Unframed Interior Paintings

Figure standing with window

This geometric abstract painting belongs to the "Geometric Abstraction" series, a collection that explores the interplay of shapes and tones to create depth, balance, and harmony. G...

Sargy Mann (1937-2015) Studio with standard lamp Signed, upper right Inscribed with title to the reverse Oil on board 48 x 60 inches Provenance: Cadogan Contemporary Private Collection Exhibited: Sargy Mann and Graham Giles, Christchurch Mansion, Ipswich, 1991 A truly beautiful work but also highly significant within Sargy's oeuvre. The painting dates to the late 1980s when Sargy and his family were living at 58 Lyndhurst Grove, SE15. Sadly by this time, Sargy's eyesight had greatly deteriorated to ‘“a very little, blurry, peripheral vision” in his left eye, (he was registered blind)....(he) found it a struggle to paint from direct observation and began to rely on short term memory and tape recordings. Working on a large scale, he taped canvas to the living room wall of the family home on Lyndhurst Grove, “rather as Bonnard had pinned primed canvas to his studio wall”’. The space depicted had initially been a dark, depressing attic space but this was transformed by the addition of some French windows. The painting has an almost abstracted quality with the two light sources creating pools of cool, luminescent energy radiating throughout the picture space. Peter Mann describes the paintings from Lyndhurst Grove as, ‘in some sense a precursor to the very late work, The little sitting room paintings...

A sunny summer impressionistic landscape is painted en plein air, the artwork is created in different green colours, combinations of warm and cold shades are professionally captured ...

Fashion is a term that is given to enhancing the personal style of clothing. People these days no longer want to dress up casually but they want to add an element of fashion in their...

Italian artist, 19th century Still Life with Hunting Dogs indistinctly signed oil on canvas, unframed Canvas: 14.25 x 24 inches Provenance: private collection, UK Condition: very goo...

This geometric abstract painting belongs to the "Geometric Abstraction" series, a collection that explores the interplay of shapes, tones, and movement to create depth, balance, and ...

Profusion of Flowers Dutch School style, late 20th century oil on canvas, unframed canvas : 36 x 24 inches provenance: private collection, Cornwall, England condition: a few minor su...

In this contemporary painting in oil on canvas, a bright and inviting interior scene is set with a still life arrangement of red tulips beside a light green pitcher, peaches and pears on a yellow checkered table...

The bird’s eye view, strong light on the mother-of-pearl of oysters and folds create this image. The medium used is oil on canvas, which allows to capture the vibrant color, delicate texture, and the play of light on the subject matter. The iridescent oysters contrast on a black plate focusing the viewer's eye towards the center of the composition. Color palette in “Oysters and lemon...

Lady Knitting in Interior by Emile Courtin (French 1923-1997) signed lower right corner oil painting on canvas, unframed canvas size: 57.5 x 45.5 inches condition: overall good and s...

In this contemporary oil painting on canvas, a dining room interior scene is vibrant and colorful with an arrangement of flowers in a painted vase next to blue and white China teapot...

Signed lower right, 'Dambourgez' for Edouard-Jean Dambourgez (French, 1844-1931), titled, 'Paris' and painted circa 1880. Titled with inscription, verso, on old backing, ''Taverne Pausset', grands boulevards a Paris". A fine and detailed, cabinet-size oil painting showing an elegant Parisian cafe and bar, the interior lit by luminous, floor-to-ceiling stained-glass windows and filled with fashionably-dressed patrons drinking and socializing beneath a haze of pipe and cigar smoke. A minor, period masterpiece, providing an animated view of the city's fin-de-siècle nightlife, and characterised by finely observed and fully-realized figures showing an unusual degree of both social commentary and psychological penetration. Edouard-Jean Dambourgez first studied with Jules Lefebvre and, subsequently, as an engraver and chromo-lithographer under Gustave Boulanger. In 1880, Dambourgez commenced exhibiting at the Salon des Artistes Français, and, in 1883, was elected a member of the Society. Throughout the 1880's, he exhibited frequently and with success at the major Paris salons including the Salon d'Automne, the Salon des Independants and the Salon des Champs-de-Mars. In 1884, he was commissioned by the Louvre to engrave all illustrations for the catalog to the Thiers Collection, recently bequeathed to the Museum. The recipient of numerous prizes, medals and juried awards, Dambourgez was awarded an honorable distinction by the Salon in 1888, and an honorable mention in 1891. In 1888, the critic Albert Wolff recommended his painting, 'A Cheese Shop', for inclusion at the Salon des Artistes Français. In 1891, the city of Paris bought his large canvas, 'The Cream and Cheese Market...

