Abstract Paintings

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a colorful background with thick use of paint. Insp...

Title: Impressionist Village Landscape with Church Tower and Cypress Trees By Fanch Lel Signed: Yes Size: 16.5 x 22.5 inches (height x width) Oil painting on board, unframed Conditio...

Hiroshi Sato's "Evening Shed" (2024) is an original oil on canvas artwork, measuring 38 x 84 inches. "Evening Shed" is sold unframed but is ready to hang. This unique artwork is pe...

Rikke Bjørn As a Danish artist based in Copenhagen, Rikke’s work revolves around the exploration of geometric compositions, where colour, shape, and surface converge. Through non-ob...

Alicia Gimeno, born in Barcelona (1989), trained in graphic design during her time in Mexico. From the beginning, she was captivated by calligraphy, the gestuality of brush strokes, ...

A powerful abstract oil painting on canvas (57.5 x 44.9 inches) by contemporary artist Jean Soyer. This dynamic composition features bold strokes of deep blue and black, created with...

Dejame - original abstract acrylic canvas painting. framed , Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in t...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

Impressive early American impressionist landscape painting. Oil on board. Housed in a period impressionist giltwood frame. Excellent condition.

Abstract geometric three-dimensional wood wall sculpture resembling stacked books in blue, grey, and white "Blue Books", hand-carved wooden wall sculpture ...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Title: Festival of Joy Abstract Expressionism Colorful Delight Joy Movement Texture Statement Vibrant Festivitas Laetitiae - Festival of Joy This vibrant artwork, set on a deep cr...

Title: Impressionist Village Landscape with Cypress Trees and Mountain Horizon View By Fanch Lel Size: 18.5 x 16.5 inches (height x width) Oil painting on board, unframed Condition: ...

Gerdine Duijsens’ spirited and evocative figures are instantly recognizable and unforgettable. Through lush, bold colors and energetic marks, her paintings emit a sense of pleasure a...

"Harmonia 20-7" is a framed acrylic painting on canvas by David Skillicorn, with a large organic orange form on a dark blue background. The artist's technique applying layered brushs...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

Eric Blum Untitled No. 1036, 2025 ink, silk, and beeswax on panel 59 x 47 in. (blum102)

#Abstract #Water #Sea #blue #waves Water is a symbol of the fundamental principle of everything, it is the element from which everything on Earth was born. The painting is filled wi...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

Carefully ordered patterns, geometric shapes and delicate lines in light blue, lime green, indigo, pink and aqua on a luminous golden yellow background. Signed, dated and titled on v...

Nerea Caos (1993) - the all-seeing eye - Oil on canvas Canvas size 54X65 cm. Frameless. Nerea Sánchez Castro, born in Ferrol, Galicia in 1993, an art stude...

Diptych, consists of two sheets of cardboard, each sheet is 85-61 centimeters. Syria paintings of flowers, in all their forms and shades. I love to ...

An impressionistic portrayal of Japanese Koi fish jubilantly depicted with movement and enthusiasm. In a burst of motion, the fish joyfully swim in the clear light blue waters, as th...

Antique American school abstract expressionist painting. Oil on board. Signed. In excellent original condition. Nicely framed in a period wood molding. Excellent condition, read...

Joseph Fiore (1928-2005) Untitled, ca. 1955. Oil on canvas, 18 x 24 inches. Measuring 24 x 30 inches in custom modernist frame. Signed lower left. Excellent condition. Joseph Albe...

marsh, water, calm, green, blue, teal, aqua, dusk, lake, trees, reflection Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a black background with thick white paint and then ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

"The Signal" is a framed oil on canvas painting by Joseph Adolphe, featuring a flowing, fabric-like orange form suspended in the sky above an abstract landscape. The contrast between...

Original Mid-Century oil on canvas composition by American Artist Edith E. Ferullo (1928 - 2008). The painting features a thick textured abstract nude subject. The brutalist artwork ...

This contemporary abstract expressive portrait, On My Own Path, was created in 2025 by French artist Natalya Mougenot in her studio in Lyon, France. It presents a faceless woman with...

In this contemporary abstract painting in gouache and acrylic on paper, clean and precise, carefully ordered thick horizontal stripes in shades of peach, light blue, dark navy, and a...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts two delicate butterflies in ascension placed in a wonderful golden landscape. Slonem ...

One of our finest living contemporary American Realist artists, Willard Dixon, has painted 'View From the Window; featuring green leaves, grey branches, purple lilac and orange turni...

Italian artist Alessandro Casetti's paintings metaphorically represent all the emotions, fears, and hopes that populate our daily life inside and outside of our own bodies. Through a...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Clean and refreshing. Easy on the eyes yet distinct in a classic appeal. White on white has the subtlety of a quiet personality in a room full of people. When it speaks everyone li...

