Abstract Paintings

In crafting this piece, I ventured into the palpable flux of emotions through bold strokes and contrasting layers. Using acrylics , I established a landscape of introspection where s...

Columbus, Georgia-based artist Kellie Newsome specializes in dynamic and expressive animal portraits that radiate vitality and personality. Her unique style combines abstracted forms...

Artist: Voskan Galstian Work: Original Acrylic Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2023 Style: Abstract Art, Title: Sign In The Light 2, ...

Indulge in a journey to the vibrant and nostalgic era of the 1970s with our vintage original oil painting—a mesmerizing modernist beach interior scene, capturing the essence of sandy...

The painting was painted Plein Air, in Artist's own garden of the memorial roses she planted. This is Rosa Albertine, the first Old English variety Artist Shizico Yi planted in her garden in 2016, before her late dog died. Old English Roses...

Nicely painted American school abstract expressionist painting. Oil on canvas. Framed. Signed verso. Measuring 30 by 30 overall and 24 by 24 painting alone.

Sveta Hessler (Russian, born 1973) "Rainbow Rolex III" 2024 Oil Paint, Canvas, Stretcher bars The artist signed the bottom right and back of the painting. "Rainbow Rolex III" by Sve...

This abstract painting is like a mysterious garden, full of sun and light. It's painting-meditation to your inner space, inner garden of your beautiful soul. Energy of this painting...

Title: Original Oil Abstract Abstract Landscape with Birds on Branches at Sunrise Artist: Roland Pichard Signed: Bottom right Medium: Oil on oil paper, mounted on card Size: 14 (...

Large Scale Mid 20th Century Acrylic Painting by Vanguard Studios Signed Van Gaard Classic 1950s to 1960s acrylic painting of a guitar against a colorful ab...

Fantastical surreal landscape with a floating castle in an idyllic, dream-like setting with bright blue sky and green grass by Melissa Barkley (Ameri...

Bold, heavily textured abstract composition by Stephen A. Peters (American, 20th Century). Titled and signed on canvas verso. Presented in a silver frame with a black mat and glass. ...

Eco y Reflejo, 2024 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 100x120cm Signed and dated Yumnia's artistic journey is deeply rooted in the landscapes of Nayarit...

Antique American modernist abstract street scene oil painting. Oil on board. Framed. Image size, 12L x 7H.

This is a gorgeous David Sorensen painting; one of the desirable ‘Horizon’ series painted in the early 2000s. The palette is rich and warm. The gestural brushstrokes reveal subtle la...

Orange Montbretia by Rupert Aker [2022] original and hand signed by the artist Oil on canvas Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: H:20 cm x W:20 cm x D:2cm ...

Edward Zutrau Untitled, 1963 Signed and dated on stretcher verso "5/63" Oil on canvas 8 3/4 x 10 3/4 inches Edward Zutrau is among the American artists who worked within the whirlw...

This striking American Cubist still life by Genara Del, circa 1970, is a masterful exploration of form, color, and abstraction, capturing the essence of modern art with both simplici...

Diana Kurz Thelo #1 , 1961 Oil on canvas 64 x 55 1/2 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England...

"February 21st - Red" Abstract Expressionist Landscape by William Morehouse The image shows an abstract landscape painting by William Paul Morehouse (American, 1929-1993), titled "February 21st - Red". The painting has a textured application of impasto, in oil on canvas, with dominant earth tones and a contrasting red section at the top. The composition is divided into geometric shapes and lines, suggesting a stylized representation of a landscape. The colors and textures evoke a sense of the Northern California coastal prairie, a recurring theme in Morehouse's work. The painting is signed, titled, and dated 1960 on the reverse., and WM '60 center bottom of painting. Image, 34"H x 20"W x .5"D Signed center at bottom, Signed and dated on verso, with exhibition label and title. Post War California artist, William Paul Morehouse studied at the California School of Fine Arts (1947-1950) receiving his BFA. Not long after graduation from the CSFA he joined the Army during the Korean War. He became a Master Sergeant and was released with a Purple Heart in 1953, at which point he enrolled in courses at the California College of Arts and Crafts (now the California College of the Arts). A transfer to the San Francisco Art Institute the following year led to his Bachelors in Fine Arts, and in 1954 he enrolled at San Francisco State University where in under two years he earned his MFA. He traveled to New York that same year to participate in the Young American Painters exhibition at the Guggenheim, along with Diebenkorn, deKooning, Motherwell, and Jackson Pollock. He soon began dividing his time between the two coasts. Morehouse eventually settled in Bodega Bay permanently, where he continued to paint as part of the group the "Sonoma Four" Selected Group Exhibitions: Pennsylvania Academy of Fine Arts; University of Illinois; Fort Worth Museum; Los Angeles County Museum; National Academy; Oakland Art Museum; Rotunda Gallery, San Francisco; Denver Art Museum; Fourth Annual Exhibition of Contemporary Painting, California Palace of The Legion of Honor 1951; First Pacific Coast Biennial Exhibition, Santa Barbara Museum of Art & California Palace of the Legion of Honor, San Francisco 1955; PACIFIC COAST ART...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 15H by 19L.

