Catherine McCarthy

Shell Collector

2020

John Gibson is a native of Massachusetts, born in Boston in 1958. He attended the Rhode Island School of design (where he earned a BFA in 1980), before earning his post-graduate degree from the prestigious master’s program at Yale. Gibson had his first one-man show at the University of Massachusetts in 1984, and he began showing in group exhibitions in the Boston and New York areas in the late 1980s. In the early 1990s Gibson’s paintings began to focus on pyramidal compositions of spheres resembling children’s playground balls, decorated in the manner of colorful soccer balls. Executed in oil on wooden panel, these pieces began to attract generous critical praise for Gibson from the pages of the Boston Globe, the Partisan Review, and the New Yorker, among others. Gibson’s paintings are filled with subtle yet provocative disjunctions, which challenge the viewer’s initial perceptions of the pieces. While these images would seem at first to be fairly simple atmospheric, realistic renderings of colorful balls, a closer examination will reveal that the surfaces of Gibson’s paintings are deeply scored by the artist in geometric patterns that sometimes conform to, and in other instances defy, the outlines of the spheres rendered in paint. An invisible substructure is suggested in these incisions, which also serve to reinforce the physicality of the painting. Some pieces also include incised and/or painted suggestions of shadowy architectural spaces (arches, hallways, shallow niches) in which the balls are placed. The scale of the objects rendered is ultimately unclear: the balls could be of the large, inflatable type, but they alternatively suggest the density of much smaller decorated wooden croquet balls...

Evoking a centuries-past sensibility, Catherine McCarthy's passionately rendered yet lyrical images form enigmatic art works that are rich with metaphorical allusions to the artist's...

Evoking a centuries-past sensibility, Catherine McCarthy's passionately rendered yet lyrical images form enigmatic art works that are rich with metaphorical allusions to the artist's...

Evoking a centuries-past sensibility, Catherine McCarthy's passionately rendered yet lyrical images form enigmatic art works that are rich with metaphorical allusions to the artist's...

John Gibson is a native of Massachusetts, born in Boston in 1958. He attended the Rhode Island School of design (where he earned a BFA in 1980), before earning his post-graduate degree from the prestigious master’s program at Yale. Gibson had his first one-man show at the University of Massachusetts in 1984, and he began showing in group exhibitions in the Boston and New York areas in the late 1980s. In the early 1990s Gibson’s paintings began to focus on pyramidal compositions of spheres resembling children’s playground balls, decorated in the manner of colorful soccer balls. Executed in oil on wooden panel, these pieces began to attract generous critical praise for Gibson from the pages of the Boston Globe, the Partisan Review, and the New Yorker, among others. Gibson’s paintings are filled with subtle yet provocative disjunctions, which challenge the viewer’s initial perceptions of the pieces. While these images would seem at first to be fairly simple atmospheric, realistic renderings of colorful balls, a closer examination will reveal that the surfaces of Gibson’s paintings are deeply scored by the artist in geometric patterns that sometimes conform to, and in other instances defy, the outlines of the spheres rendered in paint. An invisible substructure is suggested in these incisions, which also serve to reinforce the physicality of the painting. Some pieces also include incised and/or painted suggestions of shadowy architectural spaces (arches, hallways, shallow niches) in which the balls are placed. The scale of the objects rendered is ultimately unclear: the balls could be of the large, inflatable type, but they alternatively suggest the density of much smaller decorated wooden croquet balls...

Evoking a centuries-past sensibility, Catherine McCarthy's passionately rendered yet lyrical images form enigmatic art works that are rich with metaphorical allusions to the artist's...

Part of a new collection of painted porcelain panels by Chinese artist Yuan Lin, “Daydreams” is a luminous meditation on the sun's rays. In this painting, Lin...

A major work by Noche Crist (1909- 2004). Titled "The Devil's Mirror" and signed on reverse. The mirror in the center of the painting reflects a distorted ...

ELIXIER, Oil on Canvas, 80 X 100cm

Original painting. Oil, acrylic and paper on high quality canvas stretcher. Finished off with a soft glossy varnish. 60 x 80 cm 23.6 x 31.5". The sides are painted and it’s ready ...

original painting; acrylic and oil on canvas; mounted on wooden stretcher frame. 27.5x27.5". The sides are painted and it's ready to hang. No additional framing needed.

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...