A fluid wash of bubblegum pink fills the surface of this painting. Ricard has written in bright yellow, blue, and vivid silver the following: So how do you be friends w/a whore? Business being business/Ethically, a ho can’t rat on its tricks; so if the ho is hohoing yr husband Damned if you’ll ever find out. March 26. Whore sharply contrasts the beauty of silver, yellow, and pink with Rene’s pithy, obscene pronouncement. The pink ground is applied in a sheer wash, like Male Cinderella’s background, and the artist’s cursive shimmers in the same silver as One Shoe One You / True Love, Size 3?, and This is not a thanksgiving pumpkin. While Whore shares enticing formal qualities with other works in this group, the text snaps us to cold reality, down into the gutter with a bump. Ricard is happy to visit a fairy tale, but doesn’t stays in the fantasy for long. There’s an intimacy to this work’s smaller scale which compels the viewer to lean in and decode Ricard’s poetry. The artist’s outsized signature is with initials in dark blue, which pop out against that beautiful saturated pink. Canvas floater frame, in maple with .25 inch moulding. Whore is part of a group of works dating from 1989-1990 as Rene Ricard prepared for Mal de Fin at the Petersburg Gallery, New York, in 1990, his very first one-man exhibition. Born Albert Napoleon Ricard, he moved to New York in the 1960s at the age of 18. With that relocation, Albert died, and Rene was born. Instantly adopted into Andy Warhol’s glittering orbit, Ricard thrived in the city, with its heady concentration of art, culture, and debauchery. In New York Ricard found the milieu where he would shine. He acted in underground films, playing Warhol in the artist’s own Andy Warhol Story. He became a renowned poet and writer, published in the Paris Review and Artforum. In typically wry fashion he explained how he became a painter: “I began adding images [to my poetry] because I’ve always liked to draw and paint. And it was hard to find junk-store paintings of the right quality, things that could support some writing, so I just started making the images myself. Unfortunately, people really like that, even though I far prefer just the writing.” Ricard drew on his vast knowledge of literature and art history, weaving these references together with bursts of autobiographical poetry: what the New York Times termed his “seething verbal finesse.” Ricard, having spent years in the Factory’s milieu, learned from Warhol’s creative strategies. Warhol created images quickly with screen printing, with no regard for perfection. Duplication was the method and the ideology. Ricard, too, worked quickly: urgency was part of his visual language of looped cursive and scribbled colors. He often borrowed a lithographic plate or silkscreen from already-completed works, printing the matrix on canvas or paper to create backgrounds for new works (Size 3’s red printed background may be an example of this). He appropriated thrifted paintings and discarded items such as a pinboard or a piece of insulation, so long as the object in question had a flat surface upon which to work. The two artists were both outsiders to the art world in a sense—Warhol coming from the world of design and Ricard, a bona fide author, but both intuitively understanding how to compel the viewer. As Warhol anthologized consumerism, Ricard catalogued desire. For example, Size 3 and One Shoe One You feature Ricard’s take on Warhol’s famous shoe drawings...

Amazing Figurative Expressionism painting with exceptional color and movement. Oil on canvas, ca. 1960s. Measures 40 x 52 inches. Unsigned and unattributed. Excellent condition.

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower ...

At Escat Gallery, we are committed to providing the highest level of trust and professionalism to our collectors. Each piece in our collection is accompanied by a certificate of auth...

Title: Stargazer Powerful Striking Galaxy Contemporary Abstract Blue White Investment Stars Tree of life Stargazing. To let yourself be transported to the expanse of the universe. ...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

"Adagio in Burnt Umber" 2025, 72" H x 60" W. Abstract, mixed media painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentinetta (feat...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

"Break the cycle", Pair Abstract Paintings, 2025 These are a pair of abstract paintings that together are H 48" x W 72". These can be hung either together or broken up vertically. I...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

I aim to visualize the invisible — energy, memory, and spiritual dimensions of reality. I believe art is the purest form of truth, and each line and symbol invites reflection on one’...

Title: The Guardians of the Carnival Love the detail in this artwork by Karnish. This work is part of a series. It is part of a story... It portrays truth, abundant energy, utmost ...

This blue, red, and white wall-hanging artwork titled "DANGER!" is an original artwork by Jim Houser made of acrylic and collage on canvas. This piece measures 10"h x 10"w. Jim Hous...

Mexican artist Heny Steinberg’s abstracted landscapes invite us to travel from the map to the localized event. The shapes within Steinberg’s work transcend two dimensional representa...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Mint green background with thick use of paint. In...

Yellow and Grey Abstract Oil Painting By German artist 'P. Finke', 20th Century Signed by the artist and dated '92' verso Oil painting on canvas, framed Framed size: 40 x 32 inches ...

Danish-American artist Søren Emil Carlsen paints a post-impressionist landscape that blurs the line between representation and abstraction. With its open composition, the artist capt...

Vintage cubist abstract oil painting. Oil on canvas. Signed. Framed. Measuring 27 by 34 inches overall and 24 by 30 painting alone. In excellent original condition. Handsomely fram...

FLORUIT 2024 Paris, France This complex and layered floral painting of an abstract vase of flowers presents an energetic and mesmerizing subject. This original painting on cotton ca...

Shizico's unique approach to paintings, erasing, rewriting, and destroying the landscape in the background through bold strokes of gold leaf on the top layers in this series, works o...

Blue whale , 100x120cm