Horizontal Interior Paintings

Painting for me is an experience, where we learn every day and unlearn what we’ve learnt, and also as a portal to connect to the past, present & future. I was inspired to create thi...

"Green happy life" is an abstract painting distinguished by its texture and interwoven layers of color. Green tones predominate, complemented by flashes of blue, red, and green. It f...

Surreal Anthropomorphic Interior, Dalí Circle Cadaqués Spanish Oil Painting Artist: Antoni Pitxot Technique: Oil on cardboard Date: 1996 Signature: Signed “Pitxot 96” lower left Ins...

King Charles Spaniel on Blue Cushion British Dog Portrait Oil Painting by John Young Hunter RSA (British, 1875–1955) oil on canvas, signed lower right Canvas: 21½ x 29½ inches / 54...

Antique American sunset landscape oil painting. Oil on board. Framed. Unsigned. Measuring: 12 by 14 inches overall, and 8 by 9 painting alone. Excellent condition, ready to hang an...

Concerto Cubiste Oil on canvas 65 x 81 cm (25.6 x 31.9 in) Framed dimensions: 72 x 88 cm (28.3 x 34.6 in) 2026 Black floating frame included In this contemporary geometric compositi...

Emil Ferdinand Heinrich VOLKERS Oil painting on canvas signed and dated A fantastic painting for all sporting and equestrian collectors. Picture Size: 10 x 13" (26 x 33cm) Framed ...

Formes en suspens by Sophie Dumont is a contemporary abstract oil painting on canvas measuring 89 x 116 cm. The work is presented in a black floater frame. This large-scale compositi...

This intimate studio interior from 1930 belongs to the more psychologically engaging side of Carlo Hornung Jensen’s oeuvre. A seated woman has paused beside her easel and turned towa...

The Still Life Composition by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE signed oil on canvas, framed framed: 19 x 23 inches canvas: 18 x 22 inches Provenance: all th...

In The Arches of Time, French contemporary painter Sophie Dumont explores the idea of architectural memory through a refined geometric language shaped by layered oil paint and subtle...

ARTIST: Unsigned 17th Century Dutch School TITLE: 'Butchers With Hanging Pig" MEDIUM: oil on panel SIZE: 71cm x 55cm inclusive of frame, the panel alone is 56cm x 40cm CONDITION: h...

Three Flower Oils singed initials by Irina Hale (British 1932-2022) oil paintings on artist paper mounted in a frame Glass covering Inscribed Veso overall framed: 13.75 x 22 inches L...

Antique American modernist sailor portrait oil painting. Oil on board. Framed. Unsigned. Measuring: 9 by 14 inches overall, and 7.5 by 13 painting alone. Excellent condition, ready ...

Luminous Mediterranean View of Sitges Church with Palms and Flowers Artist: López-Valle Title: View of Sitges, Church of Sant Bartomeu i Santa Tecla Medium: Oil on canvas Period: circa 1970–1979 Signature: Signed lower left Artwork dimensions: 19 × 24 cm / 7.48 × 9.45 in Framed dimensions: 33 × 38 cm / 12.99 × 14.96 in Frame: Decorative frame included Provenance: López-Valle oil paintings exhibition, documented on the reverse with original exhibition card dated 1979 Condition: Very good overall condition. Stable paint surface. Minor age-related wear to the frame, consistent with age. Ready to hang. DESCRIPTION A charming and luminous Mediterranean oil painting depicting the iconic Church of Sant Bartomeu i Santa Tecla in Sitges, one of the most recognizable architectural landmarks of the Catalan coast. The composition captures the church from a highly desirable viewpoint, framed by tall palm trees, lush Mediterranean vegetation and a vivid foreground of red flowers. The result is a small but visually rich painting with strong decorative presence, full of coastal light, architectural character and warm Mediterranean atmosphere. The artist uses a loose, expressive brushstroke and a bright palette of turquoise blues, sandy ochres, fresh greens and floral reds. The impasto in the sky, church façade and garden areas gives the surface a lively texture, while the diagonal path leads the viewer naturally toward the historic church and its bell tower. This is exactly the kind of Mediterranean coastal subject that performs well with international collectors: intimate scale, recognizable location, architectural charm, palm trees, flowers, sunlight and Spanish post-impressionist atmosphere. A little Sitges jewel, basically the painting equivalent of a terrace table with sea breeze and no tourist asking where the beach is. The original exhibition card preserved on the reverse, dated 1979, documents the work’s presence in an oil paintings exhibition dedicated to López-Valle, adding period context and collectible appeal. Its modest size makes it especially suitable for interiors, gallery walls, Mediterranean-style decoration, coastal homes, libraries, bedrooms or refined small spaces where a luminous European landscape can act as a concentrated window of light. European art with a Mediterranean soul. ARTIST BIOGRAPHY López-Valle was a Spanish painter active in the second half of the 20th century, particularly associated with traditional oil painting and Mediterranean subjects. His work reflects the enduring appeal of Spanish coastal landscape painting, combining architectural views, garden settings and luminous color with a direct, post-impressionist handling of paint. This painting is especially interesting because the original exhibition card on the reverse places the artist within a documented exhibition context in 1979, confirming that his works circulated publicly during the period. López-Valle’s paintings are appreciated for their decorative quality, approachable scale and ability to capture recognizable Spanish places with freshness, color and atmosphere. ARTISTIC CONTEXT / PICTORIAL INSPIRATION This work belongs to the tradition of Catalan and Spanish Mediterranean landscape painting, a school deeply connected to light, coastal architecture, gardens, palm trees and open-air observation. Its luminous handling of color and its decorative view of Sitges recall the atmosphere sought by collectors of artists such as Santiago Rusiñol, Eliseu Meifrèn, Joaquim Mir and Josep Amat, painters who helped define the poetic and chromatic identity of the Catalan coastline. While López-Valle maintains his own modest and direct pictorial language, the painting clearly participates in that same Mediterranean lineage: sunlit architecture, garden foreground, loose brushwork, atmospheric blue sky and an elegant sense of place. This makes the piece attractive not only as a view of Sitges, but also as part of the broader collecting category of Spanish impressionist and post-impressionist coastal painting. TAGS mediterranean landscape sitges church painting catalan landscape painting spanish coastal painting spanish impressionist style post impressionist landscape mediterranean architecture art church landscape artwork palm trees painting flower garden painting...

