Condiments Animal Paintings

"Peonies in Liquid Elegance" is a beautiful rendering of April blooms and antique bottles collected by the artist. In this mesmerizing watercolor painting, the artist masterfully cap...

Oil painting 'Gifts of autumn', realized by Elena Mardashova in 2023. On canvas, dimension 50 x 60 cm.

ASHLEE SELBURG Ginger Cat Ink and pencil on paper 20 x 16 inches

This is a beautiful whimsical original butterfly painting on watercolor paper, currently floated on a matboard, ready to be frame. Painting does not include frame. One of the Owls fr...

"Timeless: Blooms in Crystal" is a beautiful rendering of April blooms and antique bottles collected by the artist. In this mesmerizing watercolor painting, the artist masterfully ca...

Bright flowers, juicy fruits and of course the helpers of our garden: hardworking bees. They also love the juice of ripe pears. Being behind a canvas woven from my thoughts and emoti...

Josh Talbott's (US based) "Who's Driving This Thing" is an acrylic painting that depicts yellow scorpion appendages with the body of a black car having been released from a glass jar. Bio: Josh Talbott grew up in suburban/rural Georgia in the southern US. His first work as a professional artist was in scenic painting and murals for various production companies. An attempt to deepen his well of possibilities led to New Orleans where as a street artist he sold works to people from all over the world before loosing everything in hurricane Katrina. With short stints in Santa Fe and then Los Angeles Josh arrived in the small coastal city of Los Osos, California where he lives and works today. His curiosity is voracious and interests are many, including scuba/ free diving, sailing, surfing, gardening, geology, rock hounding, rationality, AI, history, and philosophy. In his studio there is always an audiobook on, and outside of the studio there are all manner of activities making there way into his work. He has many private collectors scattered across the globe and murals in San Francisco. ARTIST STATEMENT We live in a time of extreme and accelerated change, growing complexity, and specialization. At every stage in our human trajectory from primitive beginnings crawling out of the sea to the present gauntlet of challenges, our thinking tools and their uses are central to the story of what it means to be human. My work is informed by a fascination with thinking tools and the effects of programming and environment through the different phases of life and our capacity for storytelling. My practice consists of constructing small-scale still life scenarios of toys and other artifacts of human development, then creating photorealistic acrylic paintings of these scenes. The work juxtaposes the familiar and playful with a contemporary, complex, adult world. While I am interested in the science of the mind, and what it means to be a human, my work seldom features the human form, focusing instead on the objects and items that are frequently left behind. As such, the subject of the painting becomes the viewer him or herself because their own humanity is ultimately what is revealed. My work honors toys as thinking tools for small people and the scenes depicted explore the ways in which the culture of our formative years leaves a lasting mark and continues to shape our storytelling. The plastic artifacts of my formative years carry memories of simultaneous confusion and wonder at the world around me. These are sensations and emotions still very much present in my life. What were your imaginings and dramas when you played with toys? Are you living them today? The multileveled still life paintings of familiar toys are bright and accessible and connect to the viewer's nostalgia and playfulness while provoking deeper insights into our current evolutionary, cultural, and technological moment. I place each little curio with care into meaningful relationship to their interlocutors and environment. The plastic dinosaurs often depicted are emblematic of childhood curiosities, of great wonder and speculation at past worlds and the depth of evolutionary time, and yet they are made of a material that illustrates our shortsightedness, a quintessential human quality that makes it quite possible that these plastic creations will outlast us all. I do my best to draw inspiration and resources from everywhere to build a visual language. In my divergent path I find the musical compositions and the story of composer, Philip Glass inspiring. The story of his devotion to his craft and his subsequent successes have encouraged and inspired me. I'm influenced by writers such as Kurt Vonnegut, Robert Sapolsky, and Yuval Noah Harari, the many books by Simon Winchester, Daniel Dennet, Robert Wright...

My Companion is a painting that highlights the relationship that existed between human and their pet, especially dogs. The untold loyalty, devotion, love, intimacy, and friendliness are very evident in this painting. The love which humans cannot get from fellow humans is being received by animals. My Companion shows that it is not gainsaying that humans receive succor from animals from time immemorial. The dog is seen imitating the lady by holding a flower just like the lady does. The icons and motifs generated from peacock feathers are weaved around the lady to reflect the elegance, pride, and independent status of the subject. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Emmanuel Ibitoye hails from Aiyedun in the Oke-Ero Local Government Area of Kwara State Nigeria. He developed an interest in art right from primary school. He further fuelled his passion for art at Osi central secondary School, Osi. He proceeded to Osun State College of Education Ila-Orangun where he studied fine and Applied art from 2012 to 2015. He is an Art Educator and a multi-media painter who uses his art to address issues such as environmental decadence, culture, and racism. He believes that art is a tool that can be used to bring about environmental and human sanity, cultural integration, and the breaking of racial barriers. He uses his art to project the black race in a dignified manner, he is the exponent of Neo- black Renaissance Art...

Philip Verhoeven Voyage au centre de la Terre (Jules Verne, prehistoric creatures, Iceland, cave descent) Acrylic and Marker on Canvas Year: 2024 Size: 15.75 x 15.75 inches Signed an...

'Memorable Guerlain', perfume bottles exquisitely painted by Adrienne Sherman in watercolor on Arches paper in 2022. The original painting 10 1/2 x 10 1/2 inches. Ships flat. Please ...

A farm stands before you on the horizon. A windmill majestically slices the blue sky. A bird, painted in taut brushstrokes, struts on a branch. These are tranquil images; horizon far...

Represented by George Billis Gallery. Paul Pitsker’s watercolor paintings combine the tradition of still life with narrative elements exploring themes of confinement, thwarted yearning and looming disaster, subjects that are now too familiar to all of us whose lives have been upended by the coronavirus pandemic. His interest is in "delicate subjects," a term meant not just literally as it applies to insect...

Santo (2021) by east coast street artist Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed long board skateboard depicting a portrait with a classic Sean 9 L...