Horizontal Interior Paintings

* Title: Fish painting * Size: 28 by 20 inches * Materials: oil, stretched canvas, palette knife * Shipping: Gallery standards packaging. shipped with tracking number, stretched in box This stunning oil painting on canvas by artist Olga Nikitina captures the beauty of marine life in an underwater scene. The exquisite detail and bold use of impasto technique brings to life the vibrant colors and textures of the tropical coral reef and the fish that inhabit it. Measuring 50x70cm, this seascape is the perfect addition to any art collection, whether you're a fan of fish art or simply appreciate the beauty of ocean art. With its intricate depiction of marine life, this fish artwork...

Benny Andrews New York Cafe, 1966 Signed, titled and numbered in pencil, lower margin Lithograph on wove paper Image 10 1/2 x 14 1/4 inches Sheet 13 x 18 inches Edition 201/250 Ben...

SALVADOR SÁNCHEZ BARBUDO Spanish, 1857 - 1917 THE CARDINAL'S VISIT signed, located and dated "Barbudo / ROMA 1902" (lower right) oil on canvas 22 x 33-2/3 inches (55.5 x 85.5 cm.) framed: 36-1/2 x 48-1/4 inches (92.5 x 122.5 cm.) PROVENANCE Private Collection, Munich LITERATURE Visita con el cardenal combines the two most salient characteristics of Sánchez-Barbudo's work: the search for novelty of theme and narrative content, and the use of minutely detailed brushwork and luminosity. Sánchez-Barbudo specialised in elaborate 'costume pictures', delighting the viewer with impressive details finely rendered with dazzling technical virtuosity. Here, Sánchez-Barbudo depicts a well-to-do bourgeois family receiving a cardinal in their home. The interior, sumptuously furnished in the rococo style, along with the rich costumes and fabrics, are beautifully observed. Yet beyond the high technique lavished upon the composition, the treatment is comic and full of character and suffused with a gently satirising anti-clericalism. The cardinal, far from getting the attention he expects, is, literally, sidelined, his expression and body language showing his pique. There is no doubt that contemporary collectors and spectators took pleasure in the sight of noble self-respecting figureheads of the church being brought back down to earth. The comedy was appealing, and the message suited the prevailing political mood of an increasingly secular middle-class buying public. Salvador Sánchez Barbudo was born on March 14, 1857 in Jerez de la Frontera (Cádiz). He was one of the most important Spanish artists of the "casacón" genre, who followed the Fortuny tradition in Rome. During his childhood he was under the protection of the Marquis del Castillo and in 1875 he moved to Seville where he attended the School of Fine Arts, becoming a disciple of José Villegas...

This is an original unique oil painting by the artist. Bernard Pothast was born on 30th November, 1882 in Hal, Belgium. He studied painting at the Rijksakademie in Amsterdam between ...

"In the Studio" is a compelling exploration of the artist's workspace, where the tools of creation are celebrated as subjects in their own right. Sophie Dumont captures the essence o...

Spanish Orientalist oil painting of the Alcázar of Seville by López Cantero Spanish, Late 19th Century Canvas: Height 54cm, width 67cm Frame: Height 80cm, width 92cm, depth 3.5cm Th...

After the painting by John Lomax,who was an English genre painter The scene is great fun, as we can see different groups all enjoying the Classic English Pub interior...

Contemporary Impressionist Still Life by Helen Greenfield (British 20th century) signed initials oil painting on board, framed framed: 25 x 31 inches board: 24 x 30 inches condition:...

Vintage Oil Painting "Strings and Brass" Symphony Oil Painting c.1989 Original oil on canvas Canvas dimensions 24" wide x 16" high The simple maple frame measures 25" wide x 17" h...

Samir Sarkar - Untitled 36 x 72 inches Acrylic on Canvas ( Unframed & Delivered ) Style : He says, “All my paintings have people wearing some headgear that has a face painted on the...

Abstract by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 19.5 inches good condition provenance: from the artists estate, France Josin...

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...

Apricots signed by Georges Bordonave (French contemporary) oil painting on board, unframed dated 1979 board: 18.5 x 21.5 inches condition: very good, a few minor scuffs to the edges ...

In this piece, I've poured my soul into capturing the essence of movement and freedom. With each stroke of acrylic and oil, I've blended realism with a hint of impressionism to embod...

Boldly colored portrait of a woman on a sofa by Nealon A. Mundt (American, 1939-2015). A woman is reclining on a dark blue sofa, with a pink wall in the background. The woman is wearing a white top and a pink skirt, with a red bandana on her hear. Her skin is rendered in a fauvist style, mixing bold yellows and greens with skin tones. There are paintings hanging on the wall behind the sofa. Signed and dated in the lower right corner. Titled, signed, and dated on verso. Presented in a wood frame with a linen fillet. Canvas size: 24"H x 36"W Nealon Mundt...

This abstract geometric acrylic painting is a vibrant and playful composition that draws inspiration from vintage Italian parasols. With a focus on bold, bright colors and clean line...

Wonderful German genre painting of 17th century tavern scene in style of Franz Hals by Karl Josef Muller (German, 1864-1942) dated 1918. Signed and dated lower left corner "Karl Muller - Hamburg 1918". Condition: Good; professionally restored: Canvas restreched on new stretcher bars; five repairs made to small tears in canvas (see image); cleaned and re-varnished with UV-resistant varnish. Unframed. Image size: 39.5"H x 55"W. We have the original frame which needs some extensive repair to the gesso. Happy to include the frame with the painting as is. Karl Müller was born in Hamburg-Altstadt in 1865. His wealthy Jewish parents Abraham Müller (1832-1896), citizen of the Hanseatic city since 1869, and Henriette "Jette", b. Burchard (born 1832 Neubuckow / Mecklenburg), had a cigar factory at Spielbudenplatz 5 in St.Pauli. When Karl Müller was ten years old, next to factory and warehouse, now at Speersort 11 (Altstadt), there was also a branch in Altona-Ottensen with the address Am Felde 68. The family lived at the time at Pferdemarkt 13 (Old Town). After attending the Jewish Foundation School at the Zeughausmarkt, Karl Müller completed a three-year lithography apprenticeship. From 1886 to 1888, he studied at the Royal Saxon School of Applied Arts in Dresden with the history and decoration painter Donadini, then with Professor Hanke of the Prussian Academy of Arts in Berlin. Karl Müller's painting style was conventional-realistic and did not follow modern trends. In 1891, the oil paintings "Preparation for the Service", "In the guardroom", tattoo", "gymnastics lesson", "covert patrol” and "return from the field service exercise”, whose main motive almost always soldiers formed.In 1893, he painted the" invasion of the 76er " as a horizontal format in black and white, the painting was acquired by the Museum of Hamburg History in 1930. The disposition of Karl Müller could be classified as "kaisertreu" and "national" (Maike Bruhns) at this time - not by chance he acted with his Nicknamed "Soldatenmüller", he successfully participated in exhibitions in Berlin and Hamburg before the turn of the century. Even at this time, the frequent change of residence is striking: 1893 Papendamm 25 (Rotherbaum), 1896 Bundesstraße 9 (Rotherbaum). In 1898 he was in the Hamburg address book as a "genre and portrait painter" with the residential address 1. average 43 (Rotherbaum) out. At the age of 38, Karl married in 1903 in the Hanseatic city of the Jewish Louise Hauer (born 12.2.1872 in Hamburg), called "Lieschen". Before her marriage, she lived with her mother at Grindelberg 78. Her father, Martin Hauer (1836-1897), also born in Hamburg and was a citizen of the city since 1862, owned a factory for soap and perfume. In 1904 and 1911, the two daughters Karla and Lotte were born. 1904, the family lived at this time in the Bogenstraße 20, Karl Müller commissioned a portrait of the emigrated hamburger Henry Jones opening the same lodge in the Hartungstraße 9-11. Already at this time he might have been a member of the Hamburg Artists Association of 1832. Starting from 1908 further change of dwellings on the basis of the telephone books are comprehensible: nearly yearly the family moved and moved thereby from the Grindel quarter over Hoheluft east to Harvestehude and Winterhude. Around 1912 she moved into an apartment in Sierichstraße 156. Here, the landlord Schröder provided the artist with an area of ​​around 45 square meters as a studio on the dry floor. But the building police criticized this use and after some disputes, the painter had to move once again with family and studio. The official telephone directory recorded as an address from 1914 to 1918 Klosterallee 20 (Harvestehude). Friedrich Jansa described Karl Müller's changed motif choice in his artist's glossary in 1912: "In recent years he has been watercolouring a lot in the Hamburg area and now mainly takes his motifs from Hamburg harbor...

Triptych (The size of the picture is 90x150cm. It will be sent in a TUBE! Therefore, it will be necessary to give it to the workshop to stretch the picture on a stretcher.) 150х270 c...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK In 'Little Woman', I reflect on the inner strengt...

Oil Painting of Whale - Impasto Palette Knife Artwork on Canvas Dive into the mesmerizing beauty of the ocean with this stunning oil painting of a whale, created using the impasto t...

Nordic school of the 18th century Oil on panel on wood 27 cm x 33 cm (42 x 51 cm with the frame) Old frame in carved and gilded wood Good condition even ...

Artist/ School: French School, signed lower left, circa 1970's Title: The Interior. Medium: oil painting, on canvas, framed. Size: frame: 25 x 41inches painting: 23.5 x...

In this piece, I've poured my soul into capturing the ephemeral beauty of twilight dance on water, embracing the blend of expressionism and impressionism. The vibrant colors intertwi...

Extra-large dramatic painting from 1985 by Francois Boissiere (1956 - )

Private readings - Angelo Granati Italia 2013 This is his reinterpretation of a greatest old master painting "Comparisions"by Sir Lawrence Alma-Tadema. ...

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

'The New Arrival' A Mother with her Children A first class example of Pothast's work. The faces are beautifully done with fantastic light cascading into the room. The mother is shar...

A fine impressionist oil painting of the artist’s studio interior by American artist Charles Herbert Woodbury (1864-1940). Woodbury was born in Lynn, MA, and sold his first painting when he was fifteen years old and became the youngest member elected into the Boston Art...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

A beautiful modern abstract, 100% handmade painting, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched heavy canvas. Dimensions: 140X100X4 cm, 55.1...

In this oil painting, I've poured my soul into capturing the timeless elegance of roses, a symphony of color and emotion. Every brushstroke is imbued with passion, reflecting the dan...

Jozefina Kirchner (1890–1931) "The Pincio Fountain in Rome" (1923)** This atmospheric oil painting on canvas by Jozefina Kirchner, completed in 1923, captures a captivating view of t...

In this piece, I wanted to capture the tumultuous beauty of the sea under a turbulent sky. The vibrant oil colors allow me to explore the depth and texture of the waves cresting bene...

In creating this painting, I sought to capture the dynamic and ever-changing spirit of the sea. Using oils, I blended the techniques of impressionism and realism to give life to the ...

(The size of the picture is 90x150cm. It will be sent in a TUBE! Therefore, it will be necessary to give it to the workshop to stretch the picture on a stretcher.) In this vibrant fu...

Oil on canvas Canvas size: 32 x 45 inches Framed size: 35.5 x 50 inches Signed lower right

Gabrielle MILLIOUD-MELAY (1875-1931) Peonies and Cherries Oil on canvas signed low right Old frame Dim canvas : 54 X 73 cm Dim frame : 76 X 95 cm French painter 19th century Lyon S...

Champagne Bottle with Grapes & Pot Still Life Interior Original Oil Painting by 20th Century Artist Artist William Henry Burns (1924-1995). Framed in a high quality off-white shabby chic...

Still Life by Paul Flaubert (1928-1994, French) signed oil on canvas, framed framed: 17 x 24 inches canvas: 15 x 22 inches provenance: private collection, France condition: very good...

I think that many have read Alexander Dumas novel “The Count of Monte Cristo” and know about If Castle, where the prisoner languished. Arriving a...

In this oil painting, I aimed to capture the untamed essence of the sea. The energetic brush strokes and vivid blues express the sea's raw power and the fleeting calm between its wav...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. “Oranges with Jar” by Laura Critchlow is an exquisite still li...

An extra-large red abstract composition that invigorates the bystander with its powerful red and black color play. This oil painting is an exquisite example of a mid-century modern a...

In creating this piece, I wove the luminous warmth of a sunny morning in Venice with the textures and hues of oil, acrylic, and oil pastel. My brush strokes reflect a dance between i...

Sardines Painting School of Fish Oil on Canvas Palette Knife Art Impasto Artist draw her inspiration from interaction with underwater world while sc...

This is an impulsive abstraction with water lilies and a waltz rhythm. The artist Lana Ritter has created an expressive floral chaotic abstraction. She tri...

ABOUT THE ARTWORK In my "PERICHORESIS SERIES," the painting titled "Faith is Tested in Difficult Times" captures the essence of enduring spiritual strength amidst life's adversities....

An outstanding oil painting depicitng 3 figures seated around a table with flower vase. The bright colors and quick brush strokes are what makes this piece so attractive and desirabl...

Soft yellow abstract shapes with curves and lines, 'Still Life' from Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Still Life' — 3 x 4 feet (36 x 48 inches), — is from a series of paintings that characterize sacred spaces such as Mexican chapels...

Helen Mount's painting Breathe Slowly/2 embodies the theme of calm and reflection, which is key to the artist's new collection. A huge sky filled with light clouds dominates the calm...

Presenting an outstanding original oil painting by American artist Thomas Prentiss b.1920. Three Pears, is painted in the hyper realistic trompe l'oeil style, viewing this painting ...

Lady Reading by Helen Greenfield (British 20th century) signed initials oil painting on board, unframed dated 2000 board: 17.75 x 23 inches condition: overall very good provenance: ...

Interior with Man at Table American Modernism WPA Social Realism Modern Painting Philip Evergood (1901 - 1973) Untitled (Interior with Man at ...

The original oil painting. Canvas on cardboard 30*40 cm. The artwork is framed. The work was created with a palette knife and a paintbrush, using environmentally friendly oil colors...