Vintage Figurative Cat Oil Painting on stretched canvas by French artist Berthine Marceau, signed on the left and dated 1989. This gorgeous, unusual, charming and whimsical cat inte...

A beautiful oil painting on canvas from the second half of the 19th century. It depicts a church interior with rare intensity. The attention to detail, the quality of the brushwork, ...

ARTIST: P J V Russell ? (Mid/Late 20th century) British TITLE: "View From A London Window" SIGNED: labelled verso MEDIUM: oil on canvas SIZE: 45 x 35cm inclusive frame CONDITION: ...

This original oil painting by Sophie Dumont, a French contemporary painter, reflects her distinctive approach to landscape through abstraction, structure, and material depth. Born i...

This oil on canvas by Sophie Dumont presents a structured composition where curved forms and vertical elements intersect in a finely balanced architectural space. Built through succ...

What we see here is not an ordinary floral landscape, but a state of time, that brief moment between day and night, when the air still retains warmth, but the light has already becom...

shipped rolled in a tube. I Let Myself Bloom from the series Inner Landscapes This work is part of the Inner Landscapes series, where landscape becomes a reflection of an inner stat...

The painting – which depicts the moment the young lovers in Thomas Dibdin’s Georgian pantomime discover the solid gold egg laid by the magical bird gifted to them by Mother Goose – d...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

Antique American oil painting . Oil on canvasboard. Signed. Framed. Measuring: 13 by 17 inches overall, and 10 by 14 painting alone. Excellent condition, ready to hang and enjoy.

The Two Puppies by Gabriel Metsu, Continental artist late 20th century signed oil on panel, framed framed: 11 x 13.5 inches panel : 7 x 9.5 inches Provenance: private collection, UK ...

Sergei Malishevsky (1956–2020) was a Belarusian painter renowned for his distinctive surrealist style and vivid artistic voice. He was in Moscow to Algirdas Malishevsky, the eminent ...

Modernist Still Life with Teapot Bottle and Bowl Soft Green and Terracotta French Oil Painting by Laure Noetzlin-Azam (French, 1929–2024) pupil of André Lhote oil on canvas, unframed...

In this work, the artist immerses the viewer in a living, breathing environment—a space where color becomes a state, and texture a tangible memory of summer. Intertwined stems, leave...

Title: Passage des Volumes Artist: Sophie Dumont Medium: Oil on canvas Dimensions: 65 x 54 cm (25.6 x 21.3 in) Framed dimensions: approx. 72 x 61 cm (28.3 x 24 in) Year: 2025 Conditi...

The serene ceramic jar anchors the composition, creating a quiet dialogue between matte surfaces and glossy fruit. The carefully draped striped tablecloth introduces rhythm and movem...

Expressive Castilian Landscape Oil Painting with Olive Trees and Impasto Artist: Ulpiano Carrasco Title: Verano en Castillejo Year: 1998 Technique: Oil on canvas Artwork dimensions: 54 × 65 cm / 21.26 × 25.59 in Framed dimensions: 78 × 89 cm / 30.71 × 35.04 in Signature: Signed and dated on the reverse Inscription: Titled “Verano en Castillejo” on the reverse Framing: Framed Condition: Good overall condition, with rich original impasto and visible pictorial texture Description A vibrant expressive landscape by Spanish artist Ulpiano Carrasco, titled Verano en Castillejo and dated 1998 on the reverse. This oil on canvas represents a powerful Castilian landscape, built through dense impasto, energetic brushwork and a luminous palette of greens, yellows, blues, whites and earthy reds. The composition captures an open rural panorama with olive trees, rolling cultivated fields and distant hills, transforming the Spanish countryside into an intense chromatic experience. Carrasco does not approach landscape as simple topography. His painting turns nature into matter, rhythm and emotion. The fields appear almost sculpted with paint, while the olive trees emerge as dark, expressive forms against the vibrating surface of the land. The result is a landscape full of movement, heat and Mediterranean-Castilian atmosphere. The work is especially attractive for collectors of Spanish contemporary landscape painting, expressive impasto painting, Mediterranean landscapes, olive tree paintings...

