Abstract Paintings

the painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

the painting is being offered with a work and authenticity certificate

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

The painting is being offered with a work and authenticity certificate

Jean BIJOUX (XX) 211 Acrylic painting and gold leaf on vellum Signed lower middle H. 27 cm ; L. 18 cm

Ed Touchette (b. 1948) is inspired by a love of architecture and public spaces to make paintings which express joyful wonder at our built environment — ol...

The painting is being offered with a work and authenticity certificate

Oil pastel drawing on amate paper, unique,

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...

An animated original painting by this well known California artist, "Suess on the Loose" is an energetic and vibrant work that is both fun and painterly. The cool blues and greens w...

Oil on canvas

The first time I heard the words “abstract expressionism” I was in New York, trying to grab another day of leave before the army shipped me overseas. At that time in 1952, while brow...

Adhesives on galvanized sheet 3 layers satin varnish Thickness 4cm Signed on the back

You can read the title of the painting in the composition of the painting itself. Spray paint on linen. “The Last Time I Saw You Wasn’t the Last Time I Saw You” presents slightly sma...

« I believe painting is all about gesture and flow. Painting is nowness. » An abstract painting for Shanghái city .Acrylic medium with Chinese ink and pencil to write the memories o...

Josef Presser (Poland, United States, 1907 - 1967) Abstracted Shapes signed in red lower right 19 ¾ ” x 14 3/4” 25 1/4 ” x 20 1/4” Medium: Gouache on paper Provenance: Woodstock, NY About Josef Presser was born in Lublin, Poland. He studied at the Boston Museum of Fine Arts School and in Europe, with Bryant Baker...

Artist

Donatella Violi was born in Ovada (AL), moved to Milan and subsequently to Reggio Emilia. As she was taking lessons at the Institute of Science, she wa...

the painting is being offered with a work and authenticity certificate

ca. 1965 Acrylic on canvas 54 1/4 x 54 in. (137.8 x 137.2 cm) Signed, verso

A figurative abstract oil on canvas by contemporary artist Krisjanis Kaktins-Gorsline. "Dustr" is executed in deep pastel blues, rust, yellow, brown, peach and black and depicts an a...

Acrylic on stretched canvas 80X60 cm Abstract expressionism. Pollock Style. Action painting. Drip painting. Artiste internationale, reconnue dans le mouvement de l'expressionisme ...

the painting is being offered with a work and authenticity certificate

Bruno DESPLANQUES (Born in 1966, France) Partita 50 Enamelled lava stone 30 cm ; 30 cm 2021

Always fascinated by the uncertainty of human perception, and the duplicitous nature of vision, which can be both revealing and deceitful, Lodato creates paintings that delve into th...

Jean BIJOUX (XX) 201 Acrylic painting and gold leaf on vellum Signed lower left H. 21 cm ; L. 19 cm

Encaustic and oil on canvas

Acrylic on canvas with whispers of glitter coated with heavy resin.

The painting is being offered with a work and authenticity certificate

The word "Baram" has two meanings in Korean: "wish (feel or express a strong desire or hope for something that is not easily attainable)" and "wind (the perceptible natural movement of the air)." The "Baram Series" portrays the moment of the air that's stopped in a simple two-dimensional form. Thus, the wind in the Baram Series represents the "present", which means the wind that has already blown represents the "past", and the wind that is about to blow represents the "future". Our wind in the past may be calm or turbulent. Regardless, the present is filled with hope, strongly wishing for the future wind to guide us to happiness. Maybe, these winds in our lives are dictated by our choices, and Baram Series embodies wish to deliver hope to all viewers facing the winds of their choices. <Geonwoo Lee...

Jim's of Lambertville is proud to present this artwork by Solomon Ethe (1924 – 2019) Solomon Ethe was born on June 22, 1924. A native New Yorker, he rece...

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

She did paint a lot about the small fishermen villages on the South East of Asia that today are big cities. She is fascinated by the idea of that past and that memories under the ski...

