst the armour and the elaborate plumbed helmet affirms his ability on the battlefield. The prestigious character of this portrait is accentuated by the abundance of draperies which frame the sitter and create a sense of drama. The work is the epidemy of the early propaganda portrait and images such as this were an essential tool to emphasise a sitter’s importance and further their cause. By the early 17th century this was a favoured format for portraits of royalty and aristocracy. Portraits of Royals were painted both individually and in series to hang in royal palaces and stately homes of the nobility. The originals of these portraits served as a prototype for many copies, and many variations, made both in the 17th and 18th centuries, by the same hand and others. They were also intended for descendants wishing to show their royal lineage (a type of visual genealogy), or those wishing to show their political aspirations. The inspiration for our portrait is most likely a work by Sir Peter Lely. Presented in a fine quality and condition antique frame. Jan de Baen (1633-1702) was a Dutch Golden Age portrait painter. He studied in Amsterdam from 1645 to 1648 and he worked for Charles II of England in his Dutch exile. From 1660 until his death, he lived and worked in The Hague. His talent meant that he was one of the most popular artists of the time and he painted the most distinguished people – royalty, nobility and other wealthy individuals. In around 1666 he was allegedly invited by Lord Killigrew to come to England and paint his portrait and a portrait of King Charles II. The Elector of Brandenburg asked him to work at his court in Berlin, but he refused this invitation. He was court artist to the House of Orange and typical of that generation of Dutch artist who was brought up on the portraiture of the school of Rembrandt...
Canvas, Oil