Byzantine Figurative Paintings

The Virgin Mary holding the infant Jesus Italian 17th century oil on copper, in tabernacle frame Overall framed: 19 x 17 inches Actual copper panel: 14.25 x 11 inches Provenance: pr...

Archangel Saint Michael after an icon from Constantinople of the 14th Century. Artist: Oliver Samsinger Technique: Egg tempera on gesso and wood, with application of gold leaf Dimens...

The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...

Christ, the Great High Priest. Greek-Italian style Icon with silver filigreed oklad. Egg tempera, over gesso on wood with a silver cover, "oklad", with pol...

Icon of Our Lady of Jerusalem. Egg tempera on gesso and over a wooden board. Dimensions in centimeters: 42 x 34 x 2 cm / In inches: 16.54 x 13-39 x 0-79 " Author: Oliver Samsinger...

Icono of Saint Nicolas in the style of Russian icons of the 18th century. Egg tempera and gesso on wood, covered by a metal oklad made by the artist himself. The oklad, in principle, were made to cover damaged parts of highly revered ancient icons...

"Christ Pantocrator". After an Icon in the style of the Moscow school (15th century). Somewhat similar to that of Rublev. Author: Oliver Samsinguer Egg tempera and gold leaf on gesso and on wood. Dimensions; (H) 42 x (W) 33.5 x (D) 3.5 cm. (H) 16.54 x (W) 13.19 x (D) 1.38 in. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24-carat gold . Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

"Birth of Christ", after a Russian icon of the 15th century. Tempera and gold leaves on gesso, wooden board. Dimensions: (H) 68 x (W) 52 x (D) 4 cm. This icon sums up the events of the birth of Christ. At the top left the three wise men from the Orient approach on horses. ABOUT THE ARTIST Oliver...

The Virgin of Tijvin (after a Russian icon in the style of the 18th Century). Egg tempera and gold leaf on gesso over wood. Measurements in centimeters: 45 x 36.5 x 3 cm / In inch...

Califia (c. 1510) is the mythical Black warrior Queen and inspiring character in Garci Rodríguez de Montalvo’s 16th century epic poem, Las Sergas de Esplandián (The Adventures of Esplandian). In Montalvo’s tale, Queen Califia rules on the fabled island of California, a utopia brimming with pearls and gold and inhabited solely by her menacing army of black Amazon women...

Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...

Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of history as seen through a white lens. With Halo, Greenfield brings the stories of Black folk-saints, martyrs, freedom-fighters, survivors, magicians, and visionaries back into view. Many of the figures are from the 1400-1800s, a timeframe that corresponds with Europeans beginning to use racial distinction as a tool to justify slavery. Greenfield honors their simultaneously disturbing and astounding lives by bestowing them with halos, traditionally seen as reverential symbols of adoration and respect. “I am reimagining what a saint is,” Greenfield says. “Maybe in studying their stories, they can inform us on better ways to live.” Thought to have been a descendent of central African royalty...

Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...

Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...

Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...

One of the three biblical ‘magi’ or ‘wise men,’ King Balthazar gave the highly prized gift of liquid myrrh to Jesus upon his birth. Balthazar was an African King...