Shortly before Walt Esslinger died a few years ago, we talked in his small yellow painted studio in Bakersfield. Sixteen years my senior, he’d been my close friend, mentor and running mate since 1960. “You still writing?” he asked. “Yes,” I answered, taking in the space’s renovations he’d recently sub-contracted. Ninety one years old, and he was thinking ahead. “Do me a favor,” he said. “Write the Andy Warhol story.” Walt was a Central Valley guy, an L.A. guy, a Las Vegas guy. A man who knew his way around. “I want you to put on record what happened back then when I bought the soup can painting.” Back then was the fall of 1962. The two of us had been exhibiting our paintings in the L.A. Art Institute’s gallery for locals only. Walt had given legendary Ad Rhinehardt a story about how he and I had been working in both Edward Kienholz’s and John Altoon’s studios (false—we’d only been visiting). One morning, the Institute’s Director, who hadn’t suspected us to be charlatans yet, introduced us to a reed thin, tow headed young man leaning against the main gallery’s wall. “Meet Andy Warhola,” he said. “Andy is from New York.” “Warhol,” the boy/man said. “Painter?” Walt asked him. “Shoe Illustrator.” The director made a snorting noise I took to mean that Warhola or Warhol’s modesty was posed. He mentioned something about Andy having a show on the La Cienega strip of galleries. We exchanged mumbles about how the art world was in flux, nothing more than that, and Walt and I moved on. If this strange cat had anything to look at, we’d see it. It was a Monday, and La Cienega’s twenty some galleries would be opening new shows and serving champagne that evening. North La Cienega Avenue, laid over a network of oil veins decades before, had become the street for the Cool School, a group of artists and gallery people trying to bring Los Angeles’s art scene to life. The galleries were small but proud. Sure, Jazz was born on the Delta and raised in New Orleans, St, Luis and Chicago, but L.A. had fifty-three jazz joints according to Chet Baker, who’d blown with the best. Why then should the West Coast be lagging behind New York in the other truly American expression, abstract art? At the Ferus Gallery that night we found Warhol’s exhibit. “Shit,” I said. Walt grinned. “You no like?” “Not exactly my can of soup,” I said, peeking into the small space, loaded now wall to wall with paintings of Campbell’s Tomato Soup. Walt stepped into the space. “How about the idea of it?” I made my way through spectators looking at once to be confused, amused, enthused and abused. When I came back to Walt he was still smiling. “Why didn’t he silk screen ‘em?” I asked. “That’s probably his next move,” Walt said. “You wanna stay?” Walt’s keen eyes cased the joint. “I see Irving Bloom over there,” he said. “Believe I’ll stick around and talk with him.” Bloom had been operating this popular gallery for some time now. “One hundred a month,” he’d told me. “It’s not like I’m getting rich.” I stood around for a bit, heard a fellow abstract expressionist I’d met tell a young lady who looked to be lost, “Okay that’s the soup. Come with me, baby, and I’ll show you the juice.” Two doors down I stopped at the Primus-Stuart Gallery. A group of people had gathered around a display of soup cans, stacked grocer’s pyramid style in the window. All Campbell’s. All Tomato. A sign leaning against the grouping stated: “Get the real thing. Thirty cents each.” That’s the way it was. Twenty-four galleries forming a gauntlet between La Cienega’s 300 block, all the way up to Barney’s Beanery at the corner of Santa Monica. Hollywood types dressed to the nines, Beats dressed for the times just gone. Champagne popping...

Description: Liu Gang(b.1965) 440201202 water-based and oil-based pigments on rice paper 138.6 by 290 cm Dated 2020 mounted and framed The artwork comes wi...

Description: Liu Gang(b.1965) 480309102 water-based and oil-based pigments on rice paper 146.5 by 145.2 cm Dated 2019 mounted and framed The artwork comes ...

This abstract painting is illustrating the ancient writer symbols and drawing attention to the accient writer acrylic on canvas on 100x80 cm canvas

A painting by Lauren Benrimon. This Untitled, abstract painting is executed in a swirling palette primarily of violets, blues, teals, greens and white by contemporary artist Lauren B...

Curtis Ripley’s newest abstractions are sublime musings on expression itself. Concerned with capturing those phenomena which are most difficult to describe with words, Ripley’s paint...

Painting: Acrylic on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feelings calm down...

This painting is bright and cheery and the jewel-tone colors are superb. "Jour d'Orage, La Garde (Var) (Stormy Day) 1921" Louis Pastour (France, 1876-1...

Charles Collins is a true Renaissance man. From a family of New Orleans artists, he chose to pursue a career as a pathologist, attending medical school in New Orleans and becoming pa...

Abstract Sky is an original oil on canvas on canvas realized by Giorgio Lo Fermo in the 2000s. Hand-signed by the artist on the back. The artwork represents an abstract landscape:...

"Bourbon Bar" Memories of a jazz trip along Bourbon Street in New Orleans transferred to a work of art in oil pastels. Framed in Passe-Partout and a beautiful wooden frame in collor ...

The Flowers: Guzmania. Circa 1963. Signed Giandante X, a painter born in Milan in 1899 and died in 1984. Milano. Measurements without the frame: 50 x 35 cm. On the back is a pho...

Charles Collins is a true Renaissance man. From a family of New Orleans artists, he chose to pursue a career as a pathologist, attending medical school in New Orleans and becoming pa...

This particular piece depicts an anonymous portrait of a beautiful woman. Inspired by the every day, JM Robert strives to create paintings that mimic the fla...

2023 Acrylic on stretched canvas 24" x 24"

Pastel on paper The German-born American Abstractionist Carl Robert Holty became known for his biomorphic abstract forms as well as his geometric abstractions that he painted with a ...

Nicely painted mid century impressionist painting of Lake Como, Italy. Oil on canvas. Signed. Framed.

Born: 1978 Cape Town, South Africa. Lives and works: Edinburgh, Scotland. At 17, Freemantle was selected as one of five students from around the world to study at St Oswald’s Academ...

Canadian artist Aron Hill is known for their unique minimalist form and intuitive sense of colour. Their landscapes often include familiar themes of the sun, moon and empty spaces re...

Hunt Slonem "Flutter Ascension in Blue" Butterflies Black outlined white and light blue butterflies on a gold and silver etched background in an antique frame. Unframed: 39.5 x 32.5...

Hunt Slonem "Untitled" Green Amazon Bird on Gold A painted Green Amazon Bird on a Gold scored metallic background in Hunt Slonem's old style in an antique frame. Unframed: 10 x 8 in...

Nicely painted impressionist seascape painting. Oil on canvas. Framed.

Nicely painted mid century abstract expressionist painting. Framed in a silver modernist molding. Signed lower right.

TN845-T, by Japanese contemporary artist Hachiro Kanno. H 41 cm x W 99 cm. Signed, sold unframed. Ink and acrylic on canvas. This artwork is a triptych composed by three panels measu...