Medium Interior Paintings

"The Tailor" is an original artwork by Eustace Mamba and measures 24"h x 30"w x 2"d. The artists cuts, arranges, sews, and collages fabric and paints to create layers of texture and ...

ARTIST: Frank Johnson (1917-1998) British TITLE: “Female Nude In Bathroom Interior" MEDIUM: oil on canvas SIZE: 70cm x 59cm inc frame CONDITION: very goo...

Alexandre de Spengler (1893–1973) was a Swiss painter and engraver active in Geneva and Paris. He is known for his land and seascapes, as well as...

Still Life by M. Peiffer, French 1940's signed and dated 1946 oil on canvas, framed framed: 26 x 30 inches canvas: 24 x 28 inches Provenance: private collection, Paris Condition: ve...

Elegant Lady in Interior French School, circa 1890's period oil on canvas, unframed painting: 27 x 21.5 inches Provenance: private collection, Paris Condition: very good condition F...

Title: "Voluptuous Nude Muse" Artist: Apyle Technique: Oil on canvas Dimensions: 24.4 x 20.5 in Framing: Unframed Style: Figurative with neo-figurative influences Period: Contemporar...

The vibrant artwork "Floral Emotion", by French artist Natalya Mougenot, radiates energy through its dynamic use of color and movement. Embracing an abstract approach, the artist int...

This abstract painting is part of a series in which I explore the chromatic relationships between colors and tones, inspired by the art and aesthetics of pre-Columbian cultures. In a...

This vibrant floral abstract artwork titled "Pink Blooms," created by French artist born in Kazakhstan, beautifully captures the essence of blooming roses through bold and expressive...

Still Life of Fruit Guy Nicod (French 1923 - 2021) signed oil on board, framed framed: 28 x 22 inches board: 26 x 20 inches provenance: artists estate, France condition: very good an...

Incredible signed early American dog portrait painting. Oil on board. Signed. Housed in a period gold giltwood frame.

Floral Still Life signed oil on canvas, unframed dated 1941 Canvas : 20 x 26 inches inscribed verso Provenance: private collection, Paris Condition: very good condition Description:...

In this oil painting, I've explored the delicate interplay of color and light, capturing the ethereal beauty of blooms. My strokes convey passion and emotion, creating a dance betwee...

Impressive early American modernist interior scene portrait painting by Martin Friedman (1896 - 1980). Oil on canvas. Framed. Signed. Lovely detail and in excellent ready to hang...

Jordi Curós Ventura (1930-2007) - Woman in rocking chair - Oil on canvas. Work measurements 61x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish paint...

Glass Ornament Josine Vignon (French 1922-2022) ...

Artist/ School: Guy Benard (French b.1928) signed lower corner. Painter from Rouen, Normandy, exhibited throughout France. Title: Still Life of Flowers Medium: signed oil on canva...

In crafting this piece, I've poured my zeal for nature's beauty into every stroke. The oil medium allowed me to layer textures, creating a tapestry of emotions. This painting evokes ...

READY TO HANG with the edges painted. Size: 80x80X2 cm, 31.5x31.5x0.8 inches. I signed and dated on the front and I also put my relief signet as you can see an example at the last pi...

Rare early American fauvist interior scene. Great colors and composition. Oil on canvas. Nicely framed. Measuring 20 by 24 inches.

"Blooming Floral Beauty" is a contemporary, vibrant abstract expressive painting created by French artist Natalya Mougenot. This artwork is part of her abstract series, where she exp...

Interior scene oil/canvas, 64x70. cm., 1995.

Nicely painted Flamenco dancer portrait. Framed. Oil on board. Signed. Image size, 20H by 16L.

L'Absence Écrite is a striking work that plays with contrasts and empty spaces to subtly express a reflection on knowledge and absence. Through this oil on canvas, measuring 80 x 80 ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Go...

"White lilies" floral still life realism of the Volsky Lily. The painting is done in oil on canvas. It is written in 3 layers. Flowers look very impressive on a dark background. Lil...

Still Life of a Vase of Red & White Flowers by 20th Century American Artist, Robert Cox (1934-2001) Art measures 24 x 20 inches Frame measures 29 x 25 inc...

Quang Ho's "Bathroom Window" (2024) is a beautiful impressionist nude portrait of a woman drying off in the bathroom, with sunlight shining dimly through a window behind her. About...

Antique American school impressionist still life oil painting. Oil on canvas. Framed. Measuring 23 by 27 inches overall and 20 by 24 painting alone. In excellent original condition....

Impressive early American interior scene oil painting. Framed. Oil on canvas. Image size, 20H by 16L.

Profusion of Flowers Classical Still Life Dutch School, 19th century oil on canvas, unframed canvas : 32 x 21 inches provenance: private collection condition: very good and sound con...

Purple lace of white peonies" realistic still life by Lilia Volskaya. Flowers are the ultimate delight in beauty, which is flawless. The slight curves of lines, tones and semitones, ...

In "Between the Lines," Sophie Dumont masterfully transforms the canvas into a visual symphony using her expert knife painting technique. This painting, measuring 65 x 54 cm, is dist...

Wonderful American modernist portrait painting. Framed. Oil on canvas. Image size, 20H by 16L.

Professional realistic winter painting with a river is wonderful part of collection, looks great in the interior. Winter is one of the most challenging seasons of the year in terms o...

Up for sale is an antique original oil painting on canvas after Federico Mazzotta (Italian, 1839 - 1897) titled "Stealing a Taste". This painting depicts a warm domestic scene, ...

Impressive early American exhibited pointillist still life oil painting by Katherine Kavanaugh Cahill (1884 - 1962). Framed. Oil on canvas. Signed. Image size, 20H by 24L. Art...