"Wave and Particle #2" is is an encaustic-on-panel piece by Charles Ivey from his "Wave and Particle" series. Ivey uses the encaustic process of combinin...

Oil on canvas. Framed. Image size, 18H x 24L.

„Indivisible“ by Saber, 2017 Mixed Media Print, Hand finished with Spray paint and Pencil Embellishments Each Print Is Unique Numbered (28/68) In Bottom Left Corner, Signed in Penci...

Finely painted contemporary tropical landscape. Oil on canvas. Framed. Signed verso.

Interior design paintings. The work was done with alcoholic ink in grey, blue color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a styrene face on ...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Dennis Alter's layered and textured oil on canvas paintings abstract expressionist drip paintings in the style of Jackson Pollock are rich with painterly activity. Gestural brushwork...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Georgia-based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant paintings that celebra...

The Surf at Newport (Rhode Island). c. 1906. Oil on canvas. 17 x 24 (framed 26 x 34). Lined; extensive craquelure; otherwise fine condition. Housed in an exceptional Louis XV (reviva...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Gail Chase Bien paints thinly layered oil on linen over extended periods (from months to years) to complete a single work of art. Taking cues from nature’s extraordinary visual offer...

When you all around this work the image changes and the works appear saying Love and then as you move to the right of the work it says home. Bringing Love Home by Sena Shah is a new ...

This acrylic painting makes part of my series dedicated to the scenes of a summer period. This landscape painting called "Dreaming of the South of France" is done in a modern contem...

Abstract minimalist artist Jason DeMeo creates artworks that work to serve as a meditation for the viewer, drawing them toward the timeless concepts of truth, beauty, and goodness. H...

Vintage American school modernist painting. Oil on canvas, circa 1940. Unsigned. Image size, 30L x 24H. Housed in a period frame.

Reference number A162 Not framed but could be with a natural oak floated frame (add 200 euros) 16 x 43 cm This work is painted with oil on a board. It is signed...

Sylvia Rutkoff (1919-2011) Sr5-1 c.1960s “Crossed Arms” Acrylic on Masonite 36x42 period frame Unsigned Collection acquired from family estate

"Warm Pastel Tones Triptych" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique ...

Title: Catalyst for Consciousness Flow Contemporary Abstract Showpiece Bright Lively This series expresses our unity and our interconnectedness. We are dancing to a traverse tune ...

Signed lower right, 'K. Sanzenbach' for Keith Sanzenbach (American, 1931-1964) and dated 1956. Additionally signed, verso, and with the artist's Lagunitas, California address. The ...

Murray Hantman (1904-1999). Untitled, ca. 1950-55. Oil on canvas measures 20 x 26 inches, 26 x 32 inches in silver leaf vintage frame.. Signed lower right. Excellent condition with ...

Signed lower right 'S. Aron' (French, 20th century) and dated 1970; additionally signed, verso, on canvas with old label verso. Provenance: Los Robles Gallery, Palo Alto, California.

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in w...

Blue n.18 is an original contemporary artwork realized by Gastone Biggi in 1974. Mixed colored acrylic painting on canvas Hand signed, titled and dated...

Wonderfully painted antique American impressionist western landscape painting; Oil on canvas. Signed. Handsomely framed and ready to hang.

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...

Belgian artist Greet Helsen masterfully layers acrylic paint with the effervescent transparency of watercolors in her large mixed-media abstract paintings. Reminiscent of abstract ex...

This contemporary abstract poured painting on paper, Rose Bleed (Wide Footer) by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Yupo paper create the depth and smooth, glossy surface textures throughout the painting. The rose shade...

6004 Vintage modernist oil painting on artist board displayed in a gilt wood frame os a dancing couple. Signed lower left by M.Barak.