FREE SHIPPING - This artwork is shipping UNMOUNTED and ROLLED UP in a tube and you can stretch it very easy to your local framer. In this very beautiful large colorful, bold, vivid a...

This previously unpublished painting was first securely attributed to Govert Dircksz Camphuysen in 1944, following an examination at the Nationalmuseum in Stockholm during which the ...

Title: French Town Square Impressionist Painting with Figures and Market Stalls by Fanch Lel Size: 8.75 inches (height) x 10.5 inches (wi...

Bartholomeus van Bassen (The Hague 1590-1652) An interior of a Gothic cathedral with figures signed and dated 'B v Bassen / 1650' (on pillar, lower right) Oil on panel Painting size ...

In this piece, I poured my emotions into a dance of textures and soft hues. The creamy creams, gentle pinks, and calming blues blend with unexpected bursts of black to evoke a serene...

Classical Still Life of Fruit in Basket with other objects Italian artist, 18th century oil on canvas, unframed canvas: 24.5 x 33 inches provenance: private collection, UK condition:...

Poem By Ron Padgett "I’m in the house. It’s nice out: warm sun on cold snow. First day of   spring or last of   winter" I don't have many words to describe the joy that the garden c...

The Card Players Flemish Old Master, 17th century based on a version (in reverse) of a painting by Cornelis de Vos (Flemish 1584-1651) oil on canvas, unframed Canvas: 39 x 62 inches ...

This original oil on canvas is in excellent condition and and has only been shown in a gallery setting. The size dimensions do not include the frame. This item is signed by the arti...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Sold and sent unframed -V...

Vincent De Vos Two Terriers in a Stable Interior Oil on panel Circa 1870 Signed lower right; further inscribed verso Original frame A finely executed and characterful 19th-century a...

"Triple Windows," is a mixed media painting depicting the interior of a dimly lit room with three large, arched windows. The windows occupy the upper half of the composition and reveal abstracted cityscape forms in muted blues and grays. Below the windows, a curved blue banquette...

A charming interior scene. Natural light streams through the window, an umbrella leans against a chair beside a stove, and boots sit next to a large basket, where canvases are stacke...

An Elegant, Stylish Gilded Age Themed Interior Scene / Set Design by notable stage set, costume and fashion designer, Andre Delfau (Fr./Am. 1914-2000). Artwork is gouache on paper, ...

Still Life of Flowers by Josine Vignon (French 1922-2022) oil painting on artist paper, unframed stamped verso paper: 13 x 17 inches very good condition provenance: the artists esta...

Elegant Figures in Interior *see notes below Italian School, mid 18th century most likely of Venetian origin oil on canvas, unframed canvas: 10.75 x 11.75 inches provenance: private ...

Leigh Ann Van Fossan's "Breathe in the Warm Salty Air" is an original acrylic and charcoal painting depicting a blue vase with flowers next to a picturesque scene featuring a blue oc...

Flowers In Blue Vase French School, mid 20th century oil on board, unframed Board: 10 x 13.75 inches Provenance: private collection, France Condition: good overall condition, some su...

Glass Ornament Josine Vignon (French 1922-2022) ...

In this piece, I've sought to capture the ethereal glow of twilight embracing the iconic architecture. The playful dance of light and shadow melds realism with a hint of impressionis...

This piece is a celebration of contrasts—the intense dance between light and shadow, order and chaos. Using acrylic, I layered textured strokes and splashes of gold to evoke emotion ...

As the moon climbed higher, the stories grew darker, more fantastical. Whispers of mermaids, shipwrecks, and buried treasure filled the air. The harbor town, once a bustling hub of a...

Alexander Mikhailovich Kishchenko (1933–1997) was an outstanding Belarusian monumentalist artist whose work significantly influenced the development of visual arts in Belarus during ...

Still Life of Fruit by Frederick J Stanier (1830-c.1912) oil on canvas, unframed canvas: 8.25 x 10 inches provenance: private collection, England condition: a few minor scuffs and m...

Antique French interior portrait oil painting by Charles August Corbineau (1835 - 1901). Oil on canvas. Signed. Framed. Measuring: 38 by 44 inches overall, and 29 by 36.5 painting al...

Artist Comments
A woman sits outside a Philadelphia bistro, reading her book. The bright morning light shines through the establishment's windows, revealing a glimpse of its i...

Artist/ School: August Pietri, French mid 20th century, signed Title: attic room interior scene with a window overlooking winter snow rooftops Medium: signed oil painting on board...

Elisabeth Voigt (German, 20th Century, d. 1977) Oil on board (likely hardboard / Masonite); Dimensions: • Image: 22 × 16 cm • Framed: 35x29x5 cm Signed lower left. A charming and...