Bunker Figurative Paintings

Sketchy and expressive depiction of an artist painting at an easel by an unknown artist (20th Century). Dresses in a white smock, an artist works at an easel. The background is parti...

Night city. Oil on cardboard, 44,5x64 cm

Danny McCaw's (US based) "Red Symphony" is an original, handmade oil painting with impasto brushstrokes that depicts two ambiguous human figures of white and grey sitting in an inter...

Colliers Magazine 1947 American Scene Social Realism Modern Families in the Snow Katherine Wiggins (American 20th Century) "The Shrimp" 20 x 24 inch...

Oil Painting of River Landscape in Ireland Countryside by Modern Irish Artist. This original oil painting is an early example of the more traditional...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

Born 1979 in Warsaw. Works in painting and photography. Between 2001and 2006 she studied at the Warsaw Academy of Fine Arts in the studio of Professors Jaroslaw Modzelewski and Grzegorz Kowalski. In the years 1999/ 2004 she studied history of art at Warsaw University. Lives and works in Warsaw. Aleksandra Bujnowska...

Vintage Oil Painting of a River Landscape with Rain Clouds in Ireland by 20th Century Modern Irish Artist, John S Haggan (1946-2021) Art measures 20 x ...

Danny McCaw's (US based) "RAdiance" is an original, handmade oil painting with impasto brushstrokes that depicts an ambiguous figure of white and grey sitting in an interior of grey ...

Oil Painting of River Landscape in Ireland Countryside by Modern Irish Artist. This original oil painting is an early example of the more traditional...

Winter Gulls Original Landscape Oil Painting by 20th Century British Artist, Walter Robin Jennings. W R Jennings has exhibited in London, Paris & New York...

Signed lower left Elizabeth Higgins (Canadian, b. 1960) Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to begin a painting. Fidelity to the landscape, the figure, or the still life is relative, as she isn’t interested in literal depictions; instead, it’s the abstract relationships of these shapes and colors, the abstract pictorial design that drives her work. Higgins’ paintings are rooted in the tradition stemming from Courbet, Derain, Bonnard, Matisse, Morandi, German Expressionism, and the Canadian Group of Seven (also known as the Algonquin School of landscape painters, 1920–1933). She is influenced by the work of her artist-teachers Paul Resika—himself a student of Hans Hofmann—and Robert De Niro, Sr. (1922-1993), as well as the paintings of contemporary artist Peter Doig. Her artistic evolution stretches across this continuum. It is the “in-between”, the hovering between representation and abstraction, that interests her, not the labeling effect of details; instead, she aims directly at the spirit of the painting—of making something come to life. John Goodrich wrote in her catalog essay, “Elizabeth Higgins’ direct brushwork and simplified forms suggest an energy, but crucially, reveal a painter who knows the power of color…” Elizabeth Higgins was born in Toronto, Canada, in 1960. As a Helena...