Artist: Jack Graves III (American, 1988-) Title: "Kathryn Abbey Hanna Park (Park Your Car)" Series: Abstract *Signed by Graves lower right. It is also signed, titled, and dated on ve...

In this contemporary abstract landscape painting in oil on linen mounted on panel, carefully ordered patterns, geometric shapes and delicate lines in bright prismatic colors against ...

Vibrant mid century modern abstracted figurative in orange, red and black by Bay Area artist Paul Sheppard. Dated 1959 and signed "Sheppard." Presented i...

Sam Maitin (1928-2004). Seated Figure, ca. 1970. Charcoal, gouache and decorative paper collage. Measuring 15.5 x 20.5 inches; 22.75 x 27.75 inches framed. Signed lower left. Excellent condition. Period frame original to the piece in mahogany with natural wood grain on sides and 22k gold leaf gilt face. After graduating from Simon Gratz High School, Maitin won a scholarship to the Pennsylvania Museum School of Industrial Art (now the University of the Arts). A painter, printmaker, sculptor, muralist, graphic designer, political activist, and beloved teacher, Maitin headed the Visual Graphics Communication Laboratory at the University of Pennsylvania’s Annenberg School for Communication from 1965–1972 and served on the board of Woodmere Art Museum from 1995–2004. He received a number of awards, including a 1968 Guggenheim Foundation Fellowship. He created murals and other public art for the Children’s Hospital of Philadelphia, the University of Pennsylvania, Temple University’s Kornberg School of Dentistry, the Please Touch Museum, and Hahnemann University Hospital, among others. Maitin's work is museum collections in the United States and Europe, including (but not limited to): Philadelphia Museum of Art Library of Congress, Washington, D.C. National Gallery of Art, Washington, D.C. Museum of Modern Art, New York Tate Gallery, London Bauersche Geisserie, Germany Oakland Museum, California Pennsylvania Academy of the Fine Arts The Currier Gallery of Art...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea collaborates with chance to evoke the energy of the moment. Projections of paint, splashes of pure material, and streams of color are whiplash expressions of the temporary in his modern artworks. Voinea captures and freezes, in an instant, an imaginary and expressive burst of color that electrifies a space. This one-of-a-kind diptych measures a combined 35 inches high and 102 inches wide. It is comprised of two 35-inch tall by 51-inch wide canvases. It is a fluorescent abstract composition painted with acrylic paint on canvas by Alex Voinea. This artwork is signed and titled on the back. It does not require framing. This original painting is double-wired and may be installed vertically or horizontally. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping are available. Provenance: Artplex Gallery. A certificate of authenticity issued by the art gallery is included with this original work. Alex Voinea was born in Romania in 1973. Leaving Romania after the revolution in 1989, he moved to Italy. Voinea's saturated abstract paintings are a rush of adrenaline and inspire liveliness in the spaces they are displayed. Although active, his work also finds balance and harmony. The challenge of each surface inspires Voinea and his studio is an incubator of color and energy. "I am interested in the physics of materials and the purity of pigments in their various states and how they respond to the different circumstances and situations that I create. With my work I try to convey the feeling of being immersed in a universe where color is the protagonist." Voinea now lives in Barcelona. His abstract paintings have been shown in varying international art hot spots, including Brussels, Paris, London, Milan, Amsterdam, New York, and Los Angeles. REPRESENTATION Artplex Gallery Los Angeles SOLO EXHIBITIONS 2024 Artplex Gallery, Los Angeles, CA, USA 2018 Alex Voinea, MM Gallery, Brussels, Belgium 2010 Galería Dharmakaya, Barcelona, Spain 2011 “Abstractos de Sitges”, Galería A037, Sitges, Spain 2011 Biennale a Confronto, Galería San Vidal, Venecia, Italy 2009 “Animales”, Galería A037, Sitges, Spain GROUP EXHIBITIONS 2021-23 Artplex Gallery, Los Angeles, CA 2019 Winter Collective, MM Gallery, Brussels 2018 “Carrement Abstrait”, MM Gallery, Brussels Summer Collective, MM Gallery, Brussels Collective, Maze Gallery, London, UK 2017 “Abstraction Group Show”, MM Gallery, Brussels, Belgium “VInt” ARTistes”, Fundación Pinnae, Vilafranca de Pendes, Spain 2016 Recicl’arte 2016, Drap-art y SAGA, Edificio Miramar, Sitges, Spain “Art al Vidre”, Fundación Pinnae, Vilafranca de Pendes, Spain “Naturalezas”, Museo Gustavo de Maeztu, Navarra...