In creating this painting, I was inspired by the tranquil beauty of water lilies. I aimed to capture their serene essence and the dynamic interplay of light on water. This piece blen...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "In 'Threads of Soulmates' from my 'Madeleine' se...

1920's Portrait of an Elegant Woman, Oil Painting, British British School, Early 20th Century Oil painting on wood panel, unframed Board size: 9.25 x 6 inches Quite a stunning portr...

This contemporary impressionist painting represents the deepest ocean with its varied blues and textures.

In this contemporary still life painting in oil on canvas, a clear glass vase holds bright lush chrysanthemum blossoms in coral red and pink beside orange and yellow fruits in a frui...

The bird’s eye view and strong light on the mother-of-pearl of oysters and folds create this image. The medium used is oil on canvas, which captures the vibrant color, delicate textu...

Clean and refreshing. Easy on the eyes yet distinct in a classic appeal. White on white has the subtlety of a quiet personality in a room full of people. When it speaks everyone li...

These stunning spring narcissus are placed in a transparent vase. The bright yellow flowers create a vivid color contrast against the silvery blue background focusing the viewer's ey...

The Kitchen Interior French artist, mid 20th century oil painting on artist paper, unframed painting: 10 x 9.5 inches condition: very good provenance: private collection, France

A bright and inviting interior scene with a still life arrangement of lemons in a blue and white painted fruit bowl beside a green, leafy plant in a blue and white vase on a striped,...

This geometric abstract painting belongs to the "Geometric Abstraction" series, a collection that explores the balance of shapes, tones, and movement to create depth and harmony. GA...

French School, mid 20th century Still life of books oil on board unframed board: 10.5 x 13.75 inches provenance: private collection, France condi...

Vilhelm Hammershoi 1864-1916, was a Danish painter. He predominantly painted interior scenes also a wide range of genre subjects with people in regular poses within the house. This ...

Presenting a charming and decorative composition painted in 1943 by Danish artist Evan Wulff. This stilleben painting unveils a rustic table adorned simply with a wine bottle and two...

Signed lower right, 'Pauer' for Jacalyn Pauer (American, 20th century) and dated 1991. Additionally signed, verso, and titled, 'The Family Dinner'. A su...

READY TO HANG with the edges painted. Size: 80x80X2 cm, 31.5x31.5x0.8 inches. I signed and dated on the front and I also put my relief signet as you can see an example at the last pi...

In this vibrant tapestry of colors and forms, I've channeled my passion into every stroke, blending acrylics, oils, and colored pencils to craft a symphony of abstract energy. This p...

A beautiful oil still life of a vase of assorted flowers, with two roses on the table. Unframed. Unsigned. Image, 16"H x 20"L.

A bright and inviting interior scene with a still life arrangement of a terracotta vase with white daisies and a red flower, beside a matching fruit bowl with limes and lemons. A blue and white painted tea cup and a striped plate with a cut lemon allude to an afternoon of tea. The arrangement is beautifully complemented by the vibrant mint green color of the walls. A dark navy blue china cabinet...

Artist/ School: French School, late 19th century/early 20th century, signed by Barthelemy Title: Profusion of flowers in a deep blue vase. Medium: oi...

Constructive figurative oil painting on canvas in mixed technique with blue and violet tones. It is part of a series where I explore the relationships between animals and humans. It ...

