Graphite Interior Paintings

Painting of Wild Yellow Flowers in Meadow Moorland Landscape by Contemporary British Artist, Angela Wakefield. Art measures 36 x 24 inches Frame measures 42 x 30 inches Angela Wakefield has twice been on the front cover of ‘Art of England’ and featured in ARTnews, attracting international attention and critical acclaim with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and is often favourably compared with Edward Hopper by collectors and art critics. Angela’s work is held in private collections in Europe and the USA, including the British Royal Family. Her admirers include leading figures in international business, filmmaking and the media. PROVENANCE: Ascot Studios...

'Fall Fog, Approaching'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ Heavy skies moving in over the autumnal landscape of West Cornwall: a ...

There is something compelling about drawings and sketches made by architects. Loose and full of life this delicious little study, made on the spot, beautifully captures the essence of place. Made during one of Patterson's early tours to India it shows the gloriously majestic Palace Museum in Udaipur, Rajasthan, which sits on the highest point overlooking Lake Pichola and the City. The delicate wash of terracottas, pinks and reds offers us the feel of sun on the old stones. India Palace Museum (Udaipur), watercolour & pencil on paper, image 9.5cm x 14cm, framed 21.5cm x 24.5cm, Artist Stamp, signed in pencil bottom left, 1990 Doug Patterson...

Abstract by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 19.5 inches good condition provenance: from the artists estate, France Josin...

"Geometric Bloom" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. This series focuses on geometric patterns and combinations of shapes to f...

City Lines acrylic on canvas 40 x 50 x 1.75 inches 2018 NYC Signed, dated and titled on the reverse side. series: Linepainting "Line series influenced by the digital city" Internal...

Abstract textured acrylic painting on canvas 80x80x2 cm (31,4 x 31,4 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides o...

This geometric abstract painting belongs to the "Geometric Abstraction" series, a collection that explores the interplay of shapes, tones, and movement to create depth, balance, and ...

'Ebren Ha Dor, Shifting Sky'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ The dancing light and rapidly changing skies, hung high above the the landscape of West Cornwall: a harshly beautiful peninsula, jutting out into the wild tireless ocean, shaped and moulded by powerful salt laden Atlantic winds. Criss-crossed by ancient, tangled hedgerows marking the stories of the leathered, labour-roughened hands worn like the granite, coloured as the bronze bracken covered land they toiled endlessly to tame, carving spaces of sanctuary against the raw elements. A plein air painting from the series 'Ebren ha Dor' (Meaning 'Sky and Earth in Cornish). In this series, Sophia's fluid expressive style captures the immediacy of the changing light in the seasonal landscapes, whilst exploring flux and balance in the nature of all things: The freedom of the air and solidity of the soil; Of human narratives written in the wild landscapes; in the sensual interplay of light and shadow. They capture an essence of the equilibrium between wild raw energy and serene stillness; chaos and harmony; and the enduring and the effervescent. Acrylic ink on handmade rough edge watercolour paper Signed in pencil to the lower right corner 30 x 30cm / 12 x 12 inches __________________________ About The Artist Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present. 'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’ ‘We are the stories of the journeys that came before. I weave into my work the tales of transitory circumstance; of struggle and survival; of forms and textures holding records of evolutionary millennia. I paint, I draw: with marks, mixtures, photography, words; the raw earth; the restless oceans; the whispered breeze. I work with time, and the immeasurable spaces of experience within, giving subtleties of existence a pause for contemplation. There is beauty in such poignant breaths. All moments are significant, every pebble of now forms the vast mountain of yesterday, and the great realm of tomorrow's possibilities'. Sophia has a 1st class honours Bachelor of Arts Degree in Visual Arts and World History, and a Masters Degree in Contemporary Visual Arts. Her work is held in prestigious international private collections, and exhibitions of her interactive, immersive installation, photography and mixed media works include 'Tabula Rasa', London; 'Superlative', Plymouth; 'Transition', Newlyn; The Eden Project, Cornwall; The European Parliament, Brussels; Kew Gardens, London; and 'The Cameraless Film Festival', Chicago. _________________________________ Modern . Landscape . Contemporary . landscape . Stone . Cornwall . Sky . Yellow . Blue . Green . Brown . Rural...

The Conviction of Things Not Seen #5 by Judith North [2022] original Oil, oil bar and chinagraph pencil on canvas Image size: H:90 cm x W:90 cm Complete Size of Unframed Work: H:90 ...

'Water lilies on the Novomilskyi Pond' Size 23 x 15 inches (57 x 38 cm). Original watercolor painting - painted on watercolor paper (Fabriano). Need a decorative frame. On the fron...

In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. My particular favorites are the Tanchos which can be identified by the distinct red spot on their heads. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman dating back the mid 1800's. I then tint the images using watercolor. In each piece I hope to translate a sense of movement to give the viewer a sense of calm one might experience watching the living versions lazily meandering around a serene pond. —Jeff Conroy Several koi swim in a circle while autumn leaves fall on the surface of the water in this Gyo-tako method of painting by artist Jeff Conroy. After inking and taking impressions of the koi, the artist then uses watercolors to enhance their beauty. By using marbled mulberry paper to print on, he has created the illusion of water with the swirls of the mulberry paper. The paper itself has a soft hue and slightly wavy texture adding the overall feel of the artwork. This artwork is unframed. Contact gallery for framing options. Jeff Conroy Autumn Cotillion sumi ink and colored pencil on mulberry paper 25h x 37w in 63.50h x 93.98w cm JEC103 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...