A bright and inviting interior scene with a still life arrangement of a terracotta vase with white daisies and a red flower, beside a matching fruit bowl with limes and lemons. A blue and white painted tea cup and a striped plate with a cut lemon allude to an afternoon of tea. The arrangement is beautifully complemented by the vibrant mint green color of the walls. A dark navy blue china cabinet...

ARTIST: Margery Noel Slaney RSW SSA GI (1915-2000) Scottish TITLE: "Flowers And A Red Scarf" MEDIUM: oil on board SIZE: 69cm x 46cm inc frame NOTES: Artist mainly in oil, full name...

Vivid and dynamic painting of leopard skin Dr. Scholls spa sandals by Marc Foster Grant (American, b. 1947). Signed, titled and dated "Leopard Skin D...

Unique still life of a table with geraniums and a lit cigar, with a framed painting of a nude in a forest setting in the background by an unknown artist (American, 20th Century). Pre...

White and Purple Dahlias - Floral Still Life in Oil on Illustration Board Delicate still life of dahlias in a green vase by Gertrud Stimming ...

Portarit - Angelo Granati Italia 2019 - Oil on panel cm.70 x 50. This is his reinterpretation of a greatest old master painting "Portrait de la duchesse de Morny, née princesse Troubetzko "by Franz Xaver Winterhalteri. Franz Xaver Winterhalter was a German painter and lithographer. He worked in numerous European courts, such as Karlsruhe, Paris, London, Prague and Moscow, performing grandiose portraits of rulers, such as the one for King Louis Philippe of France in 1839 (in Versailles) or the one for Queen Victoria with her family in 1842 at Windsor Castle. He also painted three famous portraits of Empress Elisabeth of Austria...

A Captivating, Mid-Century Floral Still Life of Red Roses by Rudolph T. Pen. Wonderful colors and brushwork, and executed with the unique, Modern, sloped perspective for which Pen's...

Signed lower right, 'Pauer' for Jacalyn Pauer (American, 20th century) and dated 1991. Additionally signed, verso, and titled, 'The Family Dinner'. A su...

Large-format vertical painting in the style of impressionism, painted in oil, palette knife, in the technique of pastoral painting, which gives a 3D effect when viewed. The painting...

vintage pattern of climbing plants and vegetables creating a colourful contrast on a dark green background - Original oil painting - 50х70 cm - no framing necessary. The sides of...

Antique Dog Painting "Collies in Horse Stable with Saddle and Blanket" Auguste Vimar (French 1851-1916) Circa 1900 21 x 17 1/2 (29 x 25 1/2 frame) inches An excellent depiction of collies in the barn awaiting their master. The color and textures are very evocative of an actual stable right down to the hay scattered about. With its original frame, this is quite the statement piece. Auguste Vimar was a French painter, sculptor, designer and illustrator though he is best known for his talents as an illustrator. He illustrated great classics like La Fontaine's Fables or books by his friends, such as L'Arche de Noé by Paul Guigou...

Pierre Coquet - Still life with a yellow tablecloth Reference number F380 The painting is not framed but it could be with a natural oak floated or black ...

Jacob Ochtervelt (Workshop) The Grape Seller oil on canvas unframed: 80.7 x 61 cm.; 31 ¾ x 24 in. framed: 109.5 x 89 cm.; 43 1/8 x 35 in. Essay: This captivating piece, originating from the studio of the revered Dutch artist Jacob Ochtervelt, mirrors the composition of a signed and dated 1669 canvas by Ochtervelt that is presently housed in the Hermitage museum. Its subject, "The Grape Seller" immerses us in a typical 17th-century interior, replete with characters from various strata of society. At the center, a fruit vendor is depicted bending over to weigh grapes for the buyer. A child hands some of the grapes to her mother to taste, their attentive maid standing by. The backdrop showcases typical Ochtervelt details: a hint of the city visible through the doorway, light filtering in through an overhead window, and a playful dog at their side. The exquisite quality of the piece is evident in the minutiae, such as the intricate detailing of the mother's earring, which in reality spans only a few millimeters yet boasts impressive attention to detail. Initially, Sotheby's considered this work to be an autograph piece by Ochtervelt. But due to some uncertainty, it was auctioned as Workshop of Jacob Ochtervelt. On the other hand, the esteemed Cabinet Turquin in Paris leans toward attributing the piece directly to Jacob Ochtervelt himself. The painting is framed in an authentic period frame, which has been delicately restored by Stockholm's Förgyllning och Bildhuggeri. The frame retains its age-old patina and, while in used condition, has minor imperfections adding to its charm. Another interesting thing worth to mention is the painting's provenance. It was once owned by the 1st Viscount Rothermere (1868-1940), the founder of the Daily Mail and Daily Mirror...

A stunning ready to hang vibrating bold painting. This amazing painting can stand in a middle of a large space as a focal center. Dimensions: 80x80X2 cm, 31.5x31.5x0.8 inches. The te...

This early 20th-century oil painting by English artist John Falconar Slater (1857-1937) depicts a rustic cottage interior with an elderly lady reading. Slater was an accomplished, Ro...

American school realist portrait oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 16L.

Dimensions: 31.5 x 31.5 inches (80 x 80 cm) Medium: Oil on linen canvas, framed in black. The work, crafted by Sophie Dumont—a renowned French painter with growing international acc...

Dan Baldwin, Untitled Original artwork 57 x 77 cm (22.44 x 30.31 in) Hand-signed by the artist About the artist Sinister yet beautiful, the work of contemporary artist Dan Baldwi...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...