In my creation, I infused the canvas with the serenity of a twilight embrace. The lavender field breathes a tranquil symphony, inviting viewers to inhale the painted essence of natur...

The Guildhall, Worcester English School, mid 20th century indistinctly signed verso oil on canvas canvas: 20 x 24 inches provenance: private collection, UK condition: very good and sound condition The Worcester Guildhall was originally built as a meeting place for Worcester merchants around 1227. As with many other guildhalls, it became the centre for civic administration, a role it maintained after the merchant guild had disappeared. The present Worcester Guildhall is a superb Queen Anne building, begun in 1722 by Thomas White, a pupil of Sir Christopher Wren. White was badly paid for his efforts, and he died in poverty in 1738, bestowing the money he was owed on the Worcester Royal Infirmary. The city finally paid its debt in 1753. The exterior of the Guildhall is brick, dressed with stone. White himself is said to have carved the figure of Queen Anne over the entry, as well as those of Charles I and II, a reminder of the city's long history of royal support. The interior is superb, boasting exceptional period decoration. The Tourist Information Centre is now located in the Guildhall. HISTORY In 1227 Henry III granted the citizens of Worcester a royal charter granting them the right to establish a guild of merchants. The guild was responsible for controlling trade in the city, but their meeting place gradually became the main centre of administration for city government and acted as a courthouse. So, in effect, the Guildhall was the town hall, and though the city guilds have long since vanished, the Guildhall name lives on. The medieval guild merchants would not recognise the building that faces onto High Street now. Their guildhall was a large timber-framed building, occupying the same site, with a piazza for shops fronting the street, courts of justice at each end, and a prison to the north of the building. Part of the prison was a cell called 'the peephole', which gained a notorious reputation. There was a gaoler's house, and attached to it an alehouse from which the gaoler sold ale at extremely high prices to any prisoner who could afford the cost. In 1717 the city administration decided on a new Guildhall, and they knew just who to call; upon to build it. Thomas White was not an architect in the way we think of it today, but a stonemason. In 1705 he had carved a statue of Queen Anne to stand in front of the medieval Guildhall and was made a Freeman of the City. The total cost of the fashionable new red-brick building was £3727. The Corporation only put forward £800, and the rest had to be raised by public subscription. The centre section of the new Guildhall was finished by 1724 and has remained almost unchanged since then. The central facade is a wonderful example of early Georgian style, with three bays flanked by Corinthian pillars. Over the entrance is a huge carving incorporating the Hanoverian royal arms. White's earlier statue of Queen Anne was placed in a niche over the door, and on either side were statues of Charles I, depicted holding a church, and Charles II, with an orb and royal sceptre. On the rooftop are figures of Labour, Peace, Justice, Plenty, and Chastisement. North and south wings were added within a few years of the central block. The south wing was used as a judge's lodging when the assizes were taking place, but throughout the rest of the year it housed a coffee shop. The most striking external feature of the Guildhall is a set of iron gates...

Profusion of Flowers Classical Still Life Dutch School, 19th century oil on canvas, unframed canvas : 32 x 21 inches provenance: private collection condition: very good and sound con...

