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Greg AngusSpring Thaw
About the Item
Original - Mixed Media & Encaustic on Board
- Creator:Greg Angus (1961, Canadian)
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Toronto, CA
- Reference Number:1stDibs: LU2177213210992
Greg Angus
Artist Information: Greg Angus was born in Burlington, Ontario and currently resides in Toronto. He graduated from Queen's University in 1984 with his Bachelor of Fine Arts, and then continued his education at the University of British Columbia, receiving his Masters of Fine Arts in 1986. Since that time, Greg has participated in solo and group exhibitions around the world including Canada, Japan, France, and Scotland. Mr. Angus' work can be found in many important corporate collections including the Thames Bank in London, England, Tech giant SAP, Germany, Canadian Embassy in Tokyo, Japan, Prudential Securities in Tokyo, Japan, SKW Ltd. in Tokyo, Japan, Juroku Bank in Tokyo, Japan. Some of his past paintings have featured actor William Shatner, industrial designer Karim Rashid, international fashion designed David Dixon, bestselling author Neil Pasricha and many more. His work has been discussed over the years in The Globe and Mail, Japanese Culture Magazine, Now Magazine, MAG Mass Art Guide, Pie Magazine, and featured on CBC News World (to name just a few). Greg has been the recipient of Provincial grants to run special art projects for youth, the George Metcalf Charitable Foundation Grant, and the Arts in the Community Grant from the Toronto Arts Council. Process: Each painting is made with wax and oil paint on wooden panel. Two different types of wax are melted down and oil paint is added to the liquid wax to create a variety of colours. Each colour is applied to the panel in a single, complete layer. Layers are built up in specific colour sequences in order to achieve the correct frequency for the base of the painting. From there the composition is drawn onto the base panel. The negative areas of the composition are removed down to the panel allowing for a second, multiple layering of colour. This second layering is different from the first and is based on the quality of energy needed within the painting. Furthermore, because the second set of layers is applied to a base that has an uneven, almost landscape like surface, the layers of wax move into these cracks and valleys in unexpected ways leaving behind an exponentially more complex surface that marks the beginning of the final stage. Scrapers, chisels and knives are used to whittle away at the surface revealing the overall skeleton of the painting. Over the course of days and weeks this delicate excavation is repeated. It is a painstaking, intuitive process that demands absolute concentration and a complete letting go. When this state is arrived at the by the panel/wax/colour/painter the painting is complete.
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Located in Toronto, ON
Original - Mixed Media & Encaustic on Board
Category
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Prayer Wheel
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Category
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Original - Mixed Media & Encaustic on Board
Category
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Materials
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Temporal Shift
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Located in Toronto, ON
Original Encaustic Oil on Panel
Hand Signed by Greg Angus
Category
21st Century and Contemporary Abstract Paintings
Materials
Mixed Media, Encaustic, Board
$26,400
Pure Land
By Greg Angus
Located in Toronto, ON
Original - Mixed Media & Encaustic on Board
Category
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Materials
Mixed Media, Encaustic, Board
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Maru #13
By Greg Angus
Located in Toronto, ON
Original - Mixed Media & Encaustic on Board
Category
21st Century and Contemporary Abstract Paintings
Materials
Mixed Media, Encaustic, Board
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This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors.
About the artist:
Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY.
Artist Statement:
I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Resume:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY
Coordinator, Interior Design Program, Florence, Italy campus 1992-present
AWARDS
Finalist, “Saatchi Showdown” 2010
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY
“Donise English-Paintings”, Orange County Community College, Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”, Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY
“On/Of Paper”, Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition, Art Institute and Gallery
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“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”, Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL
“Women Painting Women”, McNeese State University, Lake Charles, LA
“Thought Patterns”, Kent Place Gallery, Summit, NJ
“Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center
“The Great White Oak”, Garrison Art Center, Garrison, NY
Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY
“Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
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Category
2010s Abstract Abstract Drawings and Watercolors
Materials
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