Fruit and Flowers monoprint by Calman Shemi Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the School of Sculpture and Ceramics in Mendoza, he studied under the Italian-Argentinean sculptor Libero Badii whom he credits with putting him on the right path. “He taught me principals, not only related to sculpture, but human and philosophic principals. Shemi also carefully studied the work of such masters as Pablo Picasso, Caravaggio, Frank Stella and Henri Matisse. “From each one of these great artists I learned something from observing them,” he says. In 1961, at the age of 20, Shemi immigrated to Israel and joined Kibbutz Carmia of which he was a member for twenty years. There he worked in agriculture and also as a sculptor working with wood and clay. Several of his large-scale fiberglass and polyester sculpture projects are situated in public buildings. He was a student of German-Israeli sculptor Rudi Lehmann, a pioneer of the artistic movement known as “Canaanism.” Canaanite art was an effort to create a direct relationship with the land, bypassing historic Jewish connotations—hence the land’s primordial name is used. Canaanite works, with an emphasis on the inter-action of simple shapes, bear a deliberate resemblance to the sculpture and ritual art of early civilizations of the Middle East prior to Judaism, always with an eye to the fusion of man and the land itself. Though sculpture dominated his early years as an artist, in the mid ’70s Shemi developed the idea of the “soft painting” medium. Beginning with a color drawing done to scale, Shemi layers onto the drawing irregularly shaped pieces of variously textured and colored fabrics. Using a threadless 9,000-needle sewing machine, the fabrics are meshed to one another and to the background, resulting in vibrant wool tapestry carpet compositions infused with exuberant color and explosive movement. Over the years, Shemi has continued to challenge himself with new artistic mediums, developing two more techniques of painting: “Lacquer paintings” and “window paintings.” He also works in monotype, lithograph and silkscreen techniques. He creates his Lacquer Painting by applying vibrant colors to wood or metal panel that has been gilded with gold or silver leaf, and sometimes both. After the oil paint has thoroughly dried, many layers of lacquer are applied to the surface giving it a glowing effect. Between each layer of lacquer the piece is hand-polished to give the surface its very shiny look. Shemi’s “lacquer” and “window” paintings are reminiscent of ancient techniques used centuries ago in Japan and China. Shemi concludes, “All of the art that I create is full of optimism and beauty. That’s all. Simple, very simple.” During the past eighteen years Shemi has held more than seventy one-man shows in the U.S., Japan, Germany, Spain, Belgium and Israel. His works can be seen in many public and private collections around the world. He is of a generation of contemporary Israeli artists, somewhat influenced by pop art that include Alex Pauker...

French Post Impressionist, early 20th century, double sided, oil on panel still life of a group of Zinnias or Anemones by noted artist Louis Pastour. The subject is similar to the pa...

Immerse yourself in the vibrant energy of "Radiant Blossoms" – a dynamic and colorful abstract painting that celebrates the joy, vitality, and beauty of life. Bursting with a harmoni...

Title: Modern Impressionist French Oil Painting Lush Garden Scene with Seated Figure by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting si...

Classical Still Life of Flowers in a Vase Attributed to Edouard Charton (French, born 1855) signed oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection, Fran...

signed by Fanch Lel (French b. 1930) Size: 11 x 9 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor signs of aging. Provenance: All...

Interior Scene by Jacques COULAIS (1955-2011) oil painting on board unframed: 10.75 x 8.75 inches condition: excellent provenance: all the paintings we have for sale by this artist h...

Thomas Bossard was born in 1971 in Poitiers, France, to a large and creative family. His mother fostered his interest in art since an early age, bringing Thomas to various museums wh...

The orange areas interlace with the red, conveying a sense of warmth and enthusiasm, as if the sun were in constant explosion. These tones ignite the spark of emotion in the artwork....

From the Tyndale Monument is an Original oil painting by Eleanor Woolley. This painting was started Plein air and finished in the studio. Looking down on the landscape from the Monum...

The painting shows a few large green-yellow bananas lying on a white surface. The weight of the fruit is emphasized by the lightness of the white color in the background. The black b...

Vintage French Watercolour Painting by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back watercolour pa...

Italian painter (18th century) - Saint Monica in prayer. 56 x 32 cm. Antique oil painting on canvas, without frame. Condition report: Good state of conservation of the pictorial s...

Signed lower right, 'Van Pitterson' for Lloyd H. Van Pitterson (Jamaican, 1926-1997) and created circa 1985. Additionally, inscribed, verso, 'Pink Balcony'. Born in Jamaica in the West Indies, Lloyd van Pitterson worked in the rum industry for twenty-two years while studying and painting in his spare time. In 1965, he decided to fully commit himself to a career as a fine artist and first studied with Edna Manley, the leading West Indian sculptor...

The timeless use of the human form has always been the subject from which artist Bruno Surdo chooses to express his narratives. This interest in using the human